Mac Fenwick
Biographic Data
| ID | 1744220 |
|---|---|
| NAME | Mac Fenwick |
| FAMILY NAME | Mac Fenwick |
| SIGNATURE | MAC FENWICK |
| AFFILIATIONS | Queen's University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 9 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1996 |
| LATEST PUBLICATION YEAR | 2011 |
| H-INDEX | 1 |
Simply there
In Lorna Goodison’s earliest works, gardens are sites of resistance and liberation for the female creative self. But this view evolves in subsequent collections as her speakers come to recognize the historical materiality of Jamaican gardens as biological and ideological products of an imperial agricultural project of domination, control, and dispossession. The result of this recognition is a more nuanced and complicated view of Jamaican planting…
Crossing the Figurative Gap
Tough guy, eh
As black South Africans moved into urban areas like Sophiatown during the 1950s, they began to search for a new identity to replace the rural life that they had left behind and that the white government was trying to keep alive through propaganda and, failing that, repressive legislation. One of the more surprising sources of this new identity was Hollywood gangster films. The fascination with gangsters that was shared by all levels of cultural p…
Tough guy, eh
As black South Africans moved into urban areas like Sophiatown during the 1950s, they began to search for a new identity to replace the rural life that they had left behind and that the white government was trying to keep alive through propaganda and, failing that, repressive legislation. One of the more surprising sources of this new identity was Hollywood gangster films. The fascination with gangsters that was shared by all levels of cultural p…
Tough guy, eh
As black South Africans moved into urban areas like Sophiatown during the 1950s, they began to search for a new identity to replace the rural life that they had left behind and that the white government was trying to keep alive through propaganda and, failing that, repressive legislation. One of the more surprising sources of this new identity was Hollywood gangster films. The fascination with gangsters that was shared by all levels of cultural p…
Crossing the Figurative Gap
Simply there
In Lorna Goodison’s earliest works, gardens are sites of resistance and liberation for the female creative self. But this view evolves in subsequent collections as her speakers come to recognize the historical materiality of Jamaican gardens as biological and ideological products of an imperial agricultural project of domination, control, and dispossession. The result of this recognition is a more nuanced and complicated view of Jamaican planting…
Art (3 works) · History (3 works) · Aesthetics (2 works) · History (2 works) · Law (2 works) · Literature (2 works) · Philosophy (2 works) · Philosophy (2 works) · Political science (2 works) · Sociology (2 works)