Rashmi Devi Sawhney
Biographic Data
| ID | 180154 |
|---|---|
| NAME | Rashmi Devi Sawhney |
| GIVEN NAMES | Rashmi Devi |
| FAMILY NAME | Sawhney |
| SIGNATURE | SAWHNEY R D |
| AFFILIATIONS | New York University |
| ORCID | 0000-0003-4258-4596 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
The Indigenous Film and Media Alliance
The Indigenous Film and Media Alliance (IFMA), South Asia, formed in 2024, works to archive Indigenous films, curate screenings, conduct capacity-building workshops, and help generate livelihood options for Indigenous filmmakers and media producers. Reflecting on the IFMA experiment, this article proposes the idea of praxis as a dialectical inter-shaping of grounded action and conceptual thought. It provides a critical commentary on collaborative…
The other side of paradise
I Don't Play Games
The great impact of media technologies in reordering almost every facet of modern life has been noted by theorists for over a century now, particularly since the idea of the 'global village' imagined by media theorists, and enabled by globalisation and digital technology has become an inescapable reality. The new experience of time and space bears upon various dimensions of life, including the nature of work, the organisation of time and the plac…
Shadowing the image archive
Berlin: Hatje Cantz Verlag, 440 pp., ISBN 9783775741460, hardback, €45
The Virtual Reality of Indian Cinema
Cinema and the city are products of modernity but are also rites of passage through which modern individuals become properly constituted, as Walter Benjamin implies, when he suggests that transformations in the perception of time and space are similarly experienced by a person in ‘big-city traffic’ and the spectator of cinema. This essay builds upon the foundations of early twentieth-century scholarship on Euro-American cinema and modernity to fo…
No prominent works on this page.
The Virtual Reality of Indian Cinema
Cinema and the city are products of modernity but are also rites of passage through which modern individuals become properly constituted, as Walter Benjamin implies, when he suggests that transformations in the perception of time and space are similarly experienced by a person in ‘big-city traffic’ and the spectator of cinema. This essay builds upon the foundations of early twentieth-century scholarship on Euro-American cinema and modernity to fo…
Shadowing the image archive
Berlin: Hatje Cantz Verlag, 440 pp., ISBN 9783775741460, hardback, €45
The other side of paradise
I Don't Play Games
The great impact of media technologies in reordering almost every facet of modern life has been noted by theorists for over a century now, particularly since the idea of the 'global village' imagined by media theorists, and enabled by globalisation and digital technology has become an inescapable reality. The new experience of time and space bears upon various dimensions of life, including the nature of work, the organisation of time and the plac…
The Indigenous Film and Media Alliance
The Indigenous Film and Media Alliance (IFMA), South Asia, formed in 2024, works to archive Indigenous films, curate screenings, conduct capacity-building workshops, and help generate livelihood options for Indigenous filmmakers and media producers. Reflecting on the IFMA experiment, this article proposes the idea of praxis as a dialectical inter-shaping of grounded action and conceptual thought. It provides a critical commentary on collaborative…
Art (3 works) · Cinema and Media Studies (3 works) · South Asian Cinema and Culture (3 works) · Aesthetics (2 works) · Computer Science (2 works) · History (2 works) · Movie theater (2 works) · Political science (2 works) · Psychology (2 works) · Scholarship (2 works)