Walid El Hamamsy
Biographic Data
| ID | 181795 |
|---|---|
| NAME | Walid El Hamamsy |
| GIVEN NAMES | Walid |
| FAMILY NAME | El Hamamsy |
| SIGNATURE | EL HAMAMSY W |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 8 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 1 |
Popular Culture in the Middle East and North Africa: A Postcolonial Outlook
Part 1: Popular Culture and the Aesthetics of Political Resistance 1. Palestinian Rap: Against the Struggle Paradigm Ted Swedenburg 2. Music Sans Frontieres? Documentaries on Hip Hop in the Holy Land and DIY Democracy Caroline Rooney 3. Rai: North Africa's Music of the Working Class John A. Shoup Part 2: Gender Politics, the Popular, Social Resistance 4. Masculinity and Fatherhood within a Lebanese Muslim Community: Assad Fouladkar's When Maryam …
Shooting Under Fire: Filmmaking and the Aesthetics of Resistance
BB = BlackBerry or Big Brother: Digital media and the Egyptian revolution
This article examines the use of digital media in the 2011 Egyptian revolution (25 January–11 February), termed by many analysts and commentators a “Facebook revolution”, “Twitter revolution”, “digital revolution” or “electronic revolution”. Such appellations highlight the role of the youth who organized and mobilized for the revolution and the essential role played by digital media. Disengaging from the controversial debate over whether Egypt’s …
BB = BlackBerry or Big Brother: Digital media and the Egyptian revolution
This article examines the use of digital media in the 2011 Egyptian revolution (25 January–11 February), termed by many analysts and commentators a “Facebook revolution”, “Twitter revolution”, “digital revolution” or “electronic revolution”. Such appellations highlight the role of the youth who organized and mobilized for the revolution and the essential role played by digital media. Disengaging from the controversial debate over whether Egypt’s …
BB = BlackBerry or Big Brother: Digital media and the Egyptian revolution
This article examines the use of digital media in the 2011 Egyptian revolution (25 January–11 February), termed by many analysts and commentators a “Facebook revolution”, “Twitter revolution”, “digital revolution” or “electronic revolution”. Such appellations highlight the role of the youth who organized and mobilized for the revolution and the essential role played by digital media. Disengaging from the controversial debate over whether Egypt’s …
Shooting Under Fire: Filmmaking and the Aesthetics of Resistance
Popular Culture in the Middle East and North Africa: A Postcolonial Outlook
Part 1: Popular Culture and the Aesthetics of Political Resistance 1. Palestinian Rap: Against the Struggle Paradigm Ted Swedenburg 2. Music Sans Frontieres? Documentaries on Hip Hop in the Holy Land and DIY Democracy Caroline Rooney 3. Rai: North Africa's Music of the Working Class John A. Shoup Part 2: Gender Politics, the Popular, Social Resistance 4. Masculinity and Fatherhood within a Lebanese Muslim Community: Assad Fouladkar's When Maryam …
Computer Science (2 works) · Resistance (ecology (2 works) · World Wide Web (2 works) · Africa (1 works) · Alphabet (1 works) · Ancient history (1 works) · Arabic (1 works) · Archaeology (1 works) · Art (1 works) · Art history (1 works)