Daniel B Reed
Dados Biográficos
| ID | 174687 |
|---|---|
| NOME | Daniel B Reed |
| PRENOMES | Daniel B |
| SOBRENOME | Reed |
| ASSINATURA | REED D B |
| AFILIAÇÕES | Indiana University |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 11 |
| TOTAL DE CITAÇÕES | 4 |
| TOTAL COMO AUTOR | 11 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2001 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2021 |
| ÍNDICE H | 1 |
Ruth Stone
In an interview conducted in 2020, ethnomusicologist Ruth M. Stone looks back on a career that began with field research in Liberia in the Kpelle communities where she grew up and continues, despite her retirement, to this day. In her reflections, Dr. Stone emphasizes the people in her life—students she has taught; families with whom she has lived, conducted research, and maintained long-term relationships; and colleagues with whom she has worked…
Reflections on Reconnections
This chapter explores intersections of human and archival modes of memory in moments of archival repatriation. It recounts two repatriation experiences involving materials from the Indiana University Archives of Traditional Music (ATM)—one in which the author traveled to West Africa to repatriate media recorded in 1934 (around which this chapter is centered), and a second involving Assiniboine sisters from Saskatchewan rediscovering a lost song i…
Ambiguous agency
In this article, I describe the belief system at the centre of Mau and Dan mask spirit performances and some implications of these beliefs in practice, and I suggest an ontological framework for interpreting the ambiguous agency embodied in such performances. I ground my discussion of this ontological framework by juxtaposing ethnographic material about non-commercial, community-based mask spirit belief and practice with details of the career of …
Toward Common Cause
Theresa A. Allison, Daniel B. Reed, Judah M. Cohen, Toward Common Cause: Music, Team Science, and Global Health, Journal of Folklore Research, Vol. 54, No. 1-2, Music and Global Health (January/August 2017), pp. 1-13
Drums, Dance, Dreams, and Remittance
Ivorian immigrant musicians and mask dancers based in the United States routinely operate in social fields that transcend geographic, cultural, political, and spiritual borders. On cell phones, through social media, and via Western Union money transfers, they have regular, often daily contact with people back in Côte d'Ivoire. They keep up with daily Ivorian print and broadcast news on sites such as Abidjan.net. In dreams, some receive visits fro…
Performing the Nation
Askew, Kelly M. 2002. Performing The Nation: Swahili Music and Cultural Politics In Tanzania. Chicago: University of Chicago Press. 417 pp. $72.00 (cloth). $34.00 (paper)
Cote d'Ivoire
The Sounds of West Africa
Old Music and Dance for New Needs
Ge performance—an enactment of Dan religious and ethnic identity involving masks and music—is an old form that performers today manipulate in new contexts to negotiate complex identities and get things done. Gedro, a type of ge that performs to entertain and demonstrate excellence in dance, incorporates influences from both traditional and popular expressive forms into a performance that consultants sometimes call "the tradition." In this article…
Pop Goes the Sacred
Africa Today - Volume 48, Number 4, Winter 2001
Pop Goes the Sacred
Ge performance—an enactment of Dan religious and ethnic identity involving masks and music—is an old form that performers today manipulate in new contexts to negotiate complex identities and get things done. Gedro, a type of ge that performs to entertain and demonstrate excellence in dance, incorporates influences from both traditional and popular expressive forms into a performance that consultants sometimes call tradition. In this article I exp…
Ambiguous agency
In this article, I describe the belief system at the centre of Mau and Dan mask spirit performances and some implications of these beliefs in practice, and I suggest an ontological framework for interpreting the ambiguous agency embodied in such performances. I ground my discussion of this ontological framework by juxtaposing ethnographic material about non-commercial, community-based mask spirit belief and practice with details of the career of …
Toward Common Cause
Theresa A. Allison, Daniel B. Reed, Judah M. Cohen, Toward Common Cause: Music, Team Science, and Global Health, Journal of Folklore Research, Vol. 54, No. 1-2, Music and Global Health (January/August 2017), pp. 1-13
Old Music and Dance for New Needs
Ge performance—an enactment of Dan religious and ethnic identity involving masks and music—is an old form that performers today manipulate in new contexts to negotiate complex identities and get things done. Gedro, a type of ge that performs to entertain and demonstrate excellence in dance, incorporates influences from both traditional and popular expressive forms into a performance that consultants sometimes call "the tradition." In this article…
Pop Goes the Sacred
Africa Today - Volume 48, Number 4, Winter 2001
Old Music and Dance for New Needs
Ge performance—an enactment of Dan religious and ethnic identity involving masks and music—is an old form that performers today manipulate in new contexts to negotiate complex identities and get things done. Gedro, a type of ge that performs to entertain and demonstrate excellence in dance, incorporates influences from both traditional and popular expressive forms into a performance that consultants sometimes call "the tradition." In this article…
Pop Goes the Sacred
Africa Today - Volume 48, Number 4, Winter 2001
Pop Goes the Sacred
Ge performance—an enactment of Dan religious and ethnic identity involving masks and music—is an old form that performers today manipulate in new contexts to negotiate complex identities and get things done. Gedro, a type of ge that performs to entertain and demonstrate excellence in dance, incorporates influences from both traditional and popular expressive forms into a performance that consultants sometimes call tradition. In this article I exp…
Cote d'Ivoire
The Sounds of West Africa
Performing the Nation
Askew, Kelly M. 2002. Performing The Nation: Swahili Music and Cultural Politics In Tanzania. Chicago: University of Chicago Press. 417 pp. $72.00 (cloth). $34.00 (paper)
Drums, Dance, Dreams, and Remittance
Ivorian immigrant musicians and mask dancers based in the United States routinely operate in social fields that transcend geographic, cultural, political, and spiritual borders. On cell phones, through social media, and via Western Union money transfers, they have regular, often daily contact with people back in Côte d'Ivoire. They keep up with daily Ivorian print and broadcast news on sites such as Abidjan.net. In dreams, some receive visits fro…
Toward Common Cause
Theresa A. Allison, Daniel B. Reed, Judah M. Cohen, Toward Common Cause: Music, Team Science, and Global Health, Journal of Folklore Research, Vol. 54, No. 1-2, Music and Global Health (January/August 2017), pp. 1-13
Ambiguous agency
In this article, I describe the belief system at the centre of Mau and Dan mask spirit performances and some implications of these beliefs in practice, and I suggest an ontological framework for interpreting the ambiguous agency embodied in such performances. I ground my discussion of this ontological framework by juxtaposing ethnographic material about non-commercial, community-based mask spirit belief and practice with details of the career of …
Reflections on Reconnections
This chapter explores intersections of human and archival modes of memory in moments of archival repatriation. It recounts two repatriation experiences involving materials from the Indiana University Archives of Traditional Music (ATM)—one in which the author traveled to West Africa to repatriate media recorded in 1934 (around which this chapter is centered), and a second involving Assiniboine sisters from Saskatchewan rediscovering a lost song i…
Ruth Stone
In an interview conducted in 2020, ethnomusicologist Ruth M. Stone looks back on a career that began with field research in Liberia in the Kpelle communities where she grew up and continues, despite her retirement, to this day. In her reflections, Dr. Stone emphasizes the people in her life—students she has taught; families with whom she has lived, conducted research, and maintained long-term relationships; and colleagues with whom she has worked…
Sociology (9 obras) · Art (7 obras) · Philosophy (6 obras) · History (5 obras) · Political science (5 obras) · Visual arts (5 obras) · Anthropology (4 obras) · Computer Science (4 obras) · Epistemology (4 obras) · Gender Studies (4 obras)