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Danilo Bersani

Biographic Data

ID1799055
NAMEDanilo Bersani
GIVEN NAMESDanilo
FAMILY NAMEBersani
SIGNATUREBERSANI D
AFFILIATIONSUniversity of Parma
ORCID0000-0002-8026-983X
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS13
AUTHOR COUNT7
EDITOR COUNT1
FIRST PUBLICATION YEAR2008
LATEST PUBLICATION YEAR2025
H-INDEX2
  • Mural Painting Discovered in the Crypt of the Cathedral of Parma (Italy): Multi-Technique Investigations for the Conservative Restoration Project

    Open Access•Marianna Potenza, Laura Bergamonti et al.•ARTICLE•Heritage•2025

    In October 2021, a mural painting was discovered in the crypt of Parma Cathedral (Italy). It was covered by a wall, erasing it form historical memory. The painting, presumably from the 15th–16th century, depicts the Madonna and Child enthroned in the center, between Saints Peter and John. Before the restoration project, investigations were conducted with different techniques to identify the pigments and binders used, the nature of the surface fin…

  • The curious case of the green-colored body: A multidisciplinary investigation of a mummy preserved in a copper-rich environment

    Open Access•Annamaria Alabiso, Danilo Bersani et al.•ARTICLE•Journal of Cultural Heritage•2025•References: 14

  • The deposition from the Cross in the church of Saint-Germain-en-Laye (France): A masterpiece of Romanesque sculpture? Materials characterization to solve a 20th c. mystery

    Open Access•Alessia Coccato, Luciana Mantovani et al.•ARTICLE•Journal of Cultural Heritage•2019•Cited by: 1•References: 1

  • InArt 2016

    Open Access•Peter Vandenabeele, Danilo Bersani et al.•BOOK•inArt 2016•2017

  • Portable XRF: A Tool for the Study of Corundum Gems

    Open Access•Germana Barone, Paolo Mazzoleni et al.•ARTICLE•Open Archaeology•2017•Cited by: 2

    Origin of gemstones is a key aspect not only in gemological field but also in Cultural Heritage studies, for the correct evaluation of precious artifacts. The studies on gems require the application of non-invasive and non-destructive methods; among them, portable spectroscopic techniques has been demonstrated as powerful tools, providing a fingerprint of gems for origin and provenance determination. In this study, portable XRF spectroscopy has b…

  • A Multi‐Analytical Approach to the Study of the Mural Paintings in the Presbytery of Santa Maria Antiqua Al Foro Romano in Rome

    Open Access•Silvia Rita Amato, Danilo Bersani et al.•ARTICLE•Archaeometry•2017•Cited by: 3•References: 6

    This paper presents the results of analyses carried out on three decorative phases of the presbytery of the church of Santa Maria Antiqua al Foro Romano in Rome: the fourth‐century ad mosaics setting bed; the Adoration of the Cross, dated to the papacy of John VII ( ad 705–7); and the paintings in the apse of the Pope Paul I ( ad 757–68) phase. The research allowed the characterization of the painting techniques, pigments, organic compounds and d…

  • Raman Analysis on 18th Century Painted Wooden Statues

    Open Access•Irene Aliatis, Danilo Bersani et al.•ARTICLE•ArchéoSciences•2012•Cited by: 2

    A micro-Raman investigation on four wooden polychrome sculptures of Jan Geernaert (1704-1777), a Flemish sculptor who worked in Italy in the 18th century, is presented. The statues, representing the Holy Virgin Mary, with the infant Jesus in three of them, were created in the period 1750-1770 and are all made by poplar wood. The purpose of the micro-Raman investigations was to identify the original pigments used in 18th century, after later repai…

  • Pigments and binders in "Madonna col Bambino e S. Giovannino" by Botticelli investigated by micro-Raman and GC/MS

    Open Access•Danilo Bersani, Pier Paolo Lottici et al.•ARTICLE•Journal of Cultural Heritage•2008•Cited by: 5•References: 8

  • Pigments and binders in "Madonna col Bambino e S. Giovannino" by Botticelli investigated by micro-Raman and GC/MS

    Open Access•Danilo Bersani, Pier Paolo Lottici et al.•ARTICLE•Journal of Cultural Heritage•2008•Cited by: 5•References: 8

  • A Multi‐Analytical Approach to the Study of the Mural Paintings in the Presbytery of Santa Maria Antiqua Al Foro Romano in Rome

    Open Access•Silvia Rita Amato, Danilo Bersani et al.•ARTICLE•Archaeometry•2017•Cited by: 3•References: 6

    This paper presents the results of analyses carried out on three decorative phases of the presbytery of the church of Santa Maria Antiqua al Foro Romano in Rome: the fourth‐century ad mosaics setting bed; the Adoration of the Cross, dated to the papacy of John VII ( ad 705–7); and the paintings in the apse of the Pope Paul I ( ad 757–68) phase. The research allowed the characterization of the painting techniques, pigments, organic compounds and d…

  • Portable XRF: A Tool for the Study of Corundum Gems

    Open Access•Germana Barone, Paolo Mazzoleni et al.•ARTICLE•Open Archaeology•2017•Cited by: 2

