Susan Antebi

Biographic Data

ID177811
NAMESusan Antebi
GIVEN NAMESSusan
FAMILY NAMEAntebi
SIGNATUREANTEBI S
AFFILIATIONSUniversity of California, Riverside
ORCID0000-0003-0823-252X
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS1
AUTHOR COUNT7
EDITOR COUNT1
FIRST PUBLICATION YEAR2005
LATEST PUBLICATION YEAR2025
H-INDEX1

  • Wounded Objects: Mexican and Global Contexts of Disposable Life

    Open AccessSusan AntebiARTICLEPerformance Philosophy2025

    This article proposes the concept of the wounded object as an approach to perceptions and representations of disability, wounding, and death, and in particular to ambivalent separations between the living and the dead, the human and the non-human, the singular and the multiple, the identified and the anonymous. My reading is informed by the unequally distributed proliferation of violence in our contemporary global landscape, through which some bo…

  • Embodied Archive: Disability in Post-Revolutionary Mexican Cultural Production

    Susan AntebiBOOKEmbodied Archive2021

  • Libre Acceso: Latin American Literature and Film through Disability Studies

    Beth Ellen Jörgensen, Susan Antebi et al.BOOKLibre acceso2016

    "Libre Acceso stages an innovative encounter between disciplines that have remained quite separate: Latin American literary, film, and cultural studies and disability studies. It offers a much-needed framework to engage the representation, construction, embodiment, and contestation of human differencs, and provides tools for the urgent resignification of a robust and diverse Latin American literary and filmic tradition. The contributors discuss s…

  • A Rhetoric of Hygiene: Juan O'Gorman's Functionalism and the Futures of the Mexican Cityscape

    Susan AntebiARTICLEJournal of Latin American…2012Cited by: 1References: 11

    This article analyses the concept of hygiene in Mexican functionalist architect Juan O'Gorman's written manifestos and building projects from the early 1930s. O'Gorman's technical notion of hygiene, in which architecture addresses social inequality, and describes a fluid system of exchange between bodies and the built spaces they inhabit, both overlaps and conflicts with a broader nationalist version of hygiene geared towards a eugenic and aesthe…

  • Carnal Inscriptions: Spanish / American Narratives of Corporeal Difference and Disability

    Open AccessSusan AntebiBOOKCarnal Inscriptions2009

    This book explores manifestations of physical disability in Spanish American narrative fiction and performance, from José Martí's late nineteenth century crónicas, to Mario Bellatín's twenty-first cen

  • The talk show uploaded: YouTube and the technicity of the body

    Susan AntebiARTICLESocial Identities2009References: 7

    The dramatic success of YouTube and related internet sites in recent years has led to a shift in public interaction with many television programs, including popular and controversial television talk shows, such as Peruvian Laura Bozzo's Laura en América. While television talk shows and other media have long participated in the production and circulation of racial, national, and class-based stereotyped images, the interplay between television, You…

  • Digital media, cultural production and speculative capitalism

    Freya Schiwy, Susan Antebi et al.ARTICLESocial Identities2009

    This collection of essays explores the interfaces between new information technologies, their impact on contemporary culture, and recent transformations in capitalist production. From a transnation

  • Renegotiating Corporeality and Alterity: Carnal Inscription as Jewishness in David Toscana's "Santa María del Circo" and Mario Vargas Llosa's "El hablador

    Susan AntebiARTICLEHispania2005

    Susan Antebi, Renegotiating Corporeality and Alterity: Carnal Inscription as Jewishness in David Toscana's "Santa María del Circo" and Mario Vargas Llosa's "El hablador", Hispania, Vol. 88, No. 2 (May, 2005), pp. 267-277