Paul Mcintyre
Biographic Data
| ID | 177590 |
|---|---|
| NAME | Paul Mcintyre |
| GIVEN NAMES | Paul |
| FAMILY NAME | Mcintyre |
| SIGNATURE | MCINTYRE P |
| AFFILIATIONS | University of Newcastle Australia |
| ORCID | 0000-0003-3498-7029 |
| VERIFIED | Yes |
| TOTAL WORKS | 26 |
| TOTAL CITATIONS | 8 |
| AUTHOR COUNT | 25 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1965 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
A creative gift economy
Australia's creative industries and the impact COVID-19 had on cultural, employment and economic outputs is examined through the themes creative systems, creative migration, cultural volunteering and cultural tourism.Using a Creative System/Ecosystem theoretical framework, this research takes a retrospective view through data collected during the 'old normal' that was pre-pandemic Australia and presents findings on creative and cultural activitie…
A creative ecosystem
Using a creative ecosystems approach, this paper demonstrates that journalism is deeply embedded in the interconnected ecosystem of publishing and, at a higher level, the creative industries. Analysis of data from seven regional areas in New South Wales and Victoria revealed that newsrooms and journalists are vertically integrated with national and international journalistic practices and economic imperatives and also horizontally integrated with…
Entrepreneurship in the Creative Industries
This book places the creative industries and entrepreneurship firmly within a systemic approach to creativity and cultural production.
The systemic relationship between creative failure and creative success in the creative industries
Success and failure in the creative and media industries are not polar opposites. In a predominantly neoliberal world, with its consuming emphasis on winning at all costs, success is not only easy to identify but is valorised, particularly for individuals, while failure is often hidden or perceived as negative. We argue that the relationship between success and failure is deeply symbiotic and should be examined from a systemic rather than an indi…
The creative sustainability of screen business in the Australian regions
Public focus on screen business in Australia has been shaped by the information needs of the regulatory and content investment agencies that monitor and support screen content made under the creative control of Australians. This has meant that available data has concentrated on the types of content that have been deemed to require regulatory support – feature films, documentaries and television drama, with more recent interest in short-form conte…
The system of book creation
This article explores publishing as a creative system and examines the changes brought by the emergence of digital technologies on this sector of the creative industries, specifically the proliferation of self-publishing. The paper examines the deep background of changes in thinking on creativity as well as the evolution of self-publishing, before focusing in on the specific legal challenges that self-publishing authors face. These challenges inc…
ANZCA News
ANZCA News
ANZCA News
ANZCA News
The Creative System in Action
The first of its kind, this book focuses on empirical studies into creative output that use and test the systems approach. The collection of work from cultural studies, sociology, psychology, communic
ANZCA News
The Mastering Process and the Systems Model of Creativity
Finally in this issue Phillip McIntyre applies Csikszentmihalyi’s systems model of creativity to the collaborative, multi-contributor aspect of the creation and production of popular music, with a focus on the mastering process. Popular music matters, and here it matters for key personnel involved in its creation, not only as an artform but also a livelihood. Through pivotal interviews with key historical figures in Australia, this article repres…
Pursuing extreme romance
Innovation is at all times accompanied by tradition and creative action of all types takes place against a backdrop of continuity and change, as stated by Keith Negus and Michael Pickering in their 2004 book Creativity, Communication and Cultural Value. On page 91, they write: ‘It is only by thinking about their interrelationship that we can understand processes of creativity and cultural change.’ These assertions can be seen most readily in the …
Rise in testing and diagnosis associated with Scotland's Action Plan on Hepatitis C and introduction of dried blood spot testing
BACKGROUND: A key aim of the Hepatitis C Action Plan for Scotland was to reduce the undiagnosed population through awareness-raising activities, for general practitioners and those at risk, and the introduction of dried blood spot (DBS) sampling in community drug services to overcome barriers to testing. This study evaluates the impact of these activities on testing and diagnosis. METHODS: Data on hepatitis C virus (HCV) testing undertaken betwee…
The Creative Studio Practice of Contemporary Dance Music Sampling Composers
This paper seeks to investigate some of the considerations that inform and help to determine the creative studio practice of contemporary sampling composers.Collaborative writing and production, specifically the co-opted collaboration implicit in using samples, will be assessed to consider those aspects of the production process which the participants consider to be authorial.These considerations include acts of listening, selecting and editing.I…
Creativity and Cultural Production
Phillip McIntyre presents the latest scholarly research into creativity and creative practice. The book provides insights to media practitioners and policy professionals, looking at television, radio
Journalists on Journalism
