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Robert Plant Armstrong

Biographic Data

ID171577
NAMERobert Plant Armstrong
GIVEN NAMESRobert Plant
FAMILY NAMEArmstrong
SIGNATUREARMSTRONG R P
AFFILIATIONSNorthwestern University
VERIFIEDNo
TOTAL WORKS21
TOTAL CITATIONS55
AUTHOR COUNT21
EDITOR COUNT0
FIRST PUBLICATION YEAR1954
LATEST PUBLICATION YEAR1986
H-INDEX3
  • Toward a Definition of Performance Studies, Part II

    Phillip B Zarrilli, I Made Bandem et al.•ARTICLE•Theatre Journal•1986•Cited by: 1

  • The Powers of Presence. Consciousness, Myth, and Affecting Presence

    V Y Mudimbe, Robert Plant Armstrong•ARTICLE•Canadian Journal of African…•1984

  • Oshe Shango and the Dynamic of Doubling

    Robert Plant Armstrong•ARTICLE•African Arts•1983

    Presentation des bâtons sculptes Yoruba de Shango (Nigeria), portes en procession par les adeptes du dieu du Tonnerre

  • A Crack in the Mirror

    Open Access•Claire R Farrer, Robert Plant Armstrong•REVIEW•Western Folklore•1983

  • The Powers of Presence

    Simon J Bronner, Robert Plant Armstrong•ARTICLE•Journal of American Folklore•1983

  • The Powers of Presence

    John Michael Vlach, Robert Plant Armstrong•ARTICLE•African Arts•1982

  • What's Red, White, and Blue and Syndetic

    Robert Plant Armstrong•ARTICLE•Journal of American Folklore•1982

    imitate the riddle, I trust my intention to be playful is clear. It is not to the riddle but to the flag, which most of you have doubtless surmised to be the answer to this faux-riddle, that I shall devote my attention-or some of it at least, for in fact, I am interested in that banner only insofar as it provides convenient access to a larger order of phenomena. What I wish to write about, to be quite direct, is syndesis, a dynamic I named in Wel…

  • Yoruba Beadwork

    Robert Plant Armstrong•ARTICLE•African Arts•1981

  • Ibeji

    Robert Plant Armstrong, Mareidi Stoll et al.•ARTICLE•African Arts•1981

  • Wellspring

    James W Fernandez, Robert Plant Armstrong•ARTICLE•African Arts•1976

  • My Collection

    Robert Plant Armstrong•ARTICLE•African Arts•1974

  • Art in Africa Today

    Robert Plant Armstrong•ARTICLE•African Arts•1974

  • Comment on Rosaldo's Review of the Affecting Presence

    Open Access•Robert Plant Armstrong•ARTICLE•American Anthropologist•1973

  • African Art and Leadership

    Robert Plant Armstrong, David Fraser et al.•ARTICLE•African Arts•1972

  • The Affecting Presence

    Open Access•Michael Owen Jones, Robert Plant Armstrong•ARTICLE•Western Folklore•1972•Cited by: 27

  • Black Gods and Kings

    Robert Plant Armstrong, Robert Thompson et al.•ARTICLE•African Arts•1971

  • Aesthetic Continuity in Two Yoruba Works

    Robert Plant Armstrong•ARTICLE•African Arts•1971

  • African Art

    Robert Plant Armstrong, Frank Willett•ARTICLE•African Arts•1971•Cited by: 4

  • The Affecting Presence

    John Povey, Robert Plant Armstrong•ARTICLE•African Arts•1971•Cited by: 23

  • African Writers and European Critics

    Open Access•Robert Plant Armstrong•ARTICLE•African Studies Review•1964

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Banyaruanda Proverbs

    P Alan, Barbara W Merriam et al.•ARTICLE•Journal of American Folklore•1954

  • The Affecting Presence

    Open Access•Michael Owen Jones, Robert Plant Armstrong•ARTICLE•Western Folklore•1972•Cited by: 27

