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Seán Crosson

Biographic Data

ID1836788
NAMESeán Crosson
GIVEN NAMESSeán
FAMILY NAMECrosson
SIGNATURECROSSON S
AFFILIATIONSOllscoil na Gaillimhe – University of Galway
ORCID0000-0002-3026-0968
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS2
AUTHOR COUNT7
EDITOR COUNT1
FIRST PUBLICATION YEAR2008
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Depicting and evoking vulnerability in Irish-language cinema

    Open Access•Seán Crosson•ARTICLE•Irish Studies Review•2026•References: 1

    We are currently living through an extraordinary period of productivity and success for Irish-language cinema, evident in the critical and commercial success of An Cailín Ciúin (The Quiet Girl), the first Irish-language feature to be nominated for the Best International Feature Film Academy Award. Understanding the reasons for the success of An Cailín Ciúin is a complex undertaking that involves considerations at a number of levels including the …

  • Le genre, la race et le rêve américain dans les représentations cinématographiques du football américain

    Open Access•Seán Crosson•ARTICLE•Football(s) Histoire culture…•2025

    Cet article explore la représentation du football américain au cinéma à travers les prismes du genre, de la race et du rêve américain. De The Freshman (1925) à The Blind Side (2009), le sport y incarne une fabrique de la masculinité et un vecteur d’ascension sociale. Mais cette réussite, souvent réservée aux figures blanches ou rendue possible par leur soutien, dissimule les inégalités persistantes. Les femmes y sont marginalisées ou sexualisées,…

  • Exposing force”

    Open Access•Seán Crosson, Maedhbh Ní Chumhaill•ARTICLE•Frontiers in Sports and Active…•2023•References: 2

    Introduction An analysis of how the pandemic served to highlight neglected weaknesses and inequalities with regard to the structures and supports available to facilitate women's sport in Ireland. Methods A survey conducted in the summer of 2021 with 194 female athletes across the island of Ireland. These athletes were engaged with the sports of camogie, Ladies Gaelic football, hockey, and rugby, and each responded to a 28-question survey. Results…

  • Going vertical

    Open Access•Seán Crosson•ARTICLE•Frontiers in Sports and Active…•2023•References: 10

    Introduction While Hollywood has been central to the definition and popularisation of the genre internationally, sport cinema also has a significant presence in national cinemas across the world, though less research has been undertaken to date of the place of sport within European cinema and its growing importance in this context. This article will introduce a new database and online research platform (Sport in European Cinema, sportandfilm.eu) …

  • Crisis and Contemporary Poetry

    Open Access•Anne Karhio, Seán Crosson et al.•BOOK•Crisis and Contemporary Poetry•2011

    What are the means available to poetry to address crisis and how can both poets and critics meet the conflicts and challenges they face? This collection of essays addresses poetic and critical respons

  • Croke Park Goes Plumb Crazy’

    Seán Crosson, Dónal McAnallen•ARTICLE•Media History•2011•References: 3

    From the establishment of the Irish Free State in 1922, and over the next two decades, arose great efforts in Ireland to augment political independence from Britain with enhanced cultural separation. During this period the Gaelic Athletic Association (GAA) enjoyed a boom in numbers of players and supporters, thus confirming hurling and Gaelic football as the definitively Irish national games and the association itself as the most popular mass mov…

  • Sport and the Media in Ireland

    Seán Crosson, Philip Dine•ARTICLE•Media History•2011•Cited by: 2•References: 1

    [Introduction to Media History Special Issue on Sport and the Media in Ireland]. The symbiotic relationship that has existed since the mid-nineteenth century between sport and the media - from the popular press, through newsreels and radio, to television, and beyond - is so well established as hardly to require comment. However, the very familiarity of this long and successful marriage should not blind us to its abiding, and abidingly remarkable,…

  • “They can’t wipe us out, they can’t lick us. We’ll go on forever pa, ‘cause we’re the people”

    Open Access•Seán Crosson, Huston School of Film & Digital Media at NUI•ARTICLE•Estudios Irlandeses•2008

    The quote included in the title of this paper is taken from John Ford’s 1940 film The Grapes of Wrath. The scene in which these lines appear, towards the end of Ford’s film, is included in Jim Sheridan’s 2003 film about a family of Irish emigrants to New York, In America. Sheridan has said that he decided to

