Jeanne Van Eeden
Biographic Data
| ID | 180932 |
|---|---|
| NAME | Jeanne Van Eeden |
| GIVEN NAMES | Jeanne |
| FAMILY NAME | Van Eeden |
| SIGNATURE | VAN EEDEN J |
| AFFILIATIONS | University of Pretoria |
| ORCID | 0000-0002-7870-7650 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
Public Art in South Africa: Bronze Warriors and Plastic Presidents
This edited volume by Kim Miller and Brenda Schmahmann is a welcome and crucial addition to the corpus of scholarly books about visual culture in South Africa. Even though it does not purport to be definitive concerning the appearance, role, and context of public art in South Africa, it offers a rich snapshot of the topic between the years 1999 and 2015. In this regard, it supplements the few extant sources and lays the foundation for further exp…
South African Railways Postcard Calendars, 1961 to 1984
This article focuses on a series of postcard calendars produced by the South African Railways (SAR) between 1961 and 1984. As a state-owned organisation, the SAR played a decisive role in conceptualising the metanarratives South Africa constructed of itself from 1910 onwards. This was achieved, for example, through an extensive visual archive of documentary photographs of South Africa, commissioned by the SAR. In addition to a range of 'publicity…
Gendered representations of fatherhood in contemporary South African church imagery from three Afrikaans corporate churches
The South African secular media do not frequently portray men in parental roles; on the other hand, it seems that media and visual culture created by the Christian sector is more likely to engage with issues of fatherhood. Accordingly, it is relevant to explore representations of fatherhood in the Christian context, as these constitute some of the few examples of men s parental roles in the South African visual culture landscape. Through a Barthe…
Land Rover and colonial-style adventure: The ‘Himba’ advertisement1
This article examines the infamous Land Rover ‘Himba’ advertisement (2000) that shocked South Africans because of its racism and sexism. The South African Advertising Standards Authority ruled that the advertisement constituted a violation of human dignity that perpetuated gender and cultural inequality. This article takes the position that the Himba advertisement builds on the colonial notions of adventure, exploration and discovery of the Afric…
Consume at leisure: Gendered space at The Lost City
(2003). Consume at leisure: gendered space at The Lost City. de arte: Vol. 38, No. 67, pp. 4-21
Land Rover and colonial-style adventure: The ‘Himba’ advertisement1
This article examines the infamous Land Rover ‘Himba’ advertisement (2000) that shocked South Africans because of its racism and sexism. The South African Advertising Standards Authority ruled that the advertisement constituted a violation of human dignity that perpetuated gender and cultural inequality. This article takes the position that the Himba advertisement builds on the colonial notions of adventure, exploration and discovery of the Afric…
Consume at leisure: Gendered space at The Lost City
(2003). Consume at leisure: gendered space at The Lost City. de arte: Vol. 38, No. 67, pp. 4-21
Land Rover and colonial-style adventure: The ‘Himba’ advertisement1
This article examines the infamous Land Rover ‘Himba’ advertisement (2000) that shocked South Africans because of its racism and sexism. The South African Advertising Standards Authority ruled that the advertisement constituted a violation of human dignity that perpetuated gender and cultural inequality. This article takes the position that the Himba advertisement builds on the colonial notions of adventure, exploration and discovery of the Afric…
Gendered representations of fatherhood in contemporary South African church imagery from three Afrikaans corporate churches
The South African secular media do not frequently portray men in parental roles; on the other hand, it seems that media and visual culture created by the Christian sector is more likely to engage with issues of fatherhood. Accordingly, it is relevant to explore representations of fatherhood in the Christian context, as these constitute some of the few examples of men s parental roles in the South African visual culture landscape. Through a Barthe…
South African Railways Postcard Calendars, 1961 to 1984
This article focuses on a series of postcard calendars produced by the South African Railways (SAR) between 1961 and 1984. As a state-owned organisation, the SAR played a decisive role in conceptualising the metanarratives South Africa constructed of itself from 1910 onwards. This was achieved, for example, through an extensive visual archive of documentary photographs of South Africa, commissioned by the SAR. In addition to a range of 'publicity…
Public Art in South Africa: Bronze Warriors and Plastic Presidents
This edited volume by Kim Miller and Brenda Schmahmann is a welcome and crucial addition to the corpus of scholarly books about visual culture in South Africa. Even though it does not purport to be definitive concerning the appearance, role, and context of public art in South Africa, it offers a rich snapshot of the topic between the years 1999 and 2015. In this regard, it supplements the few extant sources and lays the foundation for further exp…
Art (3 works) · Art history (3 works) · Gender Studies (3 works) · History (3 works) · Sociology (3 works) · Adventure (2 works) · Computer Science (2 works) · Gender Studies (2 works) · History (2 works) · Law (2 works)