  • The Affecting Presence

    John Povey, Robert Plant Armstrong•ARTICLE•African Arts•1971•Cited by: 23

  • African Art

    Robert Plant Armstrong, Frank Willett•ARTICLE•African Arts•1971•Cited by: 4

  • Toward a Definition of Performance Studies, Part II

    Phillip B Zarrilli, I Made Bandem et al.•ARTICLE•Theatre Journal•1986•Cited by: 1

  • Banyaruanda Proverbs

    P Alan, Barbara W Merriam et al.•ARTICLE•Journal of American Folklore•1954

  • African Writers and European Critics

    Open Access•Robert Plant Armstrong•ARTICLE•African Studies Review•1964

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Black Gods and Kings

    Robert Plant Armstrong, Robert Thompson et al.•ARTICLE•African Arts•1971

  • Aesthetic Continuity in Two Yoruba Works

    Robert Plant Armstrong•ARTICLE•African Arts•1971

  • African Art

    Robert Plant Armstrong, Frank Willett•ARTICLE•African Arts•1971•Cited by: 4

  • The Affecting Presence

    John Povey, Robert Plant Armstrong•ARTICLE•African Arts•1971•Cited by: 23

  • African Art and Leadership

    Robert Plant Armstrong, David Fraser et al.•ARTICLE•African Arts•1972

  • The Affecting Presence

    Open Access•Michael Owen Jones, Robert Plant Armstrong•ARTICLE•Western Folklore•1972•Cited by: 27

  • Comment on Rosaldo's Review of the Affecting Presence

    Open Access•Robert Plant Armstrong•ARTICLE•American Anthropologist•1973

  • My Collection

    Robert Plant Armstrong•ARTICLE•African Arts•1974

  • Art in Africa Today

    Robert Plant Armstrong•ARTICLE•African Arts•1974

  • Wellspring

    James W Fernandez, Robert Plant Armstrong•ARTICLE•African Arts•1976

  • Yoruba Beadwork

    Robert Plant Armstrong•ARTICLE•African Arts•1981

  • Ibeji

    Robert Plant Armstrong, Mareidi Stoll et al.•ARTICLE•African Arts•1981

  • The Powers of Presence

    John Michael Vlach, Robert Plant Armstrong•ARTICLE•African Arts•1982

  • What's Red, White, and Blue and Syndetic

    Robert Plant Armstrong•ARTICLE•Journal of American Folklore•1982

    imitate the riddle, I trust my intention to be playful is clear. It is not to the riddle but to the flag, which most of you have doubtless surmised to be the answer to this faux-riddle, that I shall devote my attention-or some of it at least, for in fact, I am interested in that banner only insofar as it provides convenient access to a larger order of phenomena. What I wish to write about, to be quite direct, is syndesis, a dynamic I named in Wel…

  • Oshe Shango and the Dynamic of Doubling

    Robert Plant Armstrong•ARTICLE•African Arts•1983

    Presentation des bâtons sculptes Yoruba de Shango (Nigeria), portes en procession par les adeptes du dieu du Tonnerre

  • A Crack in the Mirror

    Open Access•Claire R Farrer, Robert Plant Armstrong•REVIEW•Western Folklore•1983

  • The Powers of Presence

    Simon J Bronner, Robert Plant Armstrong•ARTICLE•Journal of American Folklore•1983

  • The Powers of Presence. Consciousness, Myth, and Affecting Presence

    V Y Mudimbe, Robert Plant Armstrong•ARTICLE•Canadian Journal of African…•1984

  • Toward a Definition of Performance Studies, Part II

    Phillip B Zarrilli, I Made Bandem et al.•ARTICLE•Theatre Journal•1986•Cited by: 1

Art (15 works) · Philosophy (9 works) · Sociology (6 works) · African history and culture studies (5 works) · Literature (5 works) · Computer Science (4 works) · Epistemology (4 works) · History (4 works) · Linguistics (4 works) · Mythology (4 works)

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