Sanne V J Berber
Biographic Data
| ID | 1832570 |
|---|---|
| NAME | Sanne V J Berber |
| GIVEN NAMES | Sanne V J |
| FAMILY NAME | Berber |
| SIGNATURE | BERBER S V J |
| AFFILIATIONS | Cultural Heritage Agency of Netherlands |
| ORCID | 0000-0002-0748-4701 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 2 |
An Introduction and Recent Advances in the Analytical Study of Early Synthetic Dyes and Organic Pigments in Cultural Heritage
This article reviews the research recently undertaken to characterise and identify early synthetic dyes (ESDs) and synthetic organic pigments (SOPs) as well as study their degradation pathways with a focus on cultural heritage applications. Since the invention of the first fully synthetic dye in 1856, these materials have been used in a variety of historic objects and artworks, such as textiles, furniture, prints, paintings, drawings, etc. The sy…
Shades of violet
Bright violet-coloured aniline dyes were developed and produced from the late 19th century onwards. Primarily used for dyeing of textiles, they were also employed in inks for letters and drawings. The industrial production of these dyes comprised numerous companies in Germany, France and England and concurrent chemical synthesis methods rapidly evolved. ‘Methyl violet’, also known as ‘Violet de Paris’, is an example of an aniline dye that made a …
Mapping degradation pathways of natural and synthetic dyes with LC-MS
Mapping degradation pathways of natural and synthetic dyes with LC-MS
An Introduction and Recent Advances in the Analytical Study of Early Synthetic Dyes and Organic Pigments in Cultural Heritage
This article reviews the research recently undertaken to characterise and identify early synthetic dyes (ESDs) and synthetic organic pigments (SOPs) as well as study their degradation pathways with a focus on cultural heritage applications. Since the invention of the first fully synthetic dye in 1856, these materials have been used in a variety of historic objects and artworks, such as textiles, furniture, prints, paintings, drawings, etc. The sy…
Mapping degradation pathways of natural and synthetic dyes with LC-MS
An Introduction and Recent Advances in the Analytical Study of Early Synthetic Dyes and Organic Pigments in Cultural Heritage
This article reviews the research recently undertaken to characterise and identify early synthetic dyes (ESDs) and synthetic organic pigments (SOPs) as well as study their degradation pathways with a focus on cultural heritage applications. Since the invention of the first fully synthetic dye in 1856, these materials have been used in a variety of historic objects and artworks, such as textiles, furniture, prints, paintings, drawings, etc. The sy…
Shades of violet
Bright violet-coloured aniline dyes were developed and produced from the late 19th century onwards. Primarily used for dyeing of textiles, they were also employed in inks for letters and drawings. The industrial production of these dyes comprised numerous companies in Germany, France and England and concurrent chemical synthesis methods rapidly evolved. ‘Methyl violet’, also known as ‘Violet de Paris’, is an example of an aniline dye that made a …
Cultural Heritage Materials Analysis (3 works) · Art (2 works) · Chemistry (2 works) · Conservation Techniques and Studies (2 works) · Dye analysis and toxicity (2 works) · Materials Science (2 works) · Organic Chemistry (2 works) · Acetonitrile (1 works) · Aniline (1 works) · Archaeology (1 works)