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Kristina M Jacobsen

Biographic Data

ID181684
NAMEKristina M Jacobsen
GIVEN NAMESKristina M
FAMILY NAMEJacobsen
SIGNATUREJACOBSEN K M
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS6
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2019
H-INDEX1
  • "Someone Else's "Country

    Open Access•Kristina M Jacobsen•ARTICLE•Journal for the Anthropology of…•2019•Cited by: 1•References: 4

    This article examines rural North American expressive culture vis-a-vis country music and language reclamation within minoritarian language contexts. Drawing on my previous ethnographic fieldwork performing and learning Navajo on the Navajo Nation, I explore how rural identities circulate transnationally in and through spoken and sung performances of country "roots" music in my more recent field site of Sardinia, Italy. In both Sardinia and on th…

  • Sounds of Crossing

    Kristina M Jacobsen, Kristina Jacobsen•ARTICLE•Anthropological Quarterly•2019

    Reviewed by: Sounds of Crossing: Music, Migration, and the Aural Poetics of Huapango Arribeño by Alex E. Chávez Kristina M. Jacobsen Alex E. Chávez, Sounds of Crossing: Music, Migration, and the Aural Poetics of Huapango Arribeño. Durham: Duke University Press, 2017. 440 pp. Alex Chávez's Sounds of Crossing looks at the way the genre of music called huapango arribeño humanizes its primary participants—Mexican migrants—in a deeply dehumanizing pol…

  • Sound of Navajo Country

    Kristina M Jacobsen, Kristina Jacobsen•BOOK•Sound of Navajo Country•2017•Cited by: 5

    In this ethnography of Navajo (Diné) popular music culture, Kristina M. Jacobsen examines questions of Indigenous identity and performance by focusing on the surprising and vibrant Navajo country music scene. Through multiple first-person accounts, Jacobsen illuminates country music’s connections to the Indigenous politics of language and belonging, examining through the lens of music both the politics of difference and many internal distinctions…

  • Sound of Navajo Country

    Kristina M Jacobsen, Kristina Jacobsen•BOOK•Sound of Navajo Country•2017•Cited by: 5

    In this ethnography of Navajo (Diné) popular music culture, Kristina M. Jacobsen examines questions of Indigenous identity and performance by focusing on the surprising and vibrant Navajo country music scene. Through multiple first-person accounts, Jacobsen illuminates country music’s connections to the Indigenous politics of language and belonging, examining through the lens of music both the politics of difference and many internal distinctions…

  • "Someone Else's "Country

    Open Access•Kristina M Jacobsen•ARTICLE•Journal for the Anthropology of…•2019•Cited by: 1•References: 4

    This article examines rural North American expressive culture vis-a-vis country music and language reclamation within minoritarian language contexts. Drawing on my previous ethnographic fieldwork performing and learning Navajo on the Navajo Nation, I explore how rural identities circulate transnationally in and through spoken and sung performances of country "roots" music in my more recent field site of Sardinia, Italy. In both Sardinia and on th…

  • Sound of Navajo Country

    Kristina M Jacobsen, Kristina Jacobsen•BOOK•Sound of Navajo Country•2017•Cited by: 5

    In this ethnography of Navajo (Diné) popular music culture, Kristina M. Jacobsen examines questions of Indigenous identity and performance by focusing on the surprising and vibrant Navajo country music scene. Through multiple first-person accounts, Jacobsen illuminates country music’s connections to the Indigenous politics of language and belonging, examining through the lens of music both the politics of difference and many internal distinctions…

  • "Someone Else's "Country

    Open Access•Kristina M Jacobsen•ARTICLE•Journal for the Anthropology of…•2019•Cited by: 1•References: 4

    This article examines rural North American expressive culture vis-a-vis country music and language reclamation within minoritarian language contexts. Drawing on my previous ethnographic fieldwork performing and learning Navajo on the Navajo Nation, I explore how rural identities circulate transnationally in and through spoken and sung performances of country "roots" music in my more recent field site of Sardinia, Italy. In both Sardinia and on th…

  • Sounds of Crossing

    Kristina M Jacobsen, Kristina Jacobsen•ARTICLE•Anthropological Quarterly•2019

    Reviewed by: Sounds of Crossing: Music, Migration, and the Aural Poetics of Huapango Arribeño by Alex E. Chávez Kristina M. Jacobsen Alex E. Chávez, Sounds of Crossing: Music, Migration, and the Aural Poetics of Huapango Arribeño. Durham: Duke University Press, 2017. 440 pp. Alex Chávez's Sounds of Crossing looks at the way the genre of music called huapango arribeño humanizes its primary participants—Mexican migrants—in a deeply dehumanizing pol…

Anthropology (2 works) · Art (2 works) · Ethnomusicology (2 works) · Literature (2 works) · Multilingual Education and Policy (2 works) · Musical (2 works) · Sociology (2 works) · Aesthetics (1 works) · Country music (1 works) · Cultural and Social Studies in Latin America (1 works)

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