Print journalism, particularly hard news, is a form of writing that is seldom thought of as a creative practice. This situation may result from the idea that the cultural and social structures within which journalists work are often seen as constraints on their professional practice. Despite this common understanding, if a rationalist approach to creativity is used, it can be demonstrated that the structures of journalism practice and the knowled…
Systemic Creativity
There has been a steady move away from a Romantic view of creativity towards a more rationally based research approach to this topic. Mihaly Csikszentmihalyi has argued that views of creativity, as an object of research, have needed to make a shift from a Ptolemaic perspective toward a more Copernican one. Others have similarly argued that creativity comes about through the confluence of a set of multiple factors that coalesce in an essentially n…
The ‘creative treatment of actuality’
Grierson defined documentary as ‘the creative treatment of actuality’. The aim of this article is to add to existing discussions of this phrase. Attention will be given to documentary as art, and the Griersonian notion of ‘artist’. An examination of the relationship between art, creativity and documentary production and consumption will rationalize and reconceptualize creativity for documentary practice. This reconceptualization of documentary cr…
Copyright and Creativity
Copyright law is entangled with the Romantic conception of the creative process. So is the music industry. This Romantic conception has been challenged more recently to the point where there has been a paradigmatic shift of the conception of creative activity within the research community. This change has not as yet occurred for popular conceptions of creativity, nor has the law changed its basis. Once these older views are substituted with the r…
Paul McCartney and the creation of 'Yesterday
By applying Mihaly Csikszentmihalyi's systems model of creativity, evidence can be presented to claim that despite 'Yesterday's promotion as a Romantic piece of creative activity, perpetuating the myth of the mystically inspired freely expressive artist, the creation of 'Yesterday' can be seen as a more considered and rational process than otherwise mythologised. The definition of creativity assumes an activity whereby products, processes and ide…
Black Pentecostal Music in Windsor
"Regarding Harold Franklin McGee's "Culture and Ethnicity at the Canadian Centre for Folk Culture Studies
Keyboard Harmony and Improvisation
Paul McCartney and the creation of 'Yesterday
By applying Mihaly Csikszentmihalyi's systems model of creativity, evidence can be presented to claim that despite 'Yesterday's promotion as a Romantic piece of creative activity, perpetuating the myth of the mystically inspired freely expressive artist, the creation of 'Yesterday' can be seen as a more considered and rational process than otherwise mythologised. The definition of creativity assumes an activity whereby products, processes and ide…
The Creative Studio Practice of Contemporary Dance Music Sampling Composers
This paper seeks to investigate some of the considerations that inform and help to determine the creative studio practice of contemporary sampling composers.Collaborative writing and production, specifically the co-opted collaboration implicit in using samples, will be assessed to consider those aspects of the production process which the participants consider to be authorial.These considerations include acts of listening, selecting and editing.I…
Journalists on Journalism
Print journalism, particularly hard news, is a form of writing that is seldom thought of as a creative practice. This situation may result from the idea that the cultural and social structures within which journalists work are often seen as constraints on their professional practice. Despite this common understanding, if a rationalist approach to creativity is used, it can be demonstrated that the structures of journalism practice and the knowled…
Keyboard Harmony and Improvisation
Playing the Piano with Confidence
Black Pentecostal Music in Windsor
"Regarding Harold Franklin McGee's "Culture and Ethnicity at the Canadian Centre for Folk Culture Studies
Paul McCartney and the creation of 'Yesterday
By applying Mihaly Csikszentmihalyi's systems model of creativity, evidence can be presented to claim that despite 'Yesterday's promotion as a Romantic piece of creative activity, perpetuating the myth of the mystically inspired freely expressive artist, the creation of 'Yesterday' can be seen as a more considered and rational process than otherwise mythologised. The definition of creativity assumes an activity whereby products, processes and ide…
Copyright and Creativity
Copyright law is entangled with the Romantic conception of the creative process. So is the music industry. This Romantic conception has been challenged more recently to the point where there has been a paradigmatic shift of the conception of creative activity within the research community. This change has not as yet occurred for popular conceptions of creativity, nor has the law changed its basis. Once these older views are substituted with the r…
The ‘creative treatment of actuality’
Grierson defined documentary as ‘the creative treatment of actuality’. The aim of this article is to add to existing discussions of this phrase. Attention will be given to documentary as art, and the Griersonian notion of ‘artist’. An examination of the relationship between art, creativity and documentary production and consumption will rationalize and reconceptualize creativity for documentary practice. This reconceptualization of documentary cr…
Systemic Creativity
