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Hans-Jörg Ranz

Biographic Data

ID172818
NAMEHans-Jörg Ranz
GIVEN NAMESHans-Jörg
FAMILY NAMERanz
SIGNATURERANZ H
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS5
AUTHOR COUNT2
EDITOR COUNT0
FIRST PUBLICATION YEAR1958
LATEST PUBLICATION YEAR2009
H-INDEX1
  • Pigments, dyes, and black enamel-the colorants of reverse paintings on glass

    Open Access•Oliver Hahn, Simone Bretz et al.•ARTICLE•Archaeological and Anthropological…•2009•Cited by: 5•References: 9

    Nondestructive analyses of medieval reverse paintings on glass revealed the same dyes and pigments customarily used in panel paintings. However, there is one exception: the black colorant is not a carbon-based pigment, but black enamel. In this respect, the stylistic as well as the technical influence of stained glass artwork can clearly be seen on reverse paintings on glass. However, there is a crucial difference: in reverse paintings, the black…

  • Handbuch der Naturraumlichen Gliederung Deutsch-Lands

    D J Davis, Emil Meynen et al.•ARTICLE•Geographical Journal•1958

  • Pigments, dyes, and black enamel-the colorants of reverse paintings on glass

    Open Access•Oliver Hahn, Simone Bretz et al.•ARTICLE•Archaeological and Anthropological…•2009•Cited by: 5•References: 9

    Nondestructive analyses of medieval reverse paintings on glass revealed the same dyes and pigments customarily used in panel paintings. However, there is one exception: the black colorant is not a carbon-based pigment, but black enamel. In this respect, the stylistic as well as the technical influence of stained glass artwork can clearly be seen on reverse paintings on glass. However, there is a crucial difference: in reverse paintings, the black…

  • Handbuch der Naturraumlichen Gliederung Deutsch-Lands

    D J Davis, Emil Meynen et al.•ARTICLE•Geographical Journal•1958

  • Pigments, dyes, and black enamel-the colorants of reverse paintings on glass

    Open Access•Oliver Hahn, Simone Bretz et al.•ARTICLE•Archaeological and Anthropological…•2009•Cited by: 5•References: 9

    Nondestructive analyses of medieval reverse paintings on glass revealed the same dyes and pigments customarily used in panel paintings. However, there is one exception: the black colorant is not a carbon-based pigment, but black enamel. In this respect, the stylistic as well as the technical influence of stained glass artwork can clearly be seen on reverse paintings on glass. However, there is a crucial difference: in reverse paintings, the black…

Art (1 works) · Botany and Plant Ecology Studies (1 works) · Building materials and conservation (1 works) · Carbon black (1 works) · Composite material (1 works) · Conservation Techniques and Studies (1 works) · Cross-Border Cooperation and Integration (1 works) · Cultural Heritage Materials Analysis (1 works) · Ecology, Conservation, and Geographical Studies (1 works) · Enamel paint (1 works)

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