  • Sport and the Media in Ireland

    Seán Crosson, Philip Dine•ARTICLE•Media History•2011•Cited by: 2•References: 1

    [Introduction to Media History Special Issue on Sport and the Media in Ireland]. The symbiotic relationship that has existed since the mid-nineteenth century between sport and the media - from the popular press, through newsreels and radio, to television, and beyond - is so well established as hardly to require comment. However, the very familiarity of this long and successful marriage should not blind us to its abiding, and abidingly remarkable,…

  • “They can’t wipe us out, they can’t lick us. We’ll go on forever pa, ‘cause we’re the people”

    Open Access•Seán Crosson, Huston School of Film & Digital Media at NUI•ARTICLE•Estudios Irlandeses•2008

    The quote included in the title of this paper is taken from John Ford’s 1940 film The Grapes of Wrath. The scene in which these lines appear, towards the end of Ford’s film, is included in Jim Sheridan’s 2003 film about a family of Irish emigrants to New York, In America. Sheridan has said that he decided to

  • Crisis and Contemporary Poetry

    Open Access•Anne Karhio, Seán Crosson et al.•BOOK•Crisis and Contemporary Poetry•2011

    What are the means available to poetry to address crisis and how can both poets and critics meet the conflicts and challenges they face? This collection of essays addresses poetic and critical respons

  • Croke Park Goes Plumb Crazy’

    Seán Crosson, Dónal McAnallen•ARTICLE•Media History•2011•References: 3

    From the establishment of the Irish Free State in 1922, and over the next two decades, arose great efforts in Ireland to augment political independence from Britain with enhanced cultural separation. During this period the Gaelic Athletic Association (GAA) enjoyed a boom in numbers of players and supporters, thus confirming hurling and Gaelic football as the definitively Irish national games and the association itself as the most popular mass mov…

  • Sport and the Media in Ireland

    Seán Crosson, Philip Dine•ARTICLE•Media History•2011•Cited by: 2•References: 1

    [Introduction to Media History Special Issue on Sport and the Media in Ireland]. The symbiotic relationship that has existed since the mid-nineteenth century between sport and the media - from the popular press, through newsreels and radio, to television, and beyond - is so well established as hardly to require comment. However, the very familiarity of this long and successful marriage should not blind us to its abiding, and abidingly remarkable,…

  • Exposing force”

    Open Access•Seán Crosson, Maedhbh Ní Chumhaill•ARTICLE•Frontiers in Sports and Active…•2023•References: 2

    Introduction An analysis of how the pandemic served to highlight neglected weaknesses and inequalities with regard to the structures and supports available to facilitate women's sport in Ireland. Methods A survey conducted in the summer of 2021 with 194 female athletes across the island of Ireland. These athletes were engaged with the sports of camogie, Ladies Gaelic football, hockey, and rugby, and each responded to a 28-question survey. Results…

  • Going vertical

    Open Access•Seán Crosson•ARTICLE•Frontiers in Sports and Active…•2023•References: 10

    Introduction While Hollywood has been central to the definition and popularisation of the genre internationally, sport cinema also has a significant presence in national cinemas across the world, though less research has been undertaken to date of the place of sport within European cinema and its growing importance in this context. This article will introduce a new database and online research platform (Sport in European Cinema, sportandfilm.eu) …

  • Le genre, la race et le rêve américain dans les représentations cinématographiques du football américain

    Open Access•Seán Crosson•ARTICLE•Football(s) Histoire culture…•2025

    Cet article explore la représentation du football américain au cinéma à travers les prismes du genre, de la race et du rêve américain. De The Freshman (1925) à The Blind Side (2009), le sport y incarne une fabrique de la masculinité et un vecteur d’ascension sociale. Mais cette réussite, souvent réservée aux figures blanches ou rendue possible par leur soutien, dissimule les inégalités persistantes. Les femmes y sont marginalisées ou sexualisées,…

  • Depicting and evoking vulnerability in Irish-language cinema

    Open Access•Seán Crosson•ARTICLE•Irish Studies Review•2026•References: 1

    We are currently living through an extraordinary period of productivity and success for Irish-language cinema, evident in the critical and commercial success of An Cailín Ciúin (The Quiet Girl), the first Irish-language feature to be nominated for the Best International Feature Film Academy Award. Understanding the reasons for the success of An Cailín Ciúin is a complex undertaking that involves considerations at a number of levels including the …

History (5 works) · Political science (5 works) · Sociology (5 works) · Sports, Gender, and Society (5 works) · Art (4 works) · Law (4 works) · Sport and Mega-Event Impacts (4 works) · Cinema and Media Studies (3 works) · Football (3 works) · History (3 works)

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