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Kerstin Hadding

Biographic Data

ID1719946
NAMEKerstin Hadding
GIVEN NAMESKerstin
FAMILY NAMEHadding
SIGNATUREHADDING K
AFFILIATIONSHaskins Laboratories
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS12
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1973
LATEST PUBLICATION YEAR1976
H-INDEX2
  • Facial muscle activity in the production of Swedish vowels

    Open Access•Kerstin Hadding, Hajime Hirose et al.•ARTICLE•Journal of Phonetics•1976•References: 13

  • Are you asking me, telling me, or talking to yourself

    Open Access•Kerstin Hadding, Michael Studdert-Kennedy et al.•ARTICLE•Journal of Phonetics•1974•Cited by: 3•References: 1

  • Auditory and Linguistic Processes in the Perception of Intonation Contours

    Open Access•Michael Studdert-Kennedy, Michael Studdert‐kennedy et al.•ARTICLE•Language and Speech•1973•Cited by: 9•References: 13

    The fundamental frequency contour of a 700-msec. vocoded utterance, "November" [no'vεmb ], was systematically varied to produce 72 contours, different in f 0 at the stress and over the terminal glide. The contours were recorded (1) carried on the speech wave, (2) as modulated sine waves. Swedish and American subjects classified (1) both speech and sine-wave contours as either terminally rising or terminally falling (psychophysical judgments), (2)…

  • Auditory and Linguistic Processes in the Perception of Intonation Contours

    Open Access•Michael Studdert-Kennedy, Michael Studdert‐kennedy et al.•ARTICLE•Language and Speech•1973•Cited by: 9•References: 13

    The fundamental frequency contour of a 700-msec. vocoded utterance, "November" [no'vεmb ], was systematically varied to produce 72 contours, different in f 0 at the stress and over the terminal glide. The contours were recorded (1) carried on the speech wave, (2) as modulated sine waves. Swedish and American subjects classified (1) both speech and sine-wave contours as either terminally rising or terminally falling (psychophysical judgments), (2)…

  • Are you asking me, telling me, or talking to yourself

    Open Access•Kerstin Hadding, Michael Studdert-Kennedy et al.•ARTICLE•Journal of Phonetics•1974•Cited by: 3•References: 1

  • Auditory and Linguistic Processes in the Perception of Intonation Contours

    Open Access•Michael Studdert-Kennedy, Michael Studdert‐kennedy et al.•ARTICLE•Language and Speech•1973•Cited by: 9•References: 13

    The fundamental frequency contour of a 700-msec. vocoded utterance, "November" [no'vεmb ], was systematically varied to produce 72 contours, different in f 0 at the stress and over the terminal glide. The contours were recorded (1) carried on the speech wave, (2) as modulated sine waves. Swedish and American subjects classified (1) both speech and sine-wave contours as either terminally rising or terminally falling (psychophysical judgments), (2)…

  • Are you asking me, telling me, or talking to yourself

    Open Access•Kerstin Hadding, Michael Studdert-Kennedy et al.•ARTICLE•Journal of Phonetics•1974•Cited by: 3•References: 1

  • Facial muscle activity in the production of Swedish vowels

    Open Access•Kerstin Hadding, Hajime Hirose et al.•ARTICLE•Journal of Phonetics•1976•References: 13

Phonetics and Phonology Research (3 works) · Physics (3 works) · Psychology (3 works) · Acoustics (2 works) · Communication (2 works) · Computer Science (2 works) · Linguistics (2 works) · Perception (2 works) · Pitch contour (2 works) · Prosody (2 works)

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