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Liam Connell

Biographic Data

ID177135
NAMELiam Connell
GIVEN NAMESLiam
FAMILY NAMEConnell
SIGNATURECONNELL L
AFFILIATIONSUniversity of Hertfordshire
ORCID0000-0002-5427-757X
VERIFIEDYes
TOTAL WORKS9
TOTAL CITATIONS7
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR2003
LATEST PUBLICATION YEAR2023
H-INDEX2
  • The Baby Makers: Representing Commercial Surrogacy in Film and Television

    Open Access•Liam Connell•ARTICLE•Women a Cultural Review•2023•References: 1

    This essay attempts to define the genre of the surrogacy thriller as a prominent form for recent representations of commercial surrogacy.Placing this genre into a history of film representations of surrogacy and into a wider history of representing women's work on film, it argues that the genre appears to intervene in debates about gestational labour.On the surface, these films appear to attack both mothers and surrogates alike for their particip…

  • Introduction: Troubling Globalisation

    Ellie Byrne, Liam Connell et al.•ARTICLE•Parallax•2021•References: 5

    TEST 02 - Elsevier's Scopus, the largest abstract and citation database of peer-reviewed literature. Search and access research from the science, technology, medicine, social sciences and arts and humanities fields

  • A Wall of Words: Representing Border Securitisation in Contemporary Fiction

    Open Access•Liam Connell•ARTICLE•Parallax•2021•References: 7

    The current wave of nationalist populism can easily appear to represent a post-global moment in which the liberal fantasies of a borderless world seem increasingly obsolete. Part of this trend has been a revivification of the border which takes concrete form in a new wave of border fortification, with substantial investment in physical barriers and technological securitization. This has been accompanied by a substantial rhetorical investment in t…

  • The Worker as Revenant

    Liam Connell•ARTICLE•Social Text•2012•References: 1

    This essay examines a series of visual representations of illegalized migration in order to consider how they respond to the presence of labor within global systems of economic exchange. Through an examination of the aesthetic qualities of these images it suggests that the worker’s body is repeatedly represented as a kind of specter or ghost. The essay considers how far this depiction is a product of the technical limitations on imaging migrants …

  • E-terror: Computer viruses, class and transnationalism inTransmissionandOne Night @ the Call Center

    Liam Connell•ARTICLE•Journal of Postcolonial Writing•2010•Cited by: 1•References: 7

    This paper focuses upon the use of the language of terror in Hari Kunzru’s Transmission and Chetan Bhagat’s One Night @ the Call Center. It identifies how both these novels apply the language of terror to the actions of exploited Indian workers and considers how this use of the term terror works as a critique of the patterns of contemporary labour within a global economy. It suggests that the proliferating use of terrorism as a discourse of disse…

  • Scottish nationalism and the colonial vision of Scotland

    Liam Connell•ARTICLE•Interventions•2004•Cited by: 2

    This essay examines the recent use of postcolonial theory in relation to Scottish literature in order to scrutinize a tendency to designate Scotland as an English colony. It suggests that the basis for this analysis lies in the supposed cultural effects of the British union rather than in its materialist history, which raises questions about the suitability of a colonial model. In tracing the contours of such an analysis, this essay identifies st…

  • Modes of Marginality: Scottish Literature and the Uses of Postcolonial Theory

    Liam Connell•ARTICLE•Comparative Studies of South Asia…•2003•Cited by: 1•References: 5

    Peer reviewed

  • The Scottishness of the Scottish Press: 1918–39

    Open Access•Liam Connell•ARTICLE•Media Culture & Society•2003•Cited by: 3•References: 5

    This article considers the impact of new levels of competition and a changing political definition of Scottishness upon the way that Scottish newspapers sought to construct their content as Scottish during the inter-war period. Through an analysis of their content this article considers the extent to which Scottish newspapers concentrated upon events in Scotland, the manner in which local Scottish events were represented as Scottish national even…

  • The Scottishness of the Scottish press: 1918-39

    Liam Connell•ARTICLE•Media Culture & Society•2003

  • The Scottishness of the Scottish Press: 1918–39

    Open Access•Liam Connell•ARTICLE•Media Culture & Society•2003•Cited by: 3•References: 5

    This article considers the impact of new levels of competition and a changing political definition of Scottishness upon the way that Scottish newspapers sought to construct their content as Scottish during the inter-war period. Through an analysis of their content this article considers the extent to which Scottish newspapers concentrated upon events in Scotland, the manner in which local Scottish events were represented as Scottish national even…

  • Scottish nationalism and the colonial vision of Scotland

    Liam Connell•ARTICLE•Interventions•2004•Cited by: 2

    This essay examines the recent use of postcolonial theory in relation to Scottish literature in order to scrutinize a tendency to designate Scotland as an English colony. It suggests that the basis for this analysis lies in the supposed cultural effects of the British union rather than in its materialist history, which raises questions about the suitability of a colonial model. In tracing the contours of such an analysis, this essay identifies st…

