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Bernth Lindfors

Datos Biográficos

ID176139
NOMBREBernth Lindfors
NOMBRESBernth
APELLIDOLindfors
FIRMALINDFORS B
AFILIACIONESThe University of Texas at Austin
ORCID0000-0001-5518-3543
VERIFICADOSí
TOTAL DE OBRAS69
TOTAL DE CITAS43
TOTAL COMO AUTOR68
TOTAL COMO EDITOR1
PRIMER AÑO DE PUBLICACIÓN1965
AÑO MÁS RECIENTE DE PUBLICACIÓN2023
ÍNDICE H3
  • Some Early Soyinka Letters

    Bernth Lindfors•ARTICLE•English in Africa•2023

    Among the papers of James Simmons held at the Rose Library of Emory University are nine letters he received from Wole Soyinka as well as one from Soyinka’s British partner, Barbara Dixon, both of whom had been his classmates at Leeds University in the mid-1950s. The letters cover Soyinka’s activities from July 29, 1958, a year after he had graduated from Leeds, until January 13, 1960, just after he returned to Nigeria. During this period Soyinka …

  • Eustace Palmer’s early scholarly contributions

    Bernth Lindfors•ARTICLE•Journal of the African Literature…•2021•Referencias: 1

    This survey of Eustace Palmer's two major contributions to the study of African fiction concentrates on the soundness of his methods and the sensitivity of his insights

  • Bernth Lindfors

    Bernth Lindfors•ARTICLE•Journal of the African Literature…•2020•Citada por: 1

  • Editing the first twenty years of Research in African Literatures

    Bernth Lindfors•ARTICLE•Journal of the African Literature…•2019

    The one-page editorial in the inaugural issue of Research in African Literatures that appeared in the spring of 1970 stated the raison d’etre of this new venture in African journal publishing:Journ

  • Ngugi

    Open Access•Alamin M Mazrui, D Ndirangu Wachanga et al.•BOOK•Ngugi•2018•Citada por: 1

  • “Mislike Me Not for My Complexion…”

    Bernth Lindfors•ARTICLE•African American Review•2017

    1005 African American Review 50.4 (Winter 2017): 1005-1012© 2018 Johns Hopkins University Press and Saint Louis University Lindfors_Lindfors 2/14/2018 5:42 PM Page 1005 1006 AFRICAN AMERICAN REVIEW Lindfors_Lindfors 2/14/2018 5:42 PM Page 1006 BERNTH LINDFORS 1007 Lindfors_Lindfors 2/14/2018 5:42 PM Page 1007 1008 AFRICAN AMERICAN REVIEW Lindfors_Lindfors 2/14/2018 5:42 PM Page 1008 BERNTH LINDFORS 1009 Lindfors_Lindfors 2/14/2018 5:42 PM Page 10…

  • Dennis Brutus in the dock

    Bernth Lindfors•ARTICLE•Journal of the African Literature…•2017•Citada por: 2

    An account of the testimony of Dennis Brutus in court in South Africa

  • Tributes to Chinua Achebe, 1930-2013

    Nana Ayebia Clarke, Helen Chukwuma et al.•ARTICLE•Journal of the African Literature…•2014

  • Rights and Wrongs of Black Performers in Nineteenth-Century Britain

    Bernth Lindfors•ARTICLE•Journal of the African Literature…•2014

  • The Larson Collection at the Harry Ransom Center

    Bernth Lindfors•ARTICLE•Journal of the African Literature…•2010

  • Dennis Brutus

    Bernth Lindfors•ARTICLE•Journal of the African Literature…•2009

  • Ira Aldridge in Germany

    Bernth Lindfors•ARTICLE•Wasafiri•2008

  • In Memory of Ogali A. Ogali (October 27, 1935-July 9, 2006)

    Onookome Okome, Ernest N Emenyonu et al.•ARTICLE•Journal of the African Literature…•2007

    "In Memory of Ogali A. Ogali (October 27, 1935-July 9, 2006)." Journal of the African Literature Association, 2(1), pp. 212–235

  • Ezenwa–Ohaeto (1958–2005)

    Bernth Lindfors•ARTICLE•Matatu•2006

  • Ethnological Show Business

    Open Access•Bernth Lindfors•CHAPTER•Performance Studies•2003

    In nineteenth-century Britain people of other races and cultures were put on display for commercial gain. These performing ‘noble savages’ are analysed in terms of cultural commentary of the time. Lindfors also traces the way in which the performers were viewed as a representation of ‘otherness’ and evidence of British cultural superiority. These displays coincided with the abolition of slavery and thus performed racism and imperialism in a socia…

  • Africans on Stage

    Bernth Lindfors•BOOK•Africans on stage•2000

    How ethnological show business shaped European and American perceptions of Africa and Africans.

