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Abigail S Mcgowan

Biographic Data

ID171906
NAMEAbigail S Mcgowan
GIVEN NAMESAbigail S
FAMILY NAMEMcgowan
SIGNATUREMCGOWAN A S
AFFILIATIONSUniversity of Vermont
VERIFIEDNo
TOTAL WORKS1
TOTAL CITATIONS1
AUTHOR COUNT1
EDITOR COUNT0
FIRST PUBLICATION YEAR2005
LATEST PUBLICATION YEAR2005
H-INDEX1
  • All that is Rare, Characteristic or Beautiful: Design and the Defense of Tradition in Colonial India, 1851-1903

    Open Access•Abigail S Mcgowan, Abigail Mcgowan•ARTICLE•Journal of Material Culture•2005•Cited by: 1•References: 8

    In the 1880s and 1890s, British officials worried that traditional Indian design was disappearing in the face of rapid westernization. But their idea of what constituted 'traditional' design was itself new, forged first at international exhibitions and then in the context of Indian artisanal and consumer experimentation with novel combinations of foreign styles and objects. Indeed, it was the latter which prompted British art officials in India t…

  • All that is Rare, Characteristic or Beautiful: Design and the Defense of Tradition in Colonial India, 1851-1903

    Open Access•Abigail S Mcgowan, Abigail Mcgowan•ARTICLE•Journal of Material Culture•2005•Cited by: 1•References: 8

    In the 1880s and 1890s, British officials worried that traditional Indian design was disappearing in the face of rapid westernization. But their idea of what constituted 'traditional' design was itself new, forged first at international exhibitions and then in the context of Indian artisanal and consumer experimentation with novel combinations of foreign styles and objects. Indeed, it was the latter which prompted British art officials in India t…

  • All that is Rare, Characteristic or Beautiful: Design and the Defense of Tradition in Colonial India, 1851-1903

    Open Access•Abigail S Mcgowan, Abigail Mcgowan•ARTICLE•Journal of Material Culture•2005•Cited by: 1•References: 8

    In the 1880s and 1890s, British officials worried that traditional Indian design was disappearing in the face of rapid westernization. But their idea of what constituted 'traditional' design was itself new, forged first at international exhibitions and then in the context of Indian artisanal and consumer experimentation with novel combinations of foreign styles and objects. Indeed, it was the latter which prompted British art officials in India t…

Aesthetics (1 works) · Anthropology (1 works) · Archaeology (1 works) · Art (1 works) · Art history (1 works) · Clothing (1 works) · Colonialism (1 works) · Consumerism (1 works) · Context (archaeology (1 works) · Cosmopolitanism (1 works)

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