Nathan Lovejoy
Biographic Data
| ID | 1723779 |
|---|---|
| NAME | Nathan Lovejoy |
| GIVEN NAMES | Nathan |
| FAMILY NAME | Lovejoy |
| SIGNATURE | LOVEJOY N |
| AFFILIATIONS | Ca' Foscari University of Venice |
| ORCID | 0000-0002-0124-5398 |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Sarruma and his skirt of many patterns
The Anatolian hieroglyphs SARMA and its variants were employed during the Late Bronze and Iron Ages to invoke the god Sarruma and as theophoric elements pointing to the same god in personal names. In this paper, these SARMA signs are analysed in order to understand the chronological development of the signs, to challenge the use of ligatures, phonetic indicators and phonetic complements with the sign, to determine the precise semantic value of th…
Networks of Specialized Knowledge
Recent research focused on the regions of Malatya and the northern Levant has allowed scholars to improve our understanding of the political history of the polities of Malizi and Palastina. The present article examines recent archaeological evidence from Arslantepe and several northern Levantine sites alongside a corpus of textual and iconographic data from the upper Euphrates and the northern Levant in an attempt to identify Early Iron Age netwo…
Ambiguity of Divine and Royal Portraiture and the Hiyawan Image of Kingship
This paper examines the content of the ÇİNEKÖY and KARATEPE Inscriptions, the selection of scripts on the monuments, and the choices of iconography on the two statues of the Storm God. These monuments represent a regionally and temporally specific practice of representation that ambiguously blends elements of divine and royal imagery into a new form, while taking a similar approach to the semiotics of rulership as the Neo-Assyrian kings. The comb…
No prominent works on this page.
Ambiguity of Divine and Royal Portraiture and the Hiyawan Image of Kingship
This paper examines the content of the ÇİNEKÖY and KARATEPE Inscriptions, the selection of scripts on the monuments, and the choices of iconography on the two statues of the Storm God. These monuments represent a regionally and temporally specific practice of representation that ambiguously blends elements of divine and royal imagery into a new form, while taking a similar approach to the semiotics of rulership as the Neo-Assyrian kings. The comb…
Networks of Specialized Knowledge
Recent research focused on the regions of Malatya and the northern Levant has allowed scholars to improve our understanding of the political history of the polities of Malizi and Palastina. The present article examines recent archaeological evidence from Arslantepe and several northern Levantine sites alongside a corpus of textual and iconographic data from the upper Euphrates and the northern Levant in an attempt to identify Early Iron Age netwo…
Sarruma and his skirt of many patterns
The Anatolian hieroglyphs SARMA and its variants were employed during the Late Bronze and Iron Ages to invoke the god Sarruma and as theophoric elements pointing to the same god in personal names. In this paper, these SARMA signs are analysed in order to understand the chronological development of the signs, to challenge the use of ligatures, phonetic indicators and phonetic complements with the sign, to determine the precise semantic value of th…
History (3 works) · Ancient Egypt and Archaeology (2 works) · Ancient Near East History (2 works) · Archaeology and Historical Studies (2 works) · Geography (2 works) · Law (2 works) · Political science (2 works) · Politics (2 works) · Sociology (2 works) · Aesthetics (1 works)