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Mpalive-Hangson Msiska

Biographic Data

ID174959
NAMEMpalive-Hangson Msiska
GIVEN NAMESMpalive-Hangson
FAMILY NAMEMsiska
SIGNATUREMSISKA M
AFFILIATIONSBirkbeck, University of London
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS5
AUTHOR COUNT8
EDITOR COUNT1
FIRST PUBLICATION YEAR1990
LATEST PUBLICATION YEAR2017
H-INDEX1
  • Writing and Africa

    Mpalive‐hangson Msiska, Mpalive-Hangson Msiska et al.•BOOK•Writing and Africa•2017

  • Situating the BRICS Phenomenon within the Histories and Cultures of Southern Africa

    Lyn Schumaker, Andrew Brooks et al.•ARTICLE•Journal of Southern African Studies•2017

  • Kujoni

    Mpalive-Hangson Msiska, Mpalive‐hangson Msiska•ARTICLE•Journal of Southern African Studies•2017

    This article recovers the literary and political value of Legson Kayira’s novel Jingala (1969), dismissed by earlier critics as lightweight. I argue instead for the seriousness of its engagement with a significant aspect of Malawian life, namely the country’s historical reliance on the export of migrant labour to its mineral-rich neighbours, especially South Africa. Between 1900 and 1988, the country was the second-largest supplier of contracted …

  • Imagined nations and imaginary Nigeria

    Mpalive-Hangson Msiska, Mpalive‐hangson Msiska•ARTICLE•Journal of Genocide Research•2014•Cited by: 3

    This article argues that Chinua Achebe's memoir, There was a country: a personal history of Biafra (2012) articulates a hankering after a home, a habitable country in the context of colonially derived contradictions embedded in the institutional formation of Nigeria, the failure of the nationalist and postcolonial leadership to resolve such contradictions as well as the legacy of ethnicity. It demonstrates how the memoir expresses the writer's de…

  • Things Fall Apart

    Mpalive-Hangson Msiska, Mpalive‐hangson Msiska•ARTICLE•Interventions•2009•Cited by: 1•References: 2

    Keywords: Chinua Achebeliterary criticismliterary representationpostcolonial theoryplurisignifying practiceThings Fall Apart

  • Detecting globalisation, modernity and gender subjectivity in David Maillu'sBenni Kamba 009 in Operation DXT

    Mpalive-Hangson Msiska, Mpalive‐hangson Msiska•ARTICLE•Journal of Eastern African Studies•2009•Cited by: 1•References: 6

    Through a study of his detective novel, Benni Kamba 009 in Operation DX, and the debates surrounding the emergence of East African Popular literature in English, this paper reflects on the contribution of the Kenyan writer, David Maillu Maillu, David. 1986. Benni Kamba 009 in Operation DXT, Nairobi: Heinemann. [Google Scholar], to the production of a Popular discourse of Post-colonial African modernity. It argues that Maillu Maillu, David. 1980. …

  • The politics of identity and the identity of politics

    Mpalive-Hangson Msiska, Mpalive‐hangson Msiska•ARTICLE•Journal of African Cultural Studies•2006•References: 1

    The paper argues that Wole Soyinka's Camwood on the Leaves and The Strong Breed offer us a notion of Self as Agency that is a critique of African tradition, modernity and, above all, the Post-Modernist revalorization of the subject. It is argued that Soyinka proffers a post Post-Structuralism Humanist interrogation as well as reclamation of subjectivity in which Selfhood is conceived of as a site of responsibility and transformation. The study ex…

  • African Literature Today

    Mpalive-Hangson Msiska, Mpalive‐hangson Msiska•ARTICLE•African Affairs•1992

  • Cultural Dislocation and Gender Ideology in Kole Omotoso's The Edifice

    Open Access•Mpalive-Hangson Msiska, Mpalive‐hangson Msiska•ARTICLE•The Journal of Commonwealth…•1990

  • Imagined nations and imaginary Nigeria

    Mpalive-Hangson Msiska, Mpalive‐hangson Msiska•ARTICLE•Journal of Genocide Research•2014•Cited by: 3

    This article argues that Chinua Achebe's memoir, There was a country: a personal history of Biafra (2012) articulates a hankering after a home, a habitable country in the context of colonially derived contradictions embedded in the institutional formation of Nigeria, the failure of the nationalist and postcolonial leadership to resolve such contradictions as well as the legacy of ethnicity. It demonstrates how the memoir expresses the writer's de…

  • Things Fall Apart

    Mpalive-Hangson Msiska, Mpalive‐hangson Msiska•ARTICLE•Interventions•2009•Cited by: 1•References: 2

