José Moure
Biographic Data
| ID | 1711556 |
|---|---|
| NAME | José Moure |
| GIVEN NAMES | José |
| FAMILY NAME | Moure |
| SIGNATURE | MOURE J |
| AFFILIATIONS | Université Paris 1 Panthéon-Sorbonne |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Technics
The Key Debates series was launched in 2010 with the aim of revisiting "the central issues that continue to animate thinking about film and audiovisual media," which we have now done across ten volumes.All of these have followed a pattern of reexamining foundational texts and issues, while also investigating new lines of transmission and interpretation.Our book series' dual interest in foundations and novel lines of inquiry is demonstrated by the…
Ils y viennent tous, au cinéma
L’année 1917 marque un tournant décisif dans l’histoire du cinéma et de sa reconnaissance culturelle. En cette année de guerre et de révolution, alors que l’Amérique, devenue première puissance cinématographique mondiale, s’apprête à entrer dans le conflit, les salles de cinéma attirent un public de plus en plus nombreux et large et les films, notamment américains, ceux de Charlie Chaplin ou Cecil B. De Mille, rallient l’intérêt et l’admiration d…
Stories
Stories are perceived as central to modern life. Not only in narrative entertainment media, such as television, cinema, theater, but also in social media. Telling/having "a story" is widely deemed essential, in business as well as in social life. Does this mark an intensification of what has always been part of human cultures; or has the realm of "story" expanded to dominate twenty-first century discourse? Addressing stories is an obvious priorit…
No prominent works on this page.
Ils y viennent tous, au cinéma
L’année 1917 marque un tournant décisif dans l’histoire du cinéma et de sa reconnaissance culturelle. En cette année de guerre et de révolution, alors que l’Amérique, devenue première puissance cinématographique mondiale, s’apprête à entrer dans le conflit, les salles de cinéma attirent un public de plus en plus nombreux et large et les films, notamment américains, ceux de Charlie Chaplin ou Cecil B. De Mille, rallient l’intérêt et l’admiration d…
Stories
Stories are perceived as central to modern life. Not only in narrative entertainment media, such as television, cinema, theater, but also in social media. Telling/having "a story" is widely deemed essential, in business as well as in social life. Does this mark an intensification of what has always been part of human cultures; or has the realm of "story" expanded to dominate twenty-first century discourse? Addressing stories is an obvious priorit…
Technics
The Key Debates series was launched in 2010 with the aim of revisiting "the central issues that continue to animate thinking about film and audiovisual media," which we have now done across ten volumes.All of these have followed a pattern of reexamining foundational texts and issues, while also investigating new lines of transmission and interpretation.Our book series' dual interest in foundations and novel lines of inquiry is demonstrated by the…
Admiration (1 work) · Art (1 work) · Arts (1 work) · Cinema and Media Studies (1 work) · Computer Science (1 work) · Cybernetics and Technology in Society (1 work) · Digital Games and Media (1 work) · Digital Media and Philosophy (1 work) · Digital Storytelling and Education (1 work) · European Political History Analysis (1 work)