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Martin L Boston

Biographic Data

ID1744158
NAMEMartin L Boston
GIVEN NAMESMartin L
FAMILY NAMEBoston
SIGNATUREBOSTON M L
AFFILIATIONSCalifornia State University, Sacramento
ORCID0000-0003-1658-6387
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS1
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2023
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Reading Between the Lines

    Open Access•Martin L Boston•ARTICLE•Journal of Southern African Studies•2025

    Based on archival research conducted at the Bailey’s African History Archive (BAHA) in Johannesburg, this article explores how the South African edition of Drum magazine covered the South African and international superstar singer, Miriam Makeba, prior to and as she left South Africa for the world’s stage in 1959, and into the mid 1960s while she was beginning her exiled life in the United States. I analyse Makeba’s life through Drum using the mo…

  • Dawn Breaks

    Open Access•Martin L Boston•ARTICLE•Third World Thematics A TWQ Journal•2023•Cited by: 1•References: 9

    This article is an auto-ethnographic study that explores how its author came to study South African exiles after stumbling upon archival material of a radio segment called “Dawn Breaks,” while at the Liberation Archives at The University of Fort Hare in Alice, South Africa. Dawn Breaks was the African National Congress (ANC) Women’s Section’s weekly 30-min radio segment of the exiled ANC’s radio programme, “Radio Freedom,” that broadcasted pri-ma…

  • The spiritual journey to becoming a history-keeper of South African liberation movements

    Martin L Boston, Tiffany Willoughby-Herard•ARTICLE•Third World Thematics A TWQ Journal•2023•References: 35

    The editors of this collection reflect on the ways that studying the anti-apartheid liberation movement is a consciousness raising process. We consider the cosmological, spiritual, and affective impact of tarrying with liberation histories. From Vincent Harding’s (1981) conceptualisation of a ‘deep river’ and Cedric J. Robinson’s (1983) notion of a ‘Black Radical Tradition’ to the ‘endarkened feminist storytelling’ offered by Cynthia Dillard in 2…

  • Dawn Breaks

    Open Access•Martin L Boston•ARTICLE•Third World Thematics A TWQ Journal•2023•Cited by: 1•References: 9

    This article is an auto-ethnographic study that explores how its author came to study South African exiles after stumbling upon archival material of a radio segment called “Dawn Breaks,” while at the Liberation Archives at The University of Fort Hare in Alice, South Africa. Dawn Breaks was the African National Congress (ANC) Women’s Section’s weekly 30-min radio segment of the exiled ANC’s radio programme, “Radio Freedom,” that broadcasted pri-ma…

  • Dawn Breaks

    Open Access•Martin L Boston•ARTICLE•Third World Thematics A TWQ Journal•2023•Cited by: 1•References: 9

    This article is an auto-ethnographic study that explores how its author came to study South African exiles after stumbling upon archival material of a radio segment called “Dawn Breaks,” while at the Liberation Archives at The University of Fort Hare in Alice, South Africa. Dawn Breaks was the African National Congress (ANC) Women’s Section’s weekly 30-min radio segment of the exiled ANC’s radio programme, “Radio Freedom,” that broadcasted pri-ma…

  • The spiritual journey to becoming a history-keeper of South African liberation movements

    Martin L Boston, Tiffany Willoughby-Herard•ARTICLE•Third World Thematics A TWQ Journal•2023•References: 35

    The editors of this collection reflect on the ways that studying the anti-apartheid liberation movement is a consciousness raising process. We consider the cosmological, spiritual, and affective impact of tarrying with liberation histories. From Vincent Harding’s (1981) conceptualisation of a ‘deep river’ and Cedric J. Robinson’s (1983) notion of a ‘Black Radical Tradition’ to the ‘endarkened feminist storytelling’ offered by Cynthia Dillard in 2…

  • Reading Between the Lines

    Open Access•Martin L Boston•ARTICLE•Journal of Southern African Studies•2025

    Based on archival research conducted at the Bailey’s African History Archive (BAHA) in Johannesburg, this article explores how the South African edition of Drum magazine covered the South African and international superstar singer, Miriam Makeba, prior to and as she left South Africa for the world’s stage in 1959, and into the mid 1960s while she was beginning her exiled life in the United States. I analyse Makeba’s life through Drum using the mo…

Archaeology (3 works) · Gender Studies (3 works) · History (3 works) · Sociology (3 works) · Art (2 works) · Law (2 works) · Media studies (2 works) · Political science (2 works) · Politics (2 works) · South African History and Culture (2 works)

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