Anna Candida Felici
Biographic Data
| ID | 1799650 |
|---|---|
| NAME | Anna Candida Felici |
| GIVEN NAMES | Anna Candida |
| FAMILY NAME | Felici |
| SIGNATURE | FELICI A C |
| AFFILIATIONS | Sapienza University of Rome |
| ORCID | 0000-0002-7305-7919 |
| VERIFIED | Yes |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 9 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 2 |
New Frontiers in the Digital Restoration of Hidden Texts in Manuscripts: A Review of the Technical Approaches
The digital restoration of historical manuscripts centers on deciphering hidden writings, made imperceptible to the naked eye due to factors such as erasure, fading, carbonization, and aging effects. Recent advancements in modern technologies have significantly improved our ability to unveil and interpret such written cultural heritage that, for centuries, had remained inaccessible to contemporary understanding. This paper aims to present a criti…
The Iridescent Painting Palette of Michelino da Besozzo: First Results of Non-Invasive Diagnostic Analyses
This study concerns the characterization of the color palette of Michelino da Besozzo, one of the leading painters and illuminators of the Late Gothic period in Northern Italy. The artist’s relationship with the color blue was investigated by considering the recipe for lapis lazuli given by the artist to Giovanni Alcherio in Venice in 1410 and found in the medieval treatise of Jean Lebegue. The paper highlights this important evidence for the stu…
Pigments, minerals, and copper-corrosion products: Terahertz continuous wave (THz-CW) spectroscopic characterization of antlerite and atacamite
Terahertz Continuous Wave spectroscopy (THz-CW) as a novel approach in the Cultural Heritage field. • First characterization of atacamite and antlerite in the THz spectral range. • Identification of pure pigments in binary mixtures . • Retrieval of the relative concentrations in the mixture. In this work, the optical properties of atacamite, antlerite and azurite are characterized for the first time by exploiting a high-resolution coherent THz-CW…
Combined use of infrared imaging techniques for the study of underlying features in the Santa Maria in Cosmedin altarpiece
This paper presents a study carried out on the painted altarpiece preserved inside the Basilica of Santa Maria in Cosmedin, Rome, by combining three imaging techniques operating in the near‐ and mid‐infrared spectral ranges. The altarpiece has several pictorial layers and restorations, which have superimposed over time for stylistic adjustment and conservative purposes up to its present appearance. The results obtained in this study enable the de…
Pigment identification on Campana reliefs from the Palatine Hill and Colosseum Valley in Rome
Characterization of elemental and firing-dependent properties of Phlegrean ceramics by non-destructive ED-XRF and NMR techniques
Study on the technique of the Roman age mural paintings by micro-XRF with Polycapillary Conic Collimator and micro-Raman analyses
Charlemagne's black marble: The origin of the epitaph of Pope Hadrian I
IL MARMO NERO DI CARLO MAGNO: L'ORIGINE DELL'EPITAFFIO DI PAPA ADRIANO I Questo articolo presenta nuove evidenze che identificano l'origine del marmo nero dell'epitaffio di papa Adriano I, conservato attualmente nel portico di San Pietro in Vaticano. L'epitaffio fu commissionato da Carlo Magno dopo la morte di Adriano (avvenuta il 26 dicembre del 795) ed è il più eminente esempio attualmente esistente di epigrafia carolingia. È un pezzo maestro d…
The wall paintings in the former Refectory of the Trinità dei Monti convent in Rome: Relating observations from restoration and archaeometric analyses to Andrea Pozzo's own treatise on the art of mura…
Characterization of elemental and firing-dependent properties of Phlegrean ceramics by non-destructive ED-XRF and NMR techniques
The wall paintings in the former Refectory of the Trinità dei Monti convent in Rome: Relating observations from restoration and archaeometric analyses to Andrea Pozzo's own treatise on the art of mura…
Pigment identification on Campana reliefs from the Palatine Hill and Colosseum Valley in Rome
