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Daniel Cavicchi

Biographic Data

ID182566
NAMEDaniel Cavicchi
GIVEN NAMESDaniel
FAMILY NAMECavicchi
SIGNATURECAVICCHI D
AFFILIATIONSRhode Island School of Design
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS0
WORKS AS AUTHOR10
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1994
LATEST PUBLICATION YEAR2021
H-INDEX0
  • J onathan R osenberg . Dangerous Melodies

    Open Access•Daniel Cavicchi•ARTICLE•The American Historical Review•2021

    In this engaging book, Dangerous Melodies: Classical Music in America from the Great War through the Cold War, Jonathan Rosenberg argues that classical music was consequentially popular during the American Century. In particular, he makes the case that as the United States expanded its international reach and influence during World War I, World War II, and the Cold War it confronted the emergence of antidemocratic regimes in Germany, Italy, and t…

  • Foundational Discourses of Fandom

    Open Access•Daniel Cavicchi•OTHER•A Companion to Media Fandom and…•2018

    References to religious enthusiasm, self-making, and the power of crowds in turn-of-the-century journalism that popularized “the fan” show how the concept of fandom was initially shaped by some of the main preoccupations of nineteenth-century American culture. Fan studies has, for the most part, been focused on twentieth-century mass culture and media transformations, but by making explicit fandom's links to nineteenth-century discourses of audie…

  • Music fandom in the digital age

    Nancy K Baym, Nancy Baym et al.•CHAPTER•Routledge Companion to Media Fandom•2017

    In the context of cultural commodities, music has undergone some of the most striking changes in the digital era. To discuss the impact of music&s;s changing technologies on fans and fan cultures, we brought together three phenomenal music scholars, Nancy Baym, Daniel Cavicchi, and Norma Coates. Together, these scholars discuss how digital technologies have influenced (and continue to influence) music fandom. In their exchange, they explore a wea…

  • Fandom Before “Fan”

    Daniel Cavicchi•ARTICLE•Reception: Texts, Readers,…•2014

    These are interesting times for reception theorists, especially those who study fandom, an extraordinary form of audiencing that includes everything from emotional attachment to performers to obsessive collecting. In particular, the nature of fandom's extraordinariness has changed a great deal in the past several decades, thanks to the advent of the Internet and digital production. Previously “abnormal” fan practices have not only become more and…

  • Reflections

    Open Access•Daniel Cavicchi•ARTICLE•Journal of Popular Music Studies•2009

  • Interpreting Popular Music

    Daniel Cavicchi, David Brackett et al.•ARTICLE•Ethnomusicology•2002

  • Springsteen, Bruce

    Daniel Cavicchi•CHAPTER•The new Grove dictionary of music…•2001

  • Seeing Elvis

    Open Access•Daniel Cavicchi•ARTICLE•American Quarterly•2000

    Elvis Culture: Fans, Faith, & Image. By Erika Doss. Lawrence, Kansas: University of Kansas Press, 1999. 289 pages. $24.95 (cloth). OVER THE PAST TEN YEARS, THERE HAS BEEN A NOTABLE INCREASE IN PUBLISHED studies of mass media stars and their fans. 1 Whereas in 1990 the Library of Congress listed "fan" as a subject heading only for mechanical blowers or hand-painted works of art, today "fan" includes a number of different sub-categories that refer …

  • Tramps Like Us

    Daniel Cavicchi•BOOK•Tramps like us•1998

    Based on three years of ethnographic research with Bruce Springsteen fans, and informed by the author ‘s own experiences as a fan, Tramps Like Us is an interdisciplinary study of the ways in which ordinary people form special, sustained attachments to Springsteen and his music and how those attachments function in people ‘s daily lives. An insider ‘s narrative about Springsteen fans--who they are, what they do, and why they do it--this book also …

  • Roll Over Beethoven

    Philip H Ennis, Stanley Aronowitz et al.•ARTICLE•Contemporary Sociology A Journal…•1994

No prominent works on this page.

