Marie-Pierre Pomiès
Biographic Data
| ID | 180385 |
|---|---|
| NAME | Marie-Pierre Pomiès |
| GIVEN NAMES | Marie-Pierre |
| FAMILY NAME | Pomiès |
| SIGNATURE | POMIÈS M |
| AFFILIATIONS | Centre National de la Recherche Scientifique |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 31 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1995 |
| LATEST PUBLICATION YEAR | 2004 |
| H-INDEX | 2 |
Les blasons de Lascaux
Red Palaeolithic Pigments: Natural Hematite or Heated Goethite
Yellow goethite (α‐FeOOH) and red hematite (α‐Fe 2 0 3 ) were used as pigments by Palaeolithic painters. When heated, goethite dehydrates and transforms to hematite Archaeologists wonder whether prehistoric people knew of this property and used it. We present a way to distinguish heated goethite from natural hematite. The methods used are X‐ray diffraction and transmission electron microscopy. A double ‘signature’, namely selective broadening of …
Perles en bois de renne du niveau 18 des Peyrugues, à Orniac (Lot): Hypothèse sur l'origine du Protomagdalénien
La découverte de 25 perles en bois de renne dans le niveau 18 (Protomagdalénien) des Peyrugues a posé des problèmes relatifs à la conservation et à la nature du pigment dont elles étaient enduites. L'étude morphologique de ces perles a fourni par ailleurs des informations sur la chaîne opératoire de leur fabrication et sur leur mode d'intégration dans la parure. Les corrélations avec d'autres gisements qui en France et en Europe ont livré des per…
Les peintures schématiques postglaciaires du Sud-Est de la France: Analyses pigmentaires
The painted schematic art of the Chalcolithic period is the expression of its authors' philosophical beliefs but varies considerably according to local characteristics. The study of particularisms frequently allows an approach of ritual practices related to paintings. Analysis of the pigments choosen by the artists shows that there was a great diversity in drawing materials, even if the number of colours used was limited. Some modern over-paintin…
Red Palaeolithic Pigments: Natural Hematite or Heated Goethite
Yellow goethite (α‐FeOOH) and red hematite (α‐Fe 2 0 3 ) were used as pigments by Palaeolithic painters. When heated, goethite dehydrates and transforms to hematite Archaeologists wonder whether prehistoric people knew of this property and used it. We present a way to distinguish heated goethite from natural hematite. The methods used are X‐ray diffraction and transmission electron microscopy. A double ‘signature’, namely selective broadening of …
Les peintures schématiques postglaciaires du Sud-Est de la France: Analyses pigmentaires
The painted schematic art of the Chalcolithic period is the expression of its authors' philosophical beliefs but varies considerably according to local characteristics. The study of particularisms frequently allows an approach of ritual practices related to paintings. Analysis of the pigments choosen by the artists shows that there was a great diversity in drawing materials, even if the number of colours used was limited. Some modern over-paintin…
Les peintures schématiques postglaciaires du Sud-Est de la France: Analyses pigmentaires
The painted schematic art of the Chalcolithic period is the expression of its authors' philosophical beliefs but varies considerably according to local characteristics. The study of particularisms frequently allows an approach of ritual practices related to paintings. Analysis of the pigments choosen by the artists shows that there was a great diversity in drawing materials, even if the number of colours used was limited. Some modern over-paintin…
Perles en bois de renne du niveau 18 des Peyrugues, à Orniac (Lot): Hypothèse sur l'origine du Protomagdalénien
La découverte de 25 perles en bois de renne dans le niveau 18 (Protomagdalénien) des Peyrugues a posé des problèmes relatifs à la conservation et à la nature du pigment dont elles étaient enduites. L'étude morphologique de ces perles a fourni par ailleurs des informations sur la chaîne opératoire de leur fabrication et sur leur mode d'intégration dans la parure. Les corrélations avec d'autres gisements qui en France et en Europe ont livré des per…
Red Palaeolithic Pigments: Natural Hematite or Heated Goethite
Yellow goethite (α‐FeOOH) and red hematite (α‐Fe 2 0 3 ) were used as pigments by Palaeolithic painters. When heated, goethite dehydrates and transforms to hematite Archaeologists wonder whether prehistoric people knew of this property and used it. We present a way to distinguish heated goethite from natural hematite. The methods used are X‐ray diffraction and transmission electron microscopy. A double ‘signature’, namely selective broadening of …
Les blasons de Lascaux
Art (3 works) · Cultural Heritage Materials Analysis (3 works) · Humanities (3 works) · Art history (2 works) · Chemistry (2 works) · Mineralogy (2 works) · Mineralogy and Gemology Studies (2 works) · Painting (2 works) · Archaeological and Geological Studies (1 works) · Archaeology (1 works)