Charlemagne's black marble: The origin of the epitaph of Pope Hadrian I
IL MARMO NERO DI CARLO MAGNO: L'ORIGINE DELL'EPITAFFIO DI PAPA ADRIANO I Questo articolo presenta nuove evidenze che identificano l'origine del marmo nero dell'epitaffio di papa Adriano I, conservato attualmente nel portico di San Pietro in Vaticano. L'epitaffio fu commissionato da Carlo Magno dopo la morte di Adriano (avvenuta il 26 dicembre del 795) ed è il più eminente esempio attualmente esistente di epigrafia carolingia. È un pezzo maestro d…
The wall paintings in the former Refectory of the Trinità dei Monti convent in Rome: Relating observations from restoration and archaeometric analyses to Andrea Pozzo's own treatise on the art of mura…
Study on the technique of the Roman age mural paintings by micro-XRF with Polycapillary Conic Collimator and micro-Raman analyses
Charlemagne's black marble: The origin of the epitaph of Pope Hadrian I
IL MARMO NERO DI CARLO MAGNO: L'ORIGINE DELL'EPITAFFIO DI PAPA ADRIANO I Questo articolo presenta nuove evidenze che identificano l'origine del marmo nero dell'epitaffio di papa Adriano I, conservato attualmente nel portico di San Pietro in Vaticano. L'epitaffio fu commissionato da Carlo Magno dopo la morte di Adriano (avvenuta il 26 dicembre del 795) ed è il più eminente esempio attualmente esistente di epigrafia carolingia. È un pezzo maestro d…
Characterization of elemental and firing-dependent properties of Phlegrean ceramics by non-destructive ED-XRF and NMR techniques
Pigment identification on Campana reliefs from the Palatine Hill and Colosseum Valley in Rome
Combined use of infrared imaging techniques for the study of underlying features in the Santa Maria in Cosmedin altarpiece
This paper presents a study carried out on the painted altarpiece preserved inside the Basilica of Santa Maria in Cosmedin, Rome, by combining three imaging techniques operating in the near‐ and mid‐infrared spectral ranges. The altarpiece has several pictorial layers and restorations, which have superimposed over time for stylistic adjustment and conservative purposes up to its present appearance. The results obtained in this study enable the de…
New Frontiers in the Digital Restoration of Hidden Texts in Manuscripts: A Review of the Technical Approaches
The digital restoration of historical manuscripts centers on deciphering hidden writings, made imperceptible to the naked eye due to factors such as erasure, fading, carbonization, and aging effects. Recent advancements in modern technologies have significantly improved our ability to unveil and interpret such written cultural heritage that, for centuries, had remained inaccessible to contemporary understanding. This paper aims to present a criti…
The Iridescent Painting Palette of Michelino da Besozzo: First Results of Non-Invasive Diagnostic Analyses
This study concerns the characterization of the color palette of Michelino da Besozzo, one of the leading painters and illuminators of the Late Gothic period in Northern Italy. The artist’s relationship with the color blue was investigated by considering the recipe for lapis lazuli given by the artist to Giovanni Alcherio in Venice in 1410 and found in the medieval treatise of Jean Lebegue. The paper highlights this important evidence for the stu…
Pigments, minerals, and copper-corrosion products: Terahertz continuous wave (THz-CW) spectroscopic characterization of antlerite and atacamite
Terahertz Continuous Wave spectroscopy (THz-CW) as a novel approach in the Cultural Heritage field. • First characterization of atacamite and antlerite in the THz spectral range. • Identification of pure pigments in binary mixtures . • Retrieval of the relative concentrations in the mixture. In this work, the optical properties of atacamite, antlerite and azurite are characterized for the first time by exploiting a high-resolution coherent THz-CW…
Art (6 works) · Cultural Heritage Materials Analysis (6 works) · Art history (4 works) · Building materials and conservation (4 works) · Chemistry (4 works) · Conservation Techniques and Studies (4 works) · Geology (4 works) · Materials Science (4 works) · Painting (4 works) · Physics (4 works)