  • African literature criticism and the post‐colonial curriculum

    Open Access•Bernth Lindfors•ARTICLE•Journal of Literary Studies•2000•Citada por: 1•Referencias: 3

    Who are the most important black authors in anglophone Africa and which are their most significant writings? One way of answering such questions is to examine which authors literary critics choose to write about and which texts teachers of literature choose to teach. Since those who are professionally engaged in interpreting African literatures discriminate when selecting what to comment on, a canon (or canons) can be said to exist. This paper se…

  • Africans on Stage

    C J Colvin, Bernth Lindfors•ARTICLE•African Studies Review•2000•Citada por: 1

  • Mislike Me Not for My Complexion

    Bernth Lindfors•ARTICLE•African American Review•1999•Citada por: 2

  • Africans on Stage

    Paul S Landau, Bernth Lindfors•ARTICLE•The International Journal of…•1999

  • Black African Literature in English, 1987-1991

    Joseph Mclaren, Bernth Lindfors•ARTICLE•African Studies Review•1997•Citada por: 2

  • Ira Aldridge, “The African Roscius”

    Bernth Lindfors•ARTICLE•South African Theatre Journal•1996

    This paper examines the career of Ira Aldridge, the first important black Shakespearean actor in Europe. In Britain Aldridge scored his greatest successes in the provinces as well as in Ireland, Scotland and Wales; for much of his career he was kept off the London stage. Yet when he started performing on the European continent, he was lionized and won more awards, decorations, medals and honours than any other nineteenth-century actor. The achiev…

  • Armah Ayi Kwei. Osiris Rising

    Open Access•Bernth Lindfors•ARTICLE•Études littéraires africaines•1996•Citada por: 1

    ARMAH Ayi Kwei. Osiris Rising: A Novel of Africa Past. Present and Future. Popenguine, Senegal: Per Ankh, 1995. $21 ($15 + $6 air mail). Un article de la revue Études littéraires africaines (Numéro 1, 1996, p. 1-93) diffusée par la plateforme Érudit

  • Response to Dunton on Bate Besong

    Open Access•Bernth Lindfors•ARTICLE•The Journal of Commonwealth…•1995

  • Ola Rotimi and Wole Soyinka at Unife

    Bernth Lindfors•ARTICLE•Matatu•1994

Siguiente
  • Africa and the Nobel Prize

    Bernth Lindfors•ARTICLE•World Literature Today•1988•Citada por: 4

    By BERNTH LINDFORS When Swedish Academy awarded 1986 Nobel Prize in Literature to Wole Soyinka, it did far more than honor one more literary giant who had produced outstanding work an ideal tendency.1 It also signaled to world at large that prize itself was no longer entirely an intramural Aryan affair, monopolized by authors from Europe and European diaspora. True, there had been earlier winners from India and Japan, but these exceptions had com…

  • Beating the White Man at his Own Game

    Bernth Lindfors•ARTICLE•Black American Literature Forum•1988•Citada por: 3

    Bernth Lindfors, Beating the White Man at his Own Game: Nigerian Reactions to the 1986 Nobel Prize in Literature, Black American Literature Forum, Vol. 22, No. 3, Wole Soyinka Issue, Part 1 (Autumn, 1988), pp. 475-488

  • Amos Tutuola's Search for a Publisher

    Open Access•Bernth Lindfors•ARTICLE•The Journal of Commonwealth…•1982•Citada por: 3

  • Amos Tutuola

    Open Access•Bernth Lindfors•ARTICLE•Cahiers d études africaines•1970•Citada por: 3

    Lindfors Bernth. Amos Tutuola: Debts and Assets. In: Cahiers d'études africaines, vol. 10, n°38, 1970. pp. 306-334

  • Dennis Brutus in the dock

    Bernth Lindfors•ARTICLE•Journal of the African Literature…•2017•Citada por: 2

    An account of the testimony of Dennis Brutus in court in South Africa

  • Mislike Me Not for My Complexion

    Bernth Lindfors•ARTICLE•African American Review•1999•Citada por: 2

  • Black African Literature in English, 1987-1991

    Joseph Mclaren, Bernth Lindfors•ARTICLE•African Studies Review•1997•Citada por: 2

  • Nothing Extenuate, Nor Set Down Aught in Malice

    Bernth Lindfors•ARTICLE•African American Review•1994•Citada por: 2

    The remarkable life of Ira Aldridge has been faithfully reconstructed in Herbert Marshall and Mildred Stock's fine biography Ira Aldridge: the Negro (1958). Using materials gathered from libraries and archives in Western and Eastern Europe and the United States, Marshall and Stock were able to put together a detailed documentary record of Aldridge's forty-two years on the stage, correcting of the erroneous accounts that had been published during …

  • White on Black

    Bernth Lindfors, Jan Nederveen Pieterse•ARTICLE•The International Journal of…•1993•Citada por: 2