There has been a steady move away from a Romantic view of creativity towards a more rationally based research approach to this topic. Mihaly Csikszentmihalyi has argued that views of creativity, as an object of research, have needed to make a shift from a Ptolemaic perspective toward a more Copernican one. Others have similarly argued that creativity comes about through the confluence of a set of multiple factors that coalesce in an essentially n…
Creativity and Cultural Production
Phillip McIntyre presents the latest scholarly research into creativity and creative practice. The book provides insights to media practitioners and policy professionals, looking at television, radio
Journalists on Journalism
Print journalism, particularly hard news, is a form of writing that is seldom thought of as a creative practice. This situation may result from the idea that the cultural and social structures within which journalists work are often seen as constraints on their professional practice. Despite this common understanding, if a rationalist approach to creativity is used, it can be demonstrated that the structures of journalism practice and the knowled…
Pursuing extreme romance
Innovation is at all times accompanied by tradition and creative action of all types takes place against a backdrop of continuity and change, as stated by Keith Negus and Michael Pickering in their 2004 book Creativity, Communication and Cultural Value. On page 91, they write: ‘It is only by thinking about their interrelationship that we can understand processes of creativity and cultural change.’ These assertions can be seen most readily in the …
Rise in testing and diagnosis associated with Scotland's Action Plan on Hepatitis C and introduction of dried blood spot testing
BACKGROUND: A key aim of the Hepatitis C Action Plan for Scotland was to reduce the undiagnosed population through awareness-raising activities, for general practitioners and those at risk, and the introduction of dried blood spot (DBS) sampling in community drug services to overcome barriers to testing. This study evaluates the impact of these activities on testing and diagnosis. METHODS: Data on hepatitis C virus (HCV) testing undertaken betwee…
The Creative Studio Practice of Contemporary Dance Music Sampling Composers
This paper seeks to investigate some of the considerations that inform and help to determine the creative studio practice of contemporary sampling composers.Collaborative writing and production, specifically the co-opted collaboration implicit in using samples, will be assessed to consider those aspects of the production process which the participants consider to be authorial.These considerations include acts of listening, selecting and editing.I…
The Mastering Process and the Systems Model of Creativity
Finally in this issue Phillip McIntyre applies Csikszentmihalyi’s systems model of creativity to the collaborative, multi-contributor aspect of the creation and production of popular music, with a focus on the mastering process. Popular music matters, and here it matters for key personnel involved in its creation, not only as an artform but also a livelihood. Through pivotal interviews with key historical figures in Australia, this article repres…
The Creative System in Action
The first of its kind, this book focuses on empirical studies into creative output that use and test the systems approach. The collection of work from cultural studies, sociology, psychology, communic
ANZCA News
The system of book creation
This article explores publishing as a creative system and examines the changes brought by the emergence of digital technologies on this sector of the creative industries, specifically the proliferation of self-publishing. The paper examines the deep background of changes in thinking on creativity as well as the evolution of self-publishing, before focusing in on the specific legal challenges that self-publishing authors face. These challenges inc…
ANZCA News
ANZCA News
ANZCA News
ANZCA News
The systemic relationship between creative failure and creative success in the creative industries
Success and failure in the creative and media industries are not polar opposites. In a predominantly neoliberal world, with its consuming emphasis on winning at all costs, success is not only easy to identify but is valorised, particularly for individuals, while failure is often hidden or perceived as negative. We argue that the relationship between success and failure is deeply symbiotic and should be examined from a systemic rather than an indi…
The creative sustainability of screen business in the Australian regions
Public focus on screen business in Australia has been shaped by the information needs of the regulatory and content investment agencies that monitor and support screen content made under the creative control of Australians. This has meant that available data has concentrated on the types of content that have been deemed to require regulatory support – feature films, documentaries and television drama, with more recent interest in short-form conte…
Entrepreneurship in the Creative Industries
This book places the creative industries and entrepreneurship firmly within a systemic approach to creativity and cultural production.
A creative gift economy
Australia's creative industries and the impact COVID-19 had on cultural, employment and economic outputs is examined through the themes creative systems, creative migration, cultural volunteering and cultural tourism.Using a Creative System/Ecosystem theoretical framework, this research takes a retrospective view through data collected during the 'old normal' that was pre-pandemic Australia and presents findings on creative and cultural activitie…
Sociology (17 works) · Political science (16 works) · Creativity (11 works) · Cultural Industries and Urban Development (11 works) · Art (9 works) · Psychology (9 works) · Creativity in Education and Neuroscience (8 works) · Media studies (8 works) · Aesthetics (7 works) · History (7 works)