Keith L Eggener
Biographic Data
| ID | 178675 |
|---|---|
| NAME | Keith L Eggener |
| GIVEN NAMES | Keith L |
| FAMILY NAME | Eggener |
| SIGNATURE | EGGENER K L |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1993 |
| LATEST PUBLICATION YEAR | 2006 |
| H-INDEX | 1 |
Nationalism, Internationalism and the ‘Naturalisation’ of Modern Architecture in the United States, 1925–1940
Americans during the interwar years were deeply concerned with the question of modernism's national origins, seeing it as both an unwelcome European import and a product of their own native genius. This article examines some expressions of American architectural discourse during this period, when architects and writers negotiated modernism, embracing, rejecting and continually redefining it. Three overlapping frameworks are outlined: nationalism,…
Contrasting Images of Identity in the Post-War Mexican Architecture of Luis Barragan and Juan O'Gorman
2000). Contrasting Images of Identity in the Post-War Mexican Architecture of Luis Barragan and Juan O'Gorman. Journal of Latin American Cultural Studies: Vol. 9, No. 1, pp. 27-45
Maybeck's Melancholy
"An Amusing Lack of Logic"
Contrasting Images of Identity in the Post-War Mexican Architecture of Luis Barragan and Juan O'Gorman
2000). Contrasting Images of Identity in the Post-War Mexican Architecture of Luis Barragan and Juan O'Gorman. Journal of Latin American Cultural Studies: Vol. 9, No. 1, pp. 27-45
"An Amusing Lack of Logic"
Maybeck's Melancholy
Contrasting Images of Identity in the Post-War Mexican Architecture of Luis Barragan and Juan O'Gorman
2000). Contrasting Images of Identity in the Post-War Mexican Architecture of Luis Barragan and Juan O'Gorman. Journal of Latin American Cultural Studies: Vol. 9, No. 1, pp. 27-45
Nationalism, Internationalism and the ‘Naturalisation’ of Modern Architecture in the United States, 1925–1940
Americans during the interwar years were deeply concerned with the question of modernism's national origins, seeing it as both an unwelcome European import and a product of their own native genius. This article examines some expressions of American architectural discourse during this period, when architects and writers negotiated modernism, embracing, rejecting and continually redefining it. Three overlapping frameworks are outlined: nationalism,…
History (4 works) · Architecture (3 works) · Art (3 works) · Art history (3 works) · Aesthetics (2 works) · Architecture, Modernity, and Design (2 works) · History (2 works) · Humanities (2 works) · Philosophy (2 works) · Philosophy (2 works)