  • Black African Literature in English-A Guide to Information Sources

    Susan Adams Brietzke, Bernth Lindfors•ARTICLE•African Studies Review•1981•Citada por: 2

  • Popular Literature for an African Elite

    Open Access•Bernth Lindfors•ARTICLE•The Journal of Modern African…•1974•Citada por: 2•Referencias: 1

    The emergence of a literature in English in Nigeria is usually described as a rapid post-war phenomenon, an unexpected flowering of creative energy which took scarcely more than two decades to produce rich, ripe fruit. According to most published reports, this literature was born suddenly in 1952 out of the pregnant thumb of Amos Tutuola; was nursed through a wobbly infancy by Cyprian Ekwensi, T. M. Aluko, and Onuora Nzekwu; was guided through a …

  • Heroes and Hero‐Worship in Nigerian Chapbooks

    Open Access•Bernth Lindfors•ARTICLE•The Journal of Popular Culture•1967•Citada por: 2

  • Bernth Lindfors

    Bernth Lindfors•ARTICLE•Journal of the African Literature…•2020•Citada por: 1

  • Ngugi

    Open Access•Alamin M Mazrui, D Ndirangu Wachanga et al.•BOOK•Ngugi•2018•Citada por: 1

  • African literature criticism and the post‐colonial curriculum

    Open Access•Bernth Lindfors•ARTICLE•Journal of Literary Studies•2000•Citada por: 1•Referencias: 3

    Who are the most important black authors in anglophone Africa and which are their most significant writings? One way of answering such questions is to examine which authors literary critics choose to write about and which texts teachers of literature choose to teach. Since those who are professionally engaged in interpreting African literatures discriminate when selecting what to comment on, a canon (or canons) can be said to exist. This paper se…

  • Africans on Stage

    C J Colvin, Bernth Lindfors•ARTICLE•African Studies Review•2000•Citada por: 1

  • Armah Ayi Kwei. Osiris Rising

    Open Access•Bernth Lindfors•ARTICLE•Études littéraires africaines•1996•Citada por: 1

    ARMAH Ayi Kwei. Osiris Rising: A Novel of Africa Past. Present and Future. Popenguine, Senegal: Per Ankh, 1995. $21 ($15 + $6 air mail). Un article de la revue Études littéraires africaines (Numéro 1, 1996, p. 1-93) diffusée par la plateforme Érudit

  • The teaching of African literature in anglophone African universities

    Bernth Lindfors•ARTICLE•Wasafiri•1990•Citada por: 1

    (1990). The teaching of African literature in anglophone African universities: An instructive canon. Wasafiri: Vol. 5, No. 11, pp. 13-16

  • Black African Literature in English, 1982-1986

    Patrick Scott, Patrick G Scott et al.•ARTICLE•African Studies Review•1990•Citada por: 1

  • The United African Twins on Tour

    Bernth Lindfors•ARTICLE•South African Theatre Journal•1988•Citada por: 1

  • Early Nigerian Literature

    Open Access•Frank Birbalsingh, Bernth Lindfors•ARTICLE•Canadian Journal of African…•1984•Citada por: 1

  • East African Popular Literature in English

    Open Access•Bernth Lindfors•ARTICLE•The Journal of Popular Culture•1979•Citada por: 1

  • Ogunde on Ogunde

    Bernth Lindfors•ARTICLE•Educational Theatre Journal•1976•Citada por: 1

  • Wole Soyinka, When Are You Coming Home

    Bernth Lindfors•ARTICLE•Yale French Studies•1976•Citada por: 1

  • Additions and Corrections to Janheinz Jahn's Bibliography of Neo-African Literature (1965)

    Bernth Lindfors•ARTICLE•African Studies Review•1968•Citada por: 1

    Janheinz Jahn's Bibliography is the most useful reference work that bibliographers of African literature have yet produced. One may wish to quarrel with Jahn about his definition of "neo-African literature" or about some of the material he has chosen to include (e.g., unpublished manuscripts, sermons, travel books, political works, monographs) as well as some he has chosen to exclude (e.g., literary works by white African writers, collections of …

  • Weep Not, Child

    Bernth Lindfors, James Ngugi•ARTICLE•Books Abroad•1965•Citada por: 1

  • Post-War Literature in English by African Writers from South Africa

    Bernth Lindfors•ARTICLE•Phylon (1960•1966

  • The Moon Cannot Fight

    Bernth Lindfors, Ulli Beier et al.•ARTICLE•Journal of American Folklore•1966

  • Heroes and Hero‐Worship in Nigerian Chapbooks

    Open Access•Bernth Lindfors•ARTICLE•The Journal of Popular Culture•1967•Citada por: 2