    Origin of gemstones is a key aspect not only in gemological field but also in Cultural Heritage studies, for the correct evaluation of precious artifacts. The studies on gems require the application of non-invasive and non-destructive methods; among them, portable spectroscopic techniques has been demonstrated as powerful tools, providing a fingerprint of gems for origin and provenance determination. In this study, portable XRF spectroscopy has b…

  • Raman Analysis on 18th Century Painted Wooden Statues

    Open Access•Irene Aliatis, Danilo Bersani et al.•ARTICLE•ArchéoSciences•2012•Cited by: 2

    A micro-Raman investigation on four wooden polychrome sculptures of Jan Geernaert (1704-1777), a Flemish sculptor who worked in Italy in the 18th century, is presented. The statues, representing the Holy Virgin Mary, with the infant Jesus in three of them, were created in the period 1750-1770 and are all made by poplar wood. The purpose of the micro-Raman investigations was to identify the original pigments used in 18th century, after later repai…

  • The deposition from the Cross in the church of Saint-Germain-en-Laye (France): A masterpiece of Romanesque sculpture? Materials characterization to solve a 20th c. mystery

    Open Access•Alessia Coccato, Luciana Mantovani et al.•ARTICLE•Journal of Cultural Heritage•2019•Cited by: 1•References: 1

  • Pigments and binders in "Madonna col Bambino e S. Giovannino" by Botticelli investigated by micro-Raman and GC/MS

    Open Access•Danilo Bersani, Pier Paolo Lottici et al.•ARTICLE•Journal of Cultural Heritage•2008•Cited by: 5•References: 8

  • Raman Analysis on 18th Century Painted Wooden Statues

    Open Access•Irene Aliatis, Danilo Bersani et al.•ARTICLE•ArchéoSciences•2012•Cited by: 2

    A micro-Raman investigation on four wooden polychrome sculptures of Jan Geernaert (1704-1777), a Flemish sculptor who worked in Italy in the 18th century, is presented. The statues, representing the Holy Virgin Mary, with the infant Jesus in three of them, were created in the period 1750-1770 and are all made by poplar wood. The purpose of the micro-Raman investigations was to identify the original pigments used in 18th century, after later repai…

  • InArt 2016

    Open Access•Peter Vandenabeele, Danilo Bersani et al.•BOOK•inArt 2016•2017

  • Portable XRF: A Tool for the Study of Corundum Gems

    Open Access•Germana Barone, Paolo Mazzoleni et al.•ARTICLE•Open Archaeology•2017•Cited by: 2

    Origin of gemstones is a key aspect not only in gemological field but also in Cultural Heritage studies, for the correct evaluation of precious artifacts. The studies on gems require the application of non-invasive and non-destructive methods; among them, portable spectroscopic techniques has been demonstrated as powerful tools, providing a fingerprint of gems for origin and provenance determination. In this study, portable XRF spectroscopy has b…

  • A Multi‐Analytical Approach to the Study of the Mural Paintings in the Presbytery of Santa Maria Antiqua Al Foro Romano in Rome

    Open Access•Silvia Rita Amato, Danilo Bersani et al.•ARTICLE•Archaeometry•2017•Cited by: 3•References: 6

    This paper presents the results of analyses carried out on three decorative phases of the presbytery of the church of Santa Maria Antiqua al Foro Romano in Rome: the fourth‐century ad mosaics setting bed; the Adoration of the Cross, dated to the papacy of John VII ( ad 705–7); and the paintings in the apse of the Pope Paul I ( ad 757–68) phase. The research allowed the characterization of the painting techniques, pigments, organic compounds and d…

  • The deposition from the Cross in the church of Saint-Germain-en-Laye (France): A masterpiece of Romanesque sculpture? Materials characterization to solve a 20th c. mystery

    Open Access•Alessia Coccato, Luciana Mantovani et al.•ARTICLE•Journal of Cultural Heritage•2019•Cited by: 1•References: 1

  • Mural Painting Discovered in the Crypt of the Cathedral of Parma (Italy): Multi-Technique Investigations for the Conservative Restoration Project

    Open Access•Marianna Potenza, Laura Bergamonti et al.•ARTICLE•Heritage•2025

    In October 2021, a mural painting was discovered in the crypt of Parma Cathedral (Italy). It was covered by a wall, erasing it form historical memory. The painting, presumably from the 15th–16th century, depicts the Madonna and Child enthroned in the center, between Saints Peter and John. Before the restoration project, investigations were conducted with different techniques to identify the pigments and binders used, the nature of the surface fin…

  • The curious case of the green-colored body: A multidisciplinary investigation of a mummy preserved in a copper-rich environment

    Open Access•Annamaria Alabiso, Danilo Bersani et al.•ARTICLE•Journal of Cultural Heritage•2025•References: 14

Cultural Heritage Materials Analysis (7 works) · Art (5 works) · Building materials and conservation (5 works) · Archaeology (4 works) · Conservation Techniques and Studies (4 works) · Visual arts (4 works) · Art history (3 works) · Computer Science (3 works) · Geology (3 works) · Polychrome (3 works)

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