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Maša Grdešić

Biographic Data

ID181218
NAMEMaša Grdešić
GIVEN NAMESMaša
FAMILY NAMEGrdešić
SIGNATUREGRDEŠIĆ M
AFFILIATIONSUniversity of Zagreb
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS2
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2021
H-INDEX1
  • The woman reader in Rebecca Mead’s My life in Middlemarch

    Maša Grdešić•ARTICLE•Cultural Studies•2021

    Before the entry of feminist scholars into the field, literary theory either had no interest in the woman reader or used her to represent the type of reading that favours identification, escape and pleasure over engagement with the aesthetic and formal aspects of a text. According to feminist cultural and literary theorists such as Charlotte Brunsdon and Rita Felski, the woman reader has typically been defined as passive and uncreative, her inter…

  • I'm Not the Ladies!”

    Maša Grdešić•ARTICLE•Feminist Media Studies•2013•Cited by: 2•References: 1

    Major television network shows created, written, directed or produced by women are still extremely rare anywhere in the world. It is no wonder, then, that HBO's new comedy series Girls, created, wr

  • I'm Not the Ladies!”

    Maša Grdešić•ARTICLE•Feminist Media Studies•2013•Cited by: 2•References: 1

    Major television network shows created, written, directed or produced by women are still extremely rare anywhere in the world. It is no wonder, then, that HBO's new comedy series Girls, created, wr

  • I'm Not the Ladies!”

    Maša Grdešić•ARTICLE•Feminist Media Studies•2013•Cited by: 2•References: 1

    Major television network shows created, written, directed or produced by women are still extremely rare anywhere in the world. It is no wonder, then, that HBO's new comedy series Girls, created, wr

  • The woman reader in Rebecca Mead’s My life in Middlemarch

    Maša Grdešić•ARTICLE•Cultural Studies•2021

    Before the entry of feminist scholars into the field, literary theory either had no interest in the woman reader or used her to represent the type of reading that favours identification, escape and pleasure over engagement with the aesthetic and formal aspects of a text. According to feminist cultural and literary theorists such as Charlotte Brunsdon and Rita Felski, the woman reader has typically been defined as passive and uncreative, her inter…

Art (2 works) · Psychology (2 works) · Social Psychology (2 works) · Sociology (2 works) · Aesthetics (1 work) · Biography (1 work) · Comedy (1 work) · Comics and Graphic Narratives (1 work) · Creativity (1 work) · Criticism (1 work)

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