  • Nigerian Chapbook Heroines

    Open Access•Bernth Lindfors•ARTICLE•The Journal of Popular Culture•1968

  • Achebe's African Parable

    Bernth Lindfors•ARTICLE•Présence Africaine•1968

  • A Fraudulent "Elfin Knight" from West Virginia

    Open Access•Bernth Lindfors•ARTICLE•Western Folklore•1968

  • American University and Research Library Holdings in African Literature

    Bernth Lindfors•ARTICLE•African Studies Review•1968

    American scholars doing research in African literature sometimes have trouble locating the books they need. It is easy enough to get one's hands on African literary works published in England or America, but how does one get hold of material published in Africa -- e.g., Onitsha market chapbooks, early Lovedale or Morija press publications, or works in vernacular languages published by literature bureaus and small mission presses? Fortunately, for…

  • Additions and Corrections to Janheinz Jahn's Bibliography of Neo-African Literature (1965)

    Bernth Lindfors•ARTICLE•African Studies Review•1968•Citada por: 1

    Janheinz Jahn's Bibliography is the most useful reference work that bibliographers of African literature have yet produced. One may wish to quarrel with Jahn about his definition of "neo-African literature" or about some of the material he has chosen to include (e.g., unpublished manuscripts, sermons, travel books, political works, monographs) as well as some he has chosen to exclude (e.g., literary works by white African writers, collections of …

  • A Preliminary Checklist of English Short Fiction by Non-Europeans in South Africa, 1940-1964

    Bernth Lindfors•ARTICLE•African Studies Review•1969

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Militant Black Writer in Africa and the United States

    Bernth Lindfors, Mercer Cook et al.•ARTICLE•Books Abroad•1970

  • Amos Tutuola and D. O. Fagunwa

    Open Access•Bernth Lindfors•ARTICLE•The Journal of Commonwealth…•1970

  • Amos Tutuola

    Open Access•Bernth Lindfors•ARTICLE•Cahiers d études africaines•1970•Citada por: 3

    Lindfors Bernth. Amos Tutuola: Debts and Assets. In: Cahiers d'études africaines, vol. 10, n°38, 1970. pp. 306-334

  • Anthropology and the Arts

    Open Access•Bernth Lindfors•ARTICLE•American Anthropologist•1973

  • Popular Literature for an African Elite

    Open Access•Bernth Lindfors•ARTICLE•The Journal of Modern African…•1974•Citada por: 2•Referencias: 1

    The emergence of a literature in English in Nigeria is usually described as a rapid post-war phenomenon, an unexpected flowering of creative energy which took scarcely more than two decades to produce rich, ripe fruit. According to most published reports, this literature was born suddenly in 1952 out of the pregnant thumb of Amos Tutuola; was nursed through a wobbly infancy by Cyprian Ekwensi, T. M. Aluko, and Onuora Nzekwu; was guided through a …

  • African Literature

    Patrick Holland, Bernth Lindfors et al.•ARTICLE•Canadian Journal of African…•1975

    Patrick Holland, African Literature: From Nigeria to South Africa, Canadian Journal of African Studies / Revue Canadienne des Études Africaines, Vol. 9, No. 3, Special Issue: Black African Litterature (1975), pp. 567-568

  • Ogunde on Ogunde

    Bernth Lindfors•ARTICLE•Educational Theatre Journal•1976•Citada por: 1

  • Wole Soyinka, When Are You Coming Home

    Bernth Lindfors•ARTICLE•Yale French Studies•1976•Citada por: 1

  • Folklore in Nigerian Literature

    Lee Haring, Bernth Lindfors•ARTICLE•Journal of American Folklore•1977

  • Critical Perspectives on Nigerian Literatures

    Harold Maurice Collins, Harold Collins et al.•ARTICLE•ASA Review of Books•1978

  • Forms of Folklore in Africa

    Gabriel Bannerman-Richter, Bernth Lindfors•ARTICLE•African Arts•1978

  • Forms of Folklore in Africa. Narrative Poetic, Gnomic, Dramatic

    Marion Kilson, Bernth Lindfors•ARTICLE•Journal of Religion in Africa•1978

  • East African Popular Literature in English

    Open Access•Bernth Lindfors•ARTICLE•The Journal of Popular Culture•1979•Citada por: 1

  • Research in African Literatures. Special Issue on West African Popular Culture

    John Povey, Bernth Lindfors•ARTICLE•ASA Review of Books•1980

  • Forms of Folklore in Africa

    Rachel Fretz-Yoder, Bernth Lindfors•ARTICLE•Western Folklore•1980

History (49 obras) · History (36 obras) · Art (32 obras) · Sociology (25 obras) · African history and culture studies (23 obras) · Postcolonial and Cultural Literary Studies (21 obras) · Literature (17 obras) · Geography (15 obras) · Political science (14 obras) · Philosophy (11 obras)

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