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Douglas Lonie

Biographic Data

ID181587
NAMEDouglas Lonie
GIVEN NAMESDouglas
FAMILY NAMELonie
SIGNATURELONIE D
AFFILIATIONSBOP Consulting, UK
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS10
AUTHOR COUNT2
EDITOR COUNT0
FIRST PUBLICATION YEAR2012
LATEST PUBLICATION YEAR2016
H-INDEX2
  • Becoming musicians

    Open Access•Douglas Lonie, Luke Dickens•ARTICLE•Cultural Geographies•2016•Cited by: 2

    This article considers the processes of musical learning that take place across formal, non-formal and informal contexts and spaces. Building on notions of embodied knowledge, identity and culture within education studies, specifically the concept of 'musical habitus', this article explores processes of access, inclusion and appropriation of music learning environments. Based on focus group discussions with a diverse group of young Londoners (age…

  • Rap, rhythm and recognition

    Open Access•Luke Dickens, Douglas Lonie•ARTICLE•Emotion, space and society•2012•Cited by: 8•References: 15

  • Rap, rhythm and recognition

    Open Access•Luke Dickens, Douglas Lonie•ARTICLE•Emotion, space and society•2012•Cited by: 8•References: 15

  • Becoming musicians

    Open Access•Douglas Lonie, Luke Dickens•ARTICLE•Cultural Geographies•2016•Cited by: 2

    This article considers the processes of musical learning that take place across formal, non-formal and informal contexts and spaces. Building on notions of embodied knowledge, identity and culture within education studies, specifically the concept of 'musical habitus', this article explores processes of access, inclusion and appropriation of music learning environments. Based on focus group discussions with a diverse group of young Londoners (age…

  • Rap, rhythm and recognition

    Open Access•Luke Dickens, Douglas Lonie•ARTICLE•Emotion, space and society•2012•Cited by: 8•References: 15

  • Becoming musicians

    Open Access•Douglas Lonie, Luke Dickens•ARTICLE•Cultural Geographies•2016•Cited by: 2

    This article considers the processes of musical learning that take place across formal, non-formal and informal contexts and spaces. Building on notions of embodied knowledge, identity and culture within education studies, specifically the concept of 'musical habitus', this article explores processes of access, inclusion and appropriation of music learning environments. Based on focus group discussions with a diverse group of young Londoners (age…

Art (2 works) · Political science (2 works) · Sociology (2 works) · Active listening (1 works) · Aesthetics (1 works) · Appropriation (1 works) · Children's Rights and Participation (1 works) · Cognitive reframing (1 works) · Communication (1 works) · Context (archaeology (1 works)

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