Kapila Vatsyayan
Datos Biográficos
| ID | 175911 |
|---|---|
| NOMBRE | Kapila Vatsyayan |
| NOMBRES | Kapila |
| APELLIDO | Vatsyayan |
| FIRMA | VATSYAYAN K |
| AFILIACIONES | New Delhi |
| VERIFICADO | No |
| TOTAL DE OBRAS | 14 |
| TOTAL DE CITAS | 3 |
| TOTAL COMO AUTOR | 14 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1963 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2001 |
| ÍNDICE H | 1 |
India, subcontinent of
Indian Dance
Kalātattvakośa
The future of dance scholarship in India
Speaking at the conference held in Essen, Germany, in 1988, all of us reviewed the state of dance scholarship in our respective countries and regions. Our chairperson, Dr. Selma Jeanne Cohen, gave an overview of the state of dance scholarship in the United States since 1920. Others coming from different backgrounds, especially from countries of Southeast Asia and East Asia, Latin America, and West Asia, presented their views on what constitutes d…
Kalātattavakośa
Traditional Indian Theatre
Traditional Indian Theatre, Multiple Streams
The Presence of Śiva
Indian Art
Indian Art: S.P. GUPTA: The Roots of Indian Art
Some Aspects of Cultural Policies in India
Classical Indian Dance in Literature and the Arts
The Theory and Technique of Classical Indian Dancing
The Classical Indian Dance and Sculpture
Markandeya told King Vajra in the Vishnudhar-mōttara Purāna that he must learn the art of dance before he learned the art of icon making, and the art of music before he learned the art of the dance; he added that rhythm (tāla) was basic to them all. This story is significant from the point of view of the Indian Arts, since it points towards the inter-relationship of the arts not on the level of the aesthetic experience alone, but also that of tec…
Notes on the Relationship of Music and Dance in India
making, and the art of music before he learnt the art of the dance; he added that rhythm (tila) was basic to them all. This story is significant from the point of view of the Indian arts, since it points towards the inter-relationship of the arts not on the level of the aesthetic experience alone, but also that of technique. The aim of the Indian artists, in the field of literature (Sahitya), sculpture (Silpa), painting (Chitrakala), music (Sahgi…
The future of dance scholarship in India
Speaking at the conference held in Essen, Germany, in 1988, all of us reviewed the state of dance scholarship in our respective countries and regions. Our chairperson, Dr. Selma Jeanne Cohen, gave an overview of the state of dance scholarship in the United States since 1920. Others coming from different backgrounds, especially from countries of Southeast Asia and East Asia, Latin America, and West Asia, presented their views on what constitutes d…
Notes on the Relationship of Music and Dance in India
making, and the art of music before he learnt the art of the dance; he added that rhythm (tila) was basic to them all. This story is significant from the point of view of the Indian arts, since it points towards the inter-relationship of the arts not on the level of the aesthetic experience alone, but also that of technique. The aim of the Indian artists, in the field of literature (Sahitya), sculpture (Silpa), painting (Chitrakala), music (Sahgi…
Notes on the Relationship of Music and Dance in India
making, and the art of music before he learnt the art of the dance; he added that rhythm (tila) was basic to them all. This story is significant from the point of view of the Indian arts, since it points towards the inter-relationship of the arts not on the level of the aesthetic experience alone, but also that of technique. The aim of the Indian artists, in the field of literature (Sahitya), sculpture (Silpa), painting (Chitrakala), music (Sahgi…
The Classical Indian Dance and Sculpture
Markandeya told King Vajra in the Vishnudhar-mōttara Purāna that he must learn the art of dance before he learned the art of icon making, and the art of music before he learned the art of the dance; he added that rhythm (tāla) was basic to them all. This story is significant from the point of view of the Indian Arts, since it points towards the inter-relationship of the arts not on the level of the aesthetic experience alone, but also that of tec…
The Theory and Technique of Classical Indian Dancing
Classical Indian Dance in Literature and the Arts
Some Aspects of Cultural Policies in India
Indian Art
Indian Art: S.P. GUPTA: The Roots of Indian Art
Traditional Indian Theatre, Multiple Streams
The Presence of Śiva
Traditional Indian Theatre
Kalātattvakośa
The future of dance scholarship in India
Speaking at the conference held in Essen, Germany, in 1988, all of us reviewed the state of dance scholarship in our respective countries and regions. Our chairperson, Dr. Selma Jeanne Cohen, gave an overview of the state of dance scholarship in the United States since 1920. Others coming from different backgrounds, especially from countries of Southeast Asia and East Asia, Latin America, and West Asia, presented their views on what constitutes d…
Kalātattavakośa
India, subcontinent of
Indian Dance
Art (10 obras) · Diversity and Impact of Dance (6 obras) · History (6 obras) · Visual arts (6 obras) · Dance (4 obras) · Computer Science (3 obras) · Indian and Buddhist Studies (3 obras) · Political science (3 obras) · The arts (3 obras) · Art history (2 obras)