Frieda Ekotto
Biographic Data
| ID | 174560 |
|---|---|
| NAME | Frieda Ekotto |
| GIVEN NAMES | Frieda |
| FAMILY NAME | Ekotto |
| SIGNATURE | EKOTTO F |
| AFFILIATIONS | University of Michigan |
| VERIFIED | No |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 10 |
| EDITOR COUNT | 2 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Mourning Without End
The Eternal Departure
This essay offers a lyrical meditation on death, memory, and historical trauma, weaving personal grief—especially the loss of her father—into the broader context of African diasporic experiences. Africa becomes a symbol of ongoing loss and spectral presence, where the dead live on through memory, language, and silence. Through philosophical inquiry, autobiographical fragments, and literary references, she explores the impossibility of fully artic…
Frantz Fanon in the Era of Black Lives Matter
Framing homosexual identities in Cameroonian literature
What language exists to describe the lives of women and sexual minorities who live in Cameroon? In this paper, I demonstrate how a selection of contemporary works of fiction use their narratives to create a space and language for the experiences of LGBT individuals within the cultural imaginary of Sub-Saharan Africa. Texts such as my own Jeune fille de Bona Mbella (2010), Max Lobe’s 39 Rue de Berne (2013) and Chimamanda Adichie’s “Jumping Monkey …
Rethinking African Cultural Production
Une relecture artistique et esthétique des spectres de l'Histoire
Two Documentary Films - Eléonore Yaméogo, Dir. Paris My Paradise. Original Title
TWO DOCUMENTARY FILMS - Eléonore Yaméogo, dir. Paris My Paradise. Original Title: Paris mon paradis. 2011. French, with English subtitles. 67 mins. Burkina Faso: Overlap Film (Erwann, Greec’h Roman Da Costa). No price reported. - Kim Longinotto and Florence Aysi, dirs. Sisters in Law. 2005. Pidgin English, with French and English subtitles. 104 mins. Cameroon. Women Make Movies Production. $295.00. - Volume 56 Issue 1
Rhythm and Knowledge
Kivu Ruhorahoza. Grey Matter. Original Title
Kivu Ruhorahoza. Grey Matter. Original Title: Matière Grise. 2011. Rwanda. Kinyarwanda and French, with English subtitles. 100 min. Scarab Studio (POV Productions), Global Film Initiative (distributor). No price reported. - Volume 56 Issue 2
Articulating difference
As the title indicates, this essay is a tribute to the late Lawrence Schehr. Writing and reading are powerful forms of intersubjective communication that remain active beyond even the literal death of the author and are vital enough to sustain subjectivity even through great loss. Yet I would argue that writing and reading are still limited, because to heal psychic trauma there is the need for witnessing in person, for addressing and responding t…
From Women Loving Women in Africa to Jean Genet and Race
(2009). From Women Loving Women in Africa to Jean Genet and Race: A Conversation with Frieda Ekotto. Journal of the African Literature Association: Vol. 4, No. 1, pp. 181-203
Genet's The Blacks
Kivu Ruhorahoza. Grey Matter. Original Title
Kivu Ruhorahoza. Grey Matter. Original Title: Matière Grise. 2011. Rwanda. Kinyarwanda and French, with English subtitles. 100 min. Scarab Studio (POV Productions), Global Film Initiative (distributor). No price reported. - Volume 56 Issue 2
Framing homosexual identities in Cameroonian literature
What language exists to describe the lives of women and sexual minorities who live in Cameroon? In this paper, I demonstrate how a selection of contemporary works of fiction use their narratives to create a space and language for the experiences of LGBT individuals within the cultural imaginary of Sub-Saharan Africa. Texts such as my own Jeune fille de Bona Mbella (2010), Max Lobe’s 39 Rue de Berne (2013) and Chimamanda Adichie’s “Jumping Monkey …
Genet's The Blacks
From Women Loving Women in Africa to Jean Genet and Race
(2009). From Women Loving Women in Africa to Jean Genet and Race: A Conversation with Frieda Ekotto. Journal of the African Literature Association: Vol. 4, No. 1, pp. 181-203
Articulating difference
As the title indicates, this essay is a tribute to the late Lawrence Schehr. Writing and reading are powerful forms of intersubjective communication that remain active beyond even the literal death of the author and are vital enough to sustain subjectivity even through great loss. Yet I would argue that writing and reading are still limited, because to heal psychic trauma there is the need for witnessing in person, for addressing and responding t…
Two Documentary Films - Eléonore Yaméogo, Dir. Paris My Paradise. Original Title
TWO DOCUMENTARY FILMS - Eléonore Yaméogo, dir. Paris My Paradise. Original Title: Paris mon paradis. 2011. French, with English subtitles. 67 mins. Burkina Faso: Overlap Film (Erwann, Greec’h Roman Da Costa). No price reported. - Kim Longinotto and Florence Aysi, dirs. Sisters in Law. 2005. Pidgin English, with French and English subtitles. 104 mins. Cameroon. Women Make Movies Production. $295.00. - Volume 56 Issue 1
Rhythm and Knowledge
Kivu Ruhorahoza. Grey Matter. Original Title
Kivu Ruhorahoza. Grey Matter. Original Title: Matière Grise. 2011. Rwanda. Kinyarwanda and French, with English subtitles. 100 min. Scarab Studio (POV Productions), Global Film Initiative (distributor). No price reported. - Volume 56 Issue 2
Une relecture artistique et esthétique des spectres de l'Histoire
Rethinking African Cultural Production
Framing homosexual identities in Cameroonian literature
What language exists to describe the lives of women and sexual minorities who live in Cameroon? In this paper, I demonstrate how a selection of contemporary works of fiction use their narratives to create a space and language for the experiences of LGBT individuals within the cultural imaginary of Sub-Saharan Africa. Texts such as my own Jeune fille de Bona Mbella (2010), Max Lobe’s 39 Rue de Berne (2013) and Chimamanda Adichie’s “Jumping Monkey …
Frantz Fanon in the Era of Black Lives Matter
Mourning Without End
The Eternal Departure
This essay offers a lyrical meditation on death, memory, and historical trauma, weaving personal grief—especially the loss of her father—into the broader context of African diasporic experiences. Africa becomes a symbol of ongoing loss and spectral presence, where the dead live on through memory, language, and silence. Through philosophical inquiry, autobiographical fragments, and literary references, she explores the impossibility of fully artic…
African history and culture studies (5 works) · Art (5 works) · Political science (5 works) · History (4 works) · Sociology (4 works) · Aesthetics (3 works) · Gender Studies (3 works) · African Sexualities and LGBTQ+ Issues (2 works) · Art history (2 works) · Black women (2 works)