Andrew Crampton
Biographic Data
| ID | 172487 |
|---|---|
| NAME | Andrew Crampton |
| GIVEN NAMES | Andrew |
| FAMILY NAME | Crampton |
| SIGNATURE | CRAMPTON A |
| AFFILIATIONS | Nottingham Trent University |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 75 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1996 |
| LATEST PUBLICATION YEAR | 2005 |
| H-INDEX | 5 |
Reel Geopolitics: Cinemato-graphing Political Space
Frames of Reference on the Geopolitical Stage: Saving Private Ryanand the Second World War/Second Gulf War Intertext
As sequels go, Gulf War II: Unfinished Business was a popular and omnipotent movie spectacle. The very process of naming the conflict implied a notion of watching a second episode and encountering the war from afar, whilst numerous media commentators likened their experience of the war to that of watching a movie, or even a movie of a movie. In turn political leaders from the ‘coalition of the willing’ were regularly able to call upon a stock of …
Doing cultural geography
The art of nation-building: (Re)presenting political transition at the South African National Gallery
This paper examines the relationship between museums and representations of national identity in South Africa. From their early development in Western Europe in the nineteenth century there has been a close relationship between museums and other exhibitionary spaces and the production of national identities. In South Africa, museum displays have historically supported colonial and apartheid ideologies, but with the transition to a post-apartheid …
The Voortrekker Monument, the birth of apartheid, and beyond
Intellectuals, institutions and ideology: The case of Robert Strausz-Hupé and 'American geopolitics
Reel Geopolitics: Cinemato-graphing Political Space
Frames of Reference on the Geopolitical Stage: Saving Private Ryanand the Second World War/Second Gulf War Intertext
As sequels go, Gulf War II: Unfinished Business was a popular and omnipotent movie spectacle. The very process of naming the conflict implied a notion of watching a second episode and encountering the war from afar, whilst numerous media commentators likened their experience of the war to that of watching a movie, or even a movie of a movie. In turn political leaders from the ‘coalition of the willing’ were regularly able to call upon a stock of …
The art of nation-building: (Re)presenting political transition at the South African National Gallery
This paper examines the relationship between museums and representations of national identity in South Africa. From their early development in Western Europe in the nineteenth century there has been a close relationship between museums and other exhibitionary spaces and the production of national identities. In South Africa, museum displays have historically supported colonial and apartheid ideologies, but with the transition to a post-apartheid …
The Voortrekker Monument, the birth of apartheid, and beyond
Intellectuals, institutions and ideology: The case of Robert Strausz-Hupé and 'American geopolitics
Intellectuals, institutions and ideology: The case of Robert Strausz-Hupé and 'American geopolitics
The Voortrekker Monument, the birth of apartheid, and beyond
Doing cultural geography
The art of nation-building: (Re)presenting political transition at the South African National Gallery
This paper examines the relationship between museums and representations of national identity in South Africa. From their early development in Western Europe in the nineteenth century there has been a close relationship between museums and other exhibitionary spaces and the production of national identities. In South Africa, museum displays have historically supported colonial and apartheid ideologies, but with the transition to a post-apartheid …
Reel Geopolitics: Cinemato-graphing Political Space
Frames of Reference on the Geopolitical Stage: Saving Private Ryanand the Second World War/Second Gulf War Intertext
As sequels go, Gulf War II: Unfinished Business was a popular and omnipotent movie spectacle. The very process of naming the conflict implied a notion of watching a second episode and encountering the war from afar, whilst numerous media commentators likened their experience of the war to that of watching a movie, or even a movie of a movie. In turn political leaders from the ‘coalition of the willing’ were regularly able to call upon a stock of …
Political science (6 works) · Law (5 works) · Politics (5 works) · Geopolitics (3 works) · Sociology (3 works) · Aesthetics (2 works) · African history and culture studies (2 works) · Art (2 works) · Gender Studies (2 works) · History (2 works)