Gerard G Pigeon
Biographic Data
| ID | 184343 |
|---|---|
| NAME | Gerard G Pigeon |
| GIVEN NAMES | Gerard G |
| FAMILY NAME | Pigeon |
| SIGNATURE | PIGEON G G |
| AFFILIATIONS | Department of Black Studies University of California at Santa Barbara |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1977 |
| LATEST PUBLICATION YEAR | 1996 |
| H-INDEX | 0 |
Black Icons of Colonialism
Created as an educational supplement, as the French monarchy declined, French children's literature quickly put itself at the service of the nation's dominant colonial policy. If the fabrication of icons of African inferiority amused their primary readership, their systematic recurrence subbliminally infiltrated the minds of the malleable young public and helped to propogate the political designs of colonial France. Starting with a demonstration …
Dynamics of Alienation in French Black Literature
whispered Senghor wiping a tear of doubt out of his young and tormented conscience, as he weaves his way along the hard and tedious road that leads to recognition. Why is it that alienation appears to be the basic fundamental principle that moves almost all creative art forms in the preand postcolonial Africa? What are the diverse forms, results, and directions taken by alienation in French speaking, black artistic creation? These are the objecti…
No prominent works on this page.
Dynamics of Alienation in French Black Literature
whispered Senghor wiping a tear of doubt out of his young and tormented conscience, as he weaves his way along the hard and tedious road that leads to recognition. Why is it that alienation appears to be the basic fundamental principle that moves almost all creative art forms in the preand postcolonial Africa? What are the diverse forms, results, and directions taken by alienation in French speaking, black artistic creation? These are the objecti…
Black Icons of Colonialism
Created as an educational supplement, as the French monarchy declined, French children's literature quickly put itself at the service of the nation's dominant colonial policy. If the fabrication of icons of African inferiority amused their primary readership, their systematic recurrence subbliminally infiltrated the minds of the malleable young public and helped to propogate the political designs of colonial France. Starting with a demonstration …
African history and culture studies (2 works) · Caribbean and African Literature and Culture (2 works) · Gender Studies (2 works) · Political science (2 works) · Sociology (2 works) · Aesthetics (1 work) · Alienation (1 work) · Ambiguity (1 work) · Anthropology (1 work) · Archaeology (1 work)