    Keywords: Chinua Achebeliterary criticismliterary representationpostcolonial theoryplurisignifying practiceThings Fall Apart

  • Detecting globalisation, modernity and gender subjectivity in David Maillu'sBenni Kamba 009 in Operation DXT

    Mpalive-Hangson Msiska, Mpalive‐hangson Msiska•ARTICLE•Journal of Eastern African Studies•2009•Cited by: 1•References: 6

    Through a study of his detective novel, Benni Kamba 009 in Operation DX, and the debates surrounding the emergence of East African Popular literature in English, this paper reflects on the contribution of the Kenyan writer, David Maillu Maillu, David. 1986. Benni Kamba 009 in Operation DXT, Nairobi: Heinemann. [Google Scholar], to the production of a Popular discourse of Post-colonial African modernity. It argues that Maillu Maillu, David. 1980. …

  • Cultural Dislocation and Gender Ideology in Kole Omotoso's The Edifice

    Open Access•Mpalive-Hangson Msiska, Mpalive‐hangson Msiska•ARTICLE•The Journal of Commonwealth…•1990

  • African Literature Today

    Mpalive-Hangson Msiska, Mpalive‐hangson Msiska•ARTICLE•African Affairs•1992

  • The politics of identity and the identity of politics

    Mpalive-Hangson Msiska, Mpalive‐hangson Msiska•ARTICLE•Journal of African Cultural Studies•2006•References: 1

    The paper argues that Wole Soyinka's Camwood on the Leaves and The Strong Breed offer us a notion of Self as Agency that is a critique of African tradition, modernity and, above all, the Post-Modernist revalorization of the subject. It is argued that Soyinka proffers a post Post-Structuralism Humanist interrogation as well as reclamation of subjectivity in which Selfhood is conceived of as a site of responsibility and transformation. The study ex…

  • Things Fall Apart

    Mpalive-Hangson Msiska, Mpalive‐hangson Msiska•ARTICLE•Interventions•2009•Cited by: 1•References: 2

    Keywords: Chinua Achebeliterary criticismliterary representationpostcolonial theoryplurisignifying practiceThings Fall Apart

  • Detecting globalisation, modernity and gender subjectivity in David Maillu'sBenni Kamba 009 in Operation DXT

    Mpalive-Hangson Msiska, Mpalive‐hangson Msiska•ARTICLE•Journal of Eastern African Studies•2009•Cited by: 1•References: 6

    Through a study of his detective novel, Benni Kamba 009 in Operation DX, and the debates surrounding the emergence of East African Popular literature in English, this paper reflects on the contribution of the Kenyan writer, David Maillu Maillu, David. 1986. Benni Kamba 009 in Operation DXT, Nairobi: Heinemann. [Google Scholar], to the production of a Popular discourse of Post-colonial African modernity. It argues that Maillu Maillu, David. 1980. …

  • Imagined nations and imaginary Nigeria

    Mpalive-Hangson Msiska, Mpalive‐hangson Msiska•ARTICLE•Journal of Genocide Research•2014•Cited by: 3

    This article argues that Chinua Achebe's memoir, There was a country: a personal history of Biafra (2012) articulates a hankering after a home, a habitable country in the context of colonially derived contradictions embedded in the institutional formation of Nigeria, the failure of the nationalist and postcolonial leadership to resolve such contradictions as well as the legacy of ethnicity. It demonstrates how the memoir expresses the writer's de…

  • Writing and Africa

    Mpalive‐hangson Msiska, Mpalive-Hangson Msiska et al.•BOOK•Writing and Africa•2017

  • Situating the BRICS Phenomenon within the Histories and Cultures of Southern Africa

    Lyn Schumaker, Andrew Brooks et al.•ARTICLE•Journal of Southern African Studies•2017

  • Kujoni

    Mpalive-Hangson Msiska, Mpalive‐hangson Msiska•ARTICLE•Journal of Southern African Studies•2017

    This article recovers the literary and political value of Legson Kayira’s novel Jingala (1969), dismissed by earlier critics as lightweight. I argue instead for the seriousness of its engagement with a significant aspect of Malawian life, namely the country’s historical reliance on the export of migrant labour to its mineral-rich neighbours, especially South Africa. Between 1900 and 1988, the country was the second-largest supplier of contracted …

Political science (8 works) · Politics (6 works) · Sociology (6 works) · Law (5 works) · Gender Studies (4 works) · Law (4 works) · Postcolonial and Cultural Literary Studies (4 works) · Aesthetics (3 works) · Epistemology (3 works) · Gender Studies (3 works)

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