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Bartosz Grabowski

Biographic Data

ID1769349
NAMEBartosz Grabowski
GIVEN NAMESBartosz
FAMILY NAMEGrabowski
SIGNATUREGRABOWSKI B
AFFILIATIONSInstitute of Theoretical and Applied Informatics
ORCID0000-0002-2364-6547
VERIFIEDNo
TOTAL WORKS1
TOTAL CITATIONS3
WORKS AS AUTHOR1
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2018
LATEST PUBLICATION YEAR2018
H-INDEX1
  • Automatic pigment identification from hyperspectral data

    Open Access•Bartosz Grabowski, Wojciech Masarczyk et al.•ARTICLE•Journal of Cultural Heritage•2018•Cited by: 3•References: 37

    Art objects conservation or historical analysis necessitates a thorough knowledge of materials used by the artist and their subsequent changes. In the case of paintings this requires the ability to correctly identify the pigments that were used for creation or later restoration of the artwork. This is a challenging problem, as the applied method should be non-contact, robust for the wide variety of chemical substances used and straightforward in …

  • Automatic pigment identification from hyperspectral data

    Open Access•Bartosz Grabowski, Wojciech Masarczyk et al.•ARTICLE•Journal of Cultural Heritage•2018•Cited by: 3•References: 37

    Art objects conservation or historical analysis necessitates a thorough knowledge of materials used by the artist and their subsequent changes. In the case of paintings this requires the ability to correctly identify the pigments that were used for creation or later restoration of the artwork. This is a challenging problem, as the applied method should be non-contact, robust for the wide variety of chemical substances used and straightforward in …

  • Automatic pigment identification from hyperspectral data

    Open Access•Bartosz Grabowski, Wojciech Masarczyk et al.•ARTICLE•Journal of Cultural Heritage•2018•Cited by: 3•References: 37

    Art objects conservation or historical analysis necessitates a thorough knowledge of materials used by the artist and their subsequent changes. In the case of paintings this requires the ability to correctly identify the pigments that were used for creation or later restoration of the artwork. This is a challenging problem, as the applied method should be non-contact, robust for the wide variety of chemical substances used and straightforward in …

Art (1 work) · Artificial Intelligence (1 work) · Color Science and Applications (1 work) · Computer Science (1 work) · Computer vision (1 work) · Cultural Heritage Materials Analysis (1 work) · Endmember (1 work) · Hyperspectral imaging (1 work) · Painting (1 work) · Photography (1 work)

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