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Dorie Reents‐budet

Biographic Data

ID184549
NAMEDorie Reents‐budet
GIVEN NAMESDorie
FAMILY NAMEReents‐budet
SIGNATUREBUDET D R
AFFILIATIONSSmithsonian Institution
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS45
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR1995
LATEST PUBLICATION YEAR2018
H-INDEX2
  • Classic Maya Concepts of the Royal Court

    Dorie Reents‐budet, Dorie Reents-Budet•CHAPTER•Royal Courts of the Ancient Maya…•2018

    This chapter discusses the representations of court architecture found on 176 Late Classic pottery vessels. It deals with a discussion of the kinds of palace architecture rendered on the pottery, and examines the events taking place inside the court buildings and the activities' participants, and addresses the court's formal and psychological composition that may be inferred from these depictions. Late Classic Maya painted ceramics have long been…

  • Lost Languages: The Enigma of the World's Undeciphered Scripts . By Andrew Robinson

    Dorie Reents‐budet, Dorie Reents-Budet•ARTICLE•American Journal of Archaeology•2004

  • Out of the Palace Dumps: Ceramic Production and Use at Buenavista Del Cayo

    Open Access•Dorie Reents‐budet, Dorie Reents-Budet et al.•ARTICLE•Ancient Mesoamerica•2000•Cited by: 36

    An interdisciplinary approach to Late Classic Maya polychrome-painted ceramics from Buenavista del Cayo and Cahal Pech, Belize allows for preliminary observations relevant to a better understanding of elite pottery production and use in the western Belize Valley. The combination of typological and contextual data from archaeological investigations of ceramics along with art-historical stylistic analyses and ceramic-paste chemical-composition data…

  • Elite Maya Pottery and Artisans as Social Indicators

    Open Access•Dorie Reents‐budet•ARTICLE•Archeological Papers of the…•1998•Cited by: 9•References: 5

    Pre-Columbian Maya Classic period (A.D. 250-850) polychrome pottery underwent a metamorphosis during the sixth century A.D. to become a polyvalent pictorial and hieroglyphic narrative phenomenon whose transformation is tied directly to the period's sociopolitical developments. These specialized ceramics, created for and sometimes by members of the ruling stratum, are important indicators of the social and political dynamics of the Late Classic pe…

  • Classic Cave Art

    Open Access•Dorie Reents‐budet•ARTICLE•American Anthropologist•1996

    Images from the Underworld: Naj Tunich and the Tradition of Maya Cave Painting. Andrea J. Stone

  • Painting the Maya Universe: Royal Ceramics of the Classic Period

    G M Feinman, Dorie Reents‐budet•REVIEW•Hispanic American Historical Review•1995

  • Out of the Palace Dumps: Ceramic Production and Use at Buenavista Del Cayo

    Open Access•Dorie Reents‐budet, Dorie Reents-Budet et al.•ARTICLE•Ancient Mesoamerica•2000•Cited by: 36

    An interdisciplinary approach to Late Classic Maya polychrome-painted ceramics from Buenavista del Cayo and Cahal Pech, Belize allows for preliminary observations relevant to a better understanding of elite pottery production and use in the western Belize Valley. The combination of typological and contextual data from archaeological investigations of ceramics along with art-historical stylistic analyses and ceramic-paste chemical-composition data…

  • Elite Maya Pottery and Artisans as Social Indicators

    Open Access•Dorie Reents‐budet•ARTICLE•Archeological Papers of the…•1998•Cited by: 9•References: 5

    Pre-Columbian Maya Classic period (A.D. 250-850) polychrome pottery underwent a metamorphosis during the sixth century A.D. to become a polyvalent pictorial and hieroglyphic narrative phenomenon whose transformation is tied directly to the period's sociopolitical developments. These specialized ceramics, created for and sometimes by members of the ruling stratum, are important indicators of the social and political dynamics of the Late Classic pe…

  • Painting the Maya Universe: Royal Ceramics of the Classic Period

    G M Feinman, Dorie Reents‐budet•REVIEW•Hispanic American Historical Review•1995

  • Classic Cave Art

    Open Access•Dorie Reents‐budet•ARTICLE•American Anthropologist•1996

    Images from the Underworld: Naj Tunich and the Tradition of Maya Cave Painting. Andrea J. Stone

  • Elite Maya Pottery and Artisans as Social Indicators

    Open Access•Dorie Reents‐budet•ARTICLE•Archeological Papers of the…•1998•Cited by: 9•References: 5

    Pre-Columbian Maya Classic period (A.D. 250-850) polychrome pottery underwent a metamorphosis during the sixth century A.D. to become a polyvalent pictorial and hieroglyphic narrative phenomenon whose transformation is tied directly to the period's sociopolitical developments. These specialized ceramics, created for and sometimes by members of the ruling stratum, are important indicators of the social and political dynamics of the Late Classic pe…

  • Out of the Palace Dumps: Ceramic Production and Use at Buenavista Del Cayo

    Open Access•Dorie Reents‐budet, Dorie Reents-Budet et al.•ARTICLE•Ancient Mesoamerica•2000•Cited by: 36

    An interdisciplinary approach to Late Classic Maya polychrome-painted ceramics from Buenavista del Cayo and Cahal Pech, Belize allows for preliminary observations relevant to a better understanding of elite pottery production and use in the western Belize Valley. The combination of typological and contextual data from archaeological investigations of ceramics along with art-historical stylistic analyses and ceramic-paste chemical-composition data…

  • Lost Languages: The Enigma of the World's Undeciphered Scripts . By Andrew Robinson

    Dorie Reents‐budet, Dorie Reents-Budet•ARTICLE•American Journal of Archaeology•2004

  • Classic Maya Concepts of the Royal Court

    Dorie Reents‐budet, Dorie Reents-Budet•CHAPTER•Royal Courts of the Ancient Maya…•2018

    This chapter discusses the representations of court architecture found on 176 Late Classic pottery vessels. It deals with a discussion of the kinds of palace architecture rendered on the pottery, and examines the events taking place inside the court buildings and the activities' participants, and addresses the court's formal and psychological composition that may be inferred from these depictions. Late Classic Maya painted ceramics have long been…

Art (6 works) · History (6 works) · Archaeology (5 works) · Maya (4 works) · Ancient history (3 works) · Art history (3 works) · Latin American history and culture (3 works) · Aesthetics (2 works) · Archaeology and ancient environmental studies (2 works) · Archaeology and Cultural Heritage (2 works)

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