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George Mantzios

Biographic Data

ID179229
NAMEGeorge Mantzios
GIVEN NAMESGeorge
FAMILY NAMEMantzios
SIGNATUREMANTZIOS G
AFFILIATIONSUniversity of Toronto
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS0
AUTHOR COUNT2
EDITOR COUNT0
FIRST PUBLICATION YEAR2021
LATEST PUBLICATION YEAR2021
H-INDEX0
  • The bystander and the passerby: Reflections on ethnographic writing and response-ability

    Open Access•Nicholas Smith, George Mantzios•ARTICLE•Focaal•2021

    Berlant, Lauren and Kathleen Stewart. 2019. The hundreds . Durham: Duke University Press. Pandian, Anand and Stuart McLean, eds. 2017. Crumpled paper boat: Experiments in ethnographic writing . Durham: Duke University Press

  • Cold War image-myths: A crime scene ethnography of defacement and historical redress from Athens, Greece

    Open Access•George Mantzios•ARTICLE•International Journal of Cultural…•2021•References: 3

    This article develops an experimental ethnographic investigation into defacement as a popular modality of historical redress. It takes as its point of departure artistic remediations of archival materials pertaining to the commission, transport, and defacement of the statue of Harry S. Truman in Athens, Greece. At the forefront of the analysis is a consideration of such artistic remediations as extensions of the acts of defacement they (re)presen…

No prominent works on this page.

  • The bystander and the passerby: Reflections on ethnographic writing and response-ability

    Open Access•Nicholas Smith, George Mantzios•ARTICLE•Focaal•2021

    Berlant, Lauren and Kathleen Stewart. 2019. The hundreds . Durham: Duke University Press. Pandian, Anand and Stuart McLean, eds. 2017. Crumpled paper boat: Experiments in ethnographic writing . Durham: Duke University Press

  • Cold War image-myths: A crime scene ethnography of defacement and historical redress from Athens, Greece

    Open Access•George Mantzios•ARTICLE•International Journal of Cultural…•2021•References: 3

    This article develops an experimental ethnographic investigation into defacement as a popular modality of historical redress. It takes as its point of departure artistic remediations of archival materials pertaining to the commission, transport, and defacement of the statue of Harry S. Truman in Athens, Greece. At the forefront of the analysis is a consideration of such artistic remediations as extensions of the acts of defacement they (re)presen…

Anthropology (2 works) · Art (2 works) · Art history (2 works) · Ethnography (2 works) · Sociology (2 works) · Aesthetics (1 works) · Anthropological Studies and Insights (1 works) · Bystander effect (1 works) · Computer Science (1 works) · Historiography (1 works)

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