  • Roll Over Beethoven

    Philip H Ennis, Stanley Aronowitz et al.•ARTICLE•Contemporary Sociology A Journal…•1994

  • Tramps Like Us

    Daniel Cavicchi•BOOK•Tramps like us•1998

    Based on three years of ethnographic research with Bruce Springsteen fans, and informed by the author ‘s own experiences as a fan, Tramps Like Us is an interdisciplinary study of the ways in which ordinary people form special, sustained attachments to Springsteen and his music and how those attachments function in people ‘s daily lives. An insider ‘s narrative about Springsteen fans--who they are, what they do, and why they do it--this book also …

  • Seeing Elvis

    Open Access•Daniel Cavicchi•ARTICLE•American Quarterly•2000

    Elvis Culture: Fans, Faith, & Image. By Erika Doss. Lawrence, Kansas: University of Kansas Press, 1999. 289 pages. $24.95 (cloth). OVER THE PAST TEN YEARS, THERE HAS BEEN A NOTABLE INCREASE IN PUBLISHED studies of mass media stars and their fans. 1 Whereas in 1990 the Library of Congress listed "fan" as a subject heading only for mechanical blowers or hand-painted works of art, today "fan" includes a number of different sub-categories that refer …

  • Springsteen, Bruce

    Daniel Cavicchi•CHAPTER•The new Grove dictionary of music…•2001

  • Interpreting Popular Music

    Daniel Cavicchi, David Brackett et al.•ARTICLE•Ethnomusicology•2002

  • Reflections

    Open Access•Daniel Cavicchi•ARTICLE•Journal of Popular Music Studies•2009

  • Fandom Before “Fan”

    Daniel Cavicchi•ARTICLE•Reception: Texts, Readers,…•2014

    These are interesting times for reception theorists, especially those who study fandom, an extraordinary form of audiencing that includes everything from emotional attachment to performers to obsessive collecting. In particular, the nature of fandom's extraordinariness has changed a great deal in the past several decades, thanks to the advent of the Internet and digital production. Previously “abnormal” fan practices have not only become more and…

  • Music fandom in the digital age

    Nancy K Baym, Nancy Baym et al.•CHAPTER•Routledge Companion to Media Fandom•2017

    In the context of cultural commodities, music has undergone some of the most striking changes in the digital era. To discuss the impact of music&s;s changing technologies on fans and fan cultures, we brought together three phenomenal music scholars, Nancy Baym, Daniel Cavicchi, and Norma Coates. Together, these scholars discuss how digital technologies have influenced (and continue to influence) music fandom. In their exchange, they explore a wea…

  • Foundational Discourses of Fandom

    Open Access•Daniel Cavicchi•OTHER•A Companion to Media Fandom and…•2018

    References to religious enthusiasm, self-making, and the power of crowds in turn-of-the-century journalism that popularized “the fan” show how the concept of fandom was initially shaped by some of the main preoccupations of nineteenth-century American culture. Fan studies has, for the most part, been focused on twentieth-century mass culture and media transformations, but by making explicit fandom's links to nineteenth-century discourses of audie…

  • J onathan R osenberg . Dangerous Melodies

    Open Access•Daniel Cavicchi•ARTICLE•The American Historical Review•2021

    In this engaging book, Dangerous Melodies: Classical Music in America from the Great War through the Cold War, Jonathan Rosenberg argues that classical music was consequentially popular during the American Century. In particular, he makes the case that as the United States expanded its international reach and influence during World War I, World War II, and the Cold War it confronted the emergence of antidemocratic regimes in Germany, Italy, and t…

Art (9 works) · Media studies (6 works) · Sociology (6 works) · Music History and Culture (5 works) · Fandom (4 works) · Literature (4 works) · Asian Culture and Media Studies (3 works) · Computer Science (3 works) · Anthropology (2 works) · Art history (2 works)

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