  • E-terror: Computer viruses, class and transnationalism inTransmissionandOne Night @ the Call Center

    Liam Connell•ARTICLE•Journal of Postcolonial Writing•2010•Cited by: 1•References: 7

    This paper focuses upon the use of the language of terror in Hari Kunzru’s Transmission and Chetan Bhagat’s One Night @ the Call Center. It identifies how both these novels apply the language of terror to the actions of exploited Indian workers and considers how this use of the term terror works as a critique of the patterns of contemporary labour within a global economy. It suggests that the proliferating use of terrorism as a discourse of disse…

  • Modes of Marginality: Scottish Literature and the Uses of Postcolonial Theory

    Liam Connell•ARTICLE•Comparative Studies of South Asia…•2003•Cited by: 1•References: 5

    Peer reviewed

  • Modes of Marginality: Scottish Literature and the Uses of Postcolonial Theory

    Liam Connell•ARTICLE•Comparative Studies of South Asia…•2003•Cited by: 1•References: 5

    Peer reviewed

  • The Scottishness of the Scottish Press: 1918–39

    Open Access•Liam Connell•ARTICLE•Media Culture & Society•2003•Cited by: 3•References: 5

    This article considers the impact of new levels of competition and a changing political definition of Scottishness upon the way that Scottish newspapers sought to construct their content as Scottish during the inter-war period. Through an analysis of their content this article considers the extent to which Scottish newspapers concentrated upon events in Scotland, the manner in which local Scottish events were represented as Scottish national even…

  • The Scottishness of the Scottish press: 1918-39

    Liam Connell•ARTICLE•Media Culture & Society•2003

  • Scottish nationalism and the colonial vision of Scotland

    Liam Connell•ARTICLE•Interventions•2004•Cited by: 2

    This essay examines the recent use of postcolonial theory in relation to Scottish literature in order to scrutinize a tendency to designate Scotland as an English colony. It suggests that the basis for this analysis lies in the supposed cultural effects of the British union rather than in its materialist history, which raises questions about the suitability of a colonial model. In tracing the contours of such an analysis, this essay identifies st…

  • E-terror: Computer viruses, class and transnationalism inTransmissionandOne Night @ the Call Center

    Liam Connell•ARTICLE•Journal of Postcolonial Writing•2010•Cited by: 1•References: 7

    This paper focuses upon the use of the language of terror in Hari Kunzru’s Transmission and Chetan Bhagat’s One Night @ the Call Center. It identifies how both these novels apply the language of terror to the actions of exploited Indian workers and considers how this use of the term terror works as a critique of the patterns of contemporary labour within a global economy. It suggests that the proliferating use of terrorism as a discourse of disse…

  • The Worker as Revenant

    Liam Connell•ARTICLE•Social Text•2012•References: 1

    This essay examines a series of visual representations of illegalized migration in order to consider how they respond to the presence of labor within global systems of economic exchange. Through an examination of the aesthetic qualities of these images it suggests that the worker’s body is repeatedly represented as a kind of specter or ghost. The essay considers how far this depiction is a product of the technical limitations on imaging migrants …

  • Introduction: Troubling Globalisation

    Ellie Byrne, Liam Connell et al.•ARTICLE•Parallax•2021•References: 5

    TEST 02 - Elsevier's Scopus, the largest abstract and citation database of peer-reviewed literature. Search and access research from the science, technology, medicine, social sciences and arts and humanities fields

  • A Wall of Words: Representing Border Securitisation in Contemporary Fiction

    Open Access•Liam Connell•ARTICLE•Parallax•2021•References: 7

    The current wave of nationalist populism can easily appear to represent a post-global moment in which the liberal fantasies of a borderless world seem increasingly obsolete. Part of this trend has been a revivification of the border which takes concrete form in a new wave of border fortification, with substantial investment in physical barriers and technological securitization. This has been accompanied by a substantial rhetorical investment in t…

  • The Baby Makers: Representing Commercial Surrogacy in Film and Television

    Open Access•Liam Connell•ARTICLE•Women a Cultural Review•2023•References: 1

    This essay attempts to define the genre of the surrogacy thriller as a prominent form for recent representations of commercial surrogacy.Placing this genre into a history of film representations of surrogacy and into a wider history of representing women's work on film, it argues that the genre appears to intervene in debates about gestational labour.On the surface, these films appear to attack both mothers and surrogates alike for their particip…

Political science (6 works) · Law (5 works) · Law (5 works) · Sociology (5 works) · History (4 works) · Aesthetics (3 works) · Art (3 works) · History (3 works) · Irish and British Studies (3 works) · Philosophy (3 works)

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