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Alan O’leary

Biographic Data

ID175524
NAMEAlan O’leary
GIVEN NAMESAlan
FAMILY NAMEO’leary
SIGNATUREO’LEARY A
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS0
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2014
LATEST PUBLICATION YEAR2020
H-INDEX0
  • Teaching Italian Film and Television and Videographic Criticism

    Alan O’leary, Dana Renga•ARTICLE•The Italianist•2020

    The Ohio State University in Autumn semester 2019, during which time the two of us co-taught a graduate seminar.In our initial discussions on the content of the seminar (comprising fourteen modules of 2.5 hours each), we had planned to offer a broad but standard introduction to Italian film and television, and had imagined the syllabus might present a kind of critical 'greatest hits' in Italian film and television history and theory.This plan cha…

  • Special Issue, Modern Italy (22

    Open Access•Giacomo Lichtner, Sarah Patricia Hill et al.•ARTICLE•Modern Italy•2017

    TEST 02 - Elsevier's Scopus, the largest abstract and citation database of peer-reviewed literature. Search and access research from the science, technology, medicine, social sciences and arts and humanities fields

  • Towards an Ecology of Cinema and History

    Alan O’leary, Dana Renga•ARTICLE•The Italianist•2014

    What are the modes, genres, and registers in which Italian cinema has dealt with the history of Italy? An apparently innocuous question, its relevance to this discussion comes from the fact that it has not yet been answered, and its implications are far-reaching for the discipline of Italian screen studies if exhaustedly pursued. Answering it implies rethinking the relationship of Italian cinema to the history of Italy from a descriptive and anal…

No prominent works on this page.

  • Towards an Ecology of Cinema and History

    Alan O’leary, Dana Renga•ARTICLE•The Italianist•2014

    What are the modes, genres, and registers in which Italian cinema has dealt with the history of Italy? An apparently innocuous question, its relevance to this discussion comes from the fact that it has not yet been answered, and its implications are far-reaching for the discipline of Italian screen studies if exhaustedly pursued. Answering it implies rethinking the relationship of Italian cinema to the history of Italy from a descriptive and anal…

  • Special Issue, Modern Italy (22

    Open Access•Giacomo Lichtner, Sarah Patricia Hill et al.•ARTICLE•Modern Italy•2017

    TEST 02 - Elsevier's Scopus, the largest abstract and citation database of peer-reviewed literature. Search and access research from the science, technology, medicine, social sciences and arts and humanities fields

  • Teaching Italian Film and Television and Videographic Criticism

    Alan O’leary, Dana Renga•ARTICLE•The Italianist•2020

    The Ohio State University in Autumn semester 2019, during which time the two of us co-taught a graduate seminar.In our initial discussions on the content of the seminar (comprising fourteen modules of 2.5 hours each), we had planned to offer a broad but standard introduction to Italian film and television, and had imagined the syllabus might present a kind of critical 'greatest hits' in Italian film and television history and theory.This plan cha…

Art (3 works) · Italian Fascism and Post-war Society (3 works) · Art history (2 works) · Movie theater (2 works) · Biology (1 work) · Cinema and Media Studies (1 work) · Computer Science (1 work) · Content (measure theory (1 work) · Criticism (1 work) · Ecology (1 work)

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