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Rose Brandel

Biographic Data

ID172146
NAMERose Brandel
GIVEN NAMESRose
FAMILY NAMEBrandel
SIGNATUREBRANDEL R
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS4
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1959
LATEST PUBLICATION YEAR1973
H-INDEX2
  • The Music of Central Africa

    Open Access•Rose Brandel•BOOK•Music of Central Africa : an…•1973•Cited by: 2

    272 p. : 27 cm

  • Dance Ethnology, Dance Education, and the Public

    Gertrude P Kurath, Rose Brandel et al.•ARTICLE•Ethnomusicology•1963

    Gertrude P. Kurath, Rose Brandel, Nadia Chilkovsky, George List, Reginald Laubin, Gladys Laubin, Donald Nelson Brown, Frances B. Wright, Dance Ethnology, Dance Education, and the Public, Ethnomusicology, Vol. 7, No. 3, Tenth Anniversary Issue (Sep., 1963), pp. 234-247

  • The Music of Central Africa

    Darius L Thieme, Darius Thieme et al.•ARTICLE•Ethnomusicology•1963

  • Types of Melodic Movement in Central Africa

    Rose Brandel•ARTICLE•Ethnomusicology•1962

    Nucleus of One or Two Intervals: The compressed, melodic prototype-the nucleus of one or two intervals spanning usually not more than a third-has been found in many cultures throughout the world. Such structurally primal melody appears sporadically in Central Africa. As a chant-like accompaniment (whether as refrain or ostinato) it is more common, but where it comprises the entire or main melodic line it is quite rare. The latter or pure form of …

  • La chironomie dans l'Egypte pharaonique

    Rose Brandel, Hans Hickmann•ARTICLE•Ethnomusicology•1961

  • Catalogue d'enregistrements de musique folklorique egyptienne. Precede d'un rapport preliminaire sur les traces de l'art musical pharaonique dans la melopee de la Valee du Nil

    Rose Brandel, Hans Hickmann et al.•ARTICLE•Ethnomusicology•1961

  • La Castagnette Egyptienne

    Rose Brandel, Hans Hickmann•ARTICLE•Ethnomusicology•1961

  • The African Hemiola Style

    Rose Brandel•ARTICLE•Ethnomusicology•1959•Cited by: 2

    The present writer has employed the phrase African hemiola-style in describing the most important rhythmic style of Africa. As used in European musical tradition from the Renaissance onward, the term refers, of course, to the interplay of two groups of three notes with three groups of two notes. This is accomplished without any durational change in the basic pulse unit, so that two groups of 3/4, for example, may become three groups of 2/4 withou…

  • The Music of Central Africa

    Open Access•Rose Brandel•BOOK•Music of Central Africa : an…•1973•Cited by: 2

    272 p. : 27 cm

  • The African Hemiola Style

    Rose Brandel•ARTICLE•Ethnomusicology•1959•Cited by: 2

    The present writer has employed the phrase African hemiola-style in describing the most important rhythmic style of Africa. As used in European musical tradition from the Renaissance onward, the term refers, of course, to the interplay of two groups of three notes with three groups of two notes. This is accomplished without any durational change in the basic pulse unit, so that two groups of 3/4, for example, may become three groups of 2/4 withou…

  • The African Hemiola Style

    Rose Brandel•ARTICLE•Ethnomusicology•1959•Cited by: 2

    The present writer has employed the phrase African hemiola-style in describing the most important rhythmic style of Africa. As used in European musical tradition from the Renaissance onward, the term refers, of course, to the interplay of two groups of three notes with three groups of two notes. This is accomplished without any durational change in the basic pulse unit, so that two groups of 3/4, for example, may become three groups of 2/4 withou…

  • La chironomie dans l'Egypte pharaonique

    Rose Brandel, Hans Hickmann•ARTICLE•Ethnomusicology•1961

  • Catalogue d'enregistrements de musique folklorique egyptienne. Precede d'un rapport preliminaire sur les traces de l'art musical pharaonique dans la melopee de la Valee du Nil

    Rose Brandel, Hans Hickmann et al.•ARTICLE•Ethnomusicology•1961

  • La Castagnette Egyptienne

    Rose Brandel, Hans Hickmann•ARTICLE•Ethnomusicology•1961

  • Types of Melodic Movement in Central Africa

    Rose Brandel•ARTICLE•Ethnomusicology•1962

    Nucleus of One or Two Intervals: The compressed, melodic prototype-the nucleus of one or two intervals spanning usually not more than a third-has been found in many cultures throughout the world. Such structurally primal melody appears sporadically in Central Africa. As a chant-like accompaniment (whether as refrain or ostinato) it is more common, but where it comprises the entire or main melodic line it is quite rare. The latter or pure form of …

  • Dance Ethnology, Dance Education, and the Public

    Gertrude P Kurath, Rose Brandel et al.•ARTICLE•Ethnomusicology•1963

    Gertrude P. Kurath, Rose Brandel, Nadia Chilkovsky, George List, Reginald Laubin, Gladys Laubin, Donald Nelson Brown, Frances B. Wright, Dance Ethnology, Dance Education, and the Public, Ethnomusicology, Vol. 7, No. 3, Tenth Anniversary Issue (Sep., 1963), pp. 234-247

  • The Music of Central Africa

    Darius L Thieme, Darius Thieme et al.•ARTICLE•Ethnomusicology•1963

  • The Music of Central Africa

    Open Access•Rose Brandel•BOOK•Music of Central Africa : an…•1973•Cited by: 2

    272 p. : 27 cm

Art (4 works) · Diverse Musicological Studies (3 works) · Geography (3 works) · Music History and Culture (3 works) · Visual arts (3 works) · Ancient Egypt and Archaeology (2 works) · History (2 works) · Musicology and Musical Analysis (2 works) · Aesthetics (1 work) · Africa (1 work)

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