Evangelos Chrysagis
Biographic Data
| ID | 175814 |
|---|---|
| NAME | Evangelos Chrysagis |
| GIVEN NAMES | Evangelos |
| FAMILY NAME | Chrysagis |
| SIGNATURE | CHRYSAGIS E |
| AFFILIATIONS | University of Edinburgh |
| ORCID | 0000-0002-8157-1408 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
DIY Music and Contemporary Art Spaces
This article examines the relationship between contemporary art spaces and ‘Do-It-Yourself’ (DIY) music in Glasgow. It demonstrates the continuity and interconnectedness of DIY music and art practices by considering the transition of galleries from ‘white cubes’ to music venues and spaces for social interaction. Following a brief overview of Glasgow’s urban renewal and cultural regeneration, it traces the emergence of the Centre for Contemporary …
Crafting values
This special issue brings together ethnographic scholarship to explore the interlinking of diverse personal, social and larger institutional forms in and through which artistic value emerges. Rather than being inherent in the formal features of art objects or merely a discursive construct, value as craft signifies an arena in which beliefs, ideologies, and histories interweave with art practices, events, and materialities. The articles included i…
When means and ends coincide
This article focuses on the relationship between ‘Do-it-Yourself’ (DiY) music practices and value. Based on anthropological fieldwork conducted in Glasgow between 2010 and 2011, it provides an ethnographic examination of a music collective that started off as an online blog and subsequently evolved into a record label and a live music promoter. The article considers the DiY values that pervaded the collective’s views and practices, as well as how…
The Visible Evidence of DiY Ethics
This article focuses on ‘do-it-yourself’ (DiY) music practices and ethics in Glasgow by exploring ethnographically how conditions of public visibility and invisibility are produced and mediated by visual and material forms. In discussing the creative practices and publicity techniques of a local promoter and a music collective/record label, I trace their seemingly contradictory endeavour to pursue recognition while attempting to remain ‘invisible…
A Sense of Togetherness
When means and ends coincide
This article focuses on the relationship between ‘Do-it-Yourself’ (DiY) music practices and value. Based on anthropological fieldwork conducted in Glasgow between 2010 and 2011, it provides an ethnographic examination of a music collective that started off as an online blog and subsequently evolved into a record label and a live music promoter. The article considers the DiY values that pervaded the collective’s views and practices, as well as how…
Crafting values
This special issue brings together ethnographic scholarship to explore the interlinking of diverse personal, social and larger institutional forms in and through which artistic value emerges. Rather than being inherent in the formal features of art objects or merely a discursive construct, value as craft signifies an arena in which beliefs, ideologies, and histories interweave with art practices, events, and materialities. The articles included i…
A Sense of Togetherness
The Visible Evidence of DiY Ethics
This article focuses on ‘do-it-yourself’ (DiY) music practices and ethics in Glasgow by exploring ethnographically how conditions of public visibility and invisibility are produced and mediated by visual and material forms. In discussing the creative practices and publicity techniques of a local promoter and a music collective/record label, I trace their seemingly contradictory endeavour to pursue recognition while attempting to remain ‘invisible…
Crafting values
This special issue brings together ethnographic scholarship to explore the interlinking of diverse personal, social and larger institutional forms in and through which artistic value emerges. Rather than being inherent in the formal features of art objects or merely a discursive construct, value as craft signifies an arena in which beliefs, ideologies, and histories interweave with art practices, events, and materialities. The articles included i…
When means and ends coincide
This article focuses on the relationship between ‘Do-it-Yourself’ (DiY) music practices and value. Based on anthropological fieldwork conducted in Glasgow between 2010 and 2011, it provides an ethnographic examination of a music collective that started off as an online blog and subsequently evolved into a record label and a live music promoter. The article considers the DiY values that pervaded the collective’s views and practices, as well as how…
DIY Music and Contemporary Art Spaces
This article examines the relationship between contemporary art spaces and ‘Do-It-Yourself’ (DIY) music in Glasgow. It demonstrates the continuity and interconnectedness of DIY music and art practices by considering the transition of galleries from ‘white cubes’ to music venues and spaces for social interaction. Following a brief overview of Glasgow’s urban renewal and cultural regeneration, it traces the emergence of the Centre for Contemporary …
Art (4 works) · Visual arts (4 works) · Aesthetics (3 works) · Cultural Industries and Urban Development (3 works) · Epistemology (3 works) · Law (3 works) · Political science (3 works) · Sociology (3 works) · Anthropology (2 works) · Computer Science (2 works)