Ian Steadman
Biographic Data
| ID | 1744047 |
|---|---|
| NAME | Ian Steadman |
| GIVEN NAMES | Ian |
| FAMILY NAME | Steadman |
| SIGNATURE | STEADMAN I |
| AFFILIATIONS | University of the Witwatersrand |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 7 |
| AUTHOR COUNT | 10 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1980 |
| LATEST PUBLICATION YEAR | 1994 |
| H-INDEX | 2 |
Black theatre in South Africa
Theatre at the Crossroads
"THEATRE AT THE CROSSROADS: AN INTRODUCTION TO THIS SPECIAL ISSUE." South African Theatre Journal, 7(2), pp. 1–2
The Uses Of Theatre
The Theatre Industry in the 1990's
(1990). THE THEATRE INDUSTRY IN THE 1990's. South African Theatre Journal: Vol. 4, No. 2, pp. 1-11
Towards popular theatre in South Africa
Paper presented at the Wits History Workshop: Structure and Experience in the Making of Apartheid, 6-10 February, 1990
Theatre Studies in the 1990s
Introduction
The Radical Paradigm in South African Theatre Studies
Performance Research
(1981). Performance Research: A Select Bibliography. Critical Arts: Vol. 2, No. 1, pp. 60-65
Critical responses to contemporary South African theatre
On 1st June, 1980, a symposium was convened at the Moravian Hall in Soweto. This was a meeting of people interested in the future of South African theatre. In this case the focus of interest was black theatre in South Africa. but the issues raised at the meeting served to elucidate areas of larger concern. The most pertinent question raised was: “Exactly what is black theatre?” The implication was (and Jean Genet might have said it) : “First of a…
Towards popular theatre in South Africa
Paper presented at the Wits History Workshop: Structure and Experience in the Making of Apartheid, 6-10 February, 1990
Critical responses to contemporary South African theatre
On 1st June, 1980, a symposium was convened at the Moravian Hall in Soweto. This was a meeting of people interested in the future of South African theatre. In this case the focus of interest was black theatre in South Africa. but the issues raised at the meeting served to elucidate areas of larger concern. The most pertinent question raised was: “Exactly what is black theatre?” The implication was (and Jean Genet might have said it) : “First of a…
Critical responses to contemporary South African theatre
On 1st June, 1980, a symposium was convened at the Moravian Hall in Soweto. This was a meeting of people interested in the future of South African theatre. In this case the focus of interest was black theatre in South Africa. but the issues raised at the meeting served to elucidate areas of larger concern. The most pertinent question raised was: “Exactly what is black theatre?” The implication was (and Jean Genet might have said it) : “First of a…
Performance Research
(1981). Performance Research: A Select Bibliography. Critical Arts: Vol. 2, No. 1, pp. 60-65
The Radical Paradigm in South African Theatre Studies
Introduction
Theatre Studies in the 1990s
The Theatre Industry in the 1990's
(1990). THE THEATRE INDUSTRY IN THE 1990's. South African Theatre Journal: Vol. 4, No. 2, pp. 1-11
Towards popular theatre in South Africa
Paper presented at the Wits History Workshop: Structure and Experience in the Making of Apartheid, 6-10 February, 1990
The Uses Of Theatre
Theatre at the Crossroads
"THEATRE AT THE CROSSROADS: AN INTRODUCTION TO THIS SPECIAL ISSUE." South African Theatre Journal, 7(2), pp. 1–2
Black theatre in South Africa
Art (8 works) · History (8 works) · Sociology (8 works) · Theatre and Performance Studies (7 works) · Visual arts (7 works) · Media studies (5 works) · Gender Studies (3 works) · Art history (2 works) · Gender Studies (2 works) · History (2 works)