Andrew Higson
Biographic Data
| ID | 185289 |
|---|---|
| NAME | Andrew Higson |
| GIVEN NAMES | Andrew |
| FAMILY NAME | Higson |
| SIGNATURE | HIGSON A |
| AFFILIATIONS | University of East Anglia |
| ORCID | 0000-0002-4659-6757 |
| VERIFIED | Yes |
| TOTAL WORKS | 17 |
| TOTAL CITATIONS | 78 |
| WORKS AS AUTHOR | 15 |
| WORKS AS EDITOR | 2 |
| FIRST PUBLICATION YEAR | 1983 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 3 |
No Time to Die , the Bond Franchise and Global Hollywood
No Time to Die ( NTTD), the 25th entry in the Bond franchise, became central to the plight of theatrical film exhibition during the Covid-19 pandemic. Produced as one of MGM’s and the wider industry’s biggest commodities, a tent-pole film, it was due to be released in April 2020. One of the first big film casualties of the global lockdowns, NTTD endured several delays before finally reaching cinemas in September 2021. The Bond franchise and the d…
Using mixed-methods, a data model and a computational ontology in film audience research
This paper discusses a methodology that seeks to address one of the challenges in working with a range of data in mixed-methods audience research, which is how to sort, order and categorise different data so that they can be systematically combined and interrogated. The methodology was developed as part of the “Beyond the Multiplex: audiences for specialised films in English regions” (BtM) project. This project required a mixed methods approach u…
European Cinema and Television
This book offers comparative studies of the production, content, distribution and reception of film and television drama in Europe. The collection brings together scholars from the humanities and soci
Nostalgia is not what it used to be
Nostalgia is not a singular phenomenon; it is multi-layered, diversely experienced and variously exploited, as I demonstrate by briefly outlining the history of nostalgia, especially the recent shift from modern to post-modern versions of the experience. The modern, temporal version of nostalgia is founded on the unattainable distance between the past and the present; the post-modern, atemporal version erases this sense of distance. Central to th…
Film England
In a film business increasingly transnational in its production arrangements and global in its scope, what space is there for culturally English filmmaking? In this groundbreaking book, Andrew Higson demonstrates how a variety of Englishnesses have appeared on screen since 1990, and surveys the genres and production modes that have captured those representations. He looks at the industrial circumstances of the film business in the UK, government …
Ian Aitken, Film and Reform
Journal Article Ian Aitken, Film and Reform: John Grierson and the Documentary Film Movement; Paul Swann, The British Documentary Film Movement, 1926–1946 (Cambridge Studies in Film) Get access Ian Aitken, Film and Reform: John Grierson and the Documentary Film Movement (Cinema and Society Series). London: Routledge, 1990, 246pp. Paul Swann, The British Documentary Film Movement, 1926–1946 (Cambridge Studies in Film). Cambridge: Cambridge Univers…
The Concept of National Cinema
Journal Article The Concept of National Cinema Get access Andrew Higson Andrew Higson Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 30, Issue 4, Autumn 1989, Pages 36–47, https://doi.org/10.1093/screen/30.4.36 Published: 01 October 1989
A Wee Trendy Channel
Journal Article ‘A Wee Trendy Channel’ Get access Andrew Higson Andrew Higson Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 30, Issue 1-2, Winter-Spring 1989, Pages 80–91, https://doi.org/10.1093/screen/30.1-2.80 Published: 01 January 1989
The landscapes of television
The Discourses of British Film Year
Journal Article The Discourses of British Film Year Get access Andrew Higson Andrew Higson Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 27, Issue 1, January/February 1986, Pages 86–110, https://doi.org/10.1093/screen/27.1.86 Published: 01 January 1986
Film Acting and Independent Cinema
Journal Article Film Acting and Independent Cinema Get access Andrew Higson Andrew Higson Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 27, Issue 3-4, May-August 1986, Pages 110–133, https://doi.org/10.1093/screen/27.3-4.110 Published: 01 May 1986
Acting Taped
Journal Article Acting Taped Get access Andrew Higson Andrew Higson Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 26, Issue 5, September-October 1985, Pages 2–26, https://doi.org/10.1093/screen/26.5.2 Published: 01 September 1985
Introduction
Journal Article Introduction: Components of the National Film Culture Get access Andrew Higson, Andrew Higson Search for other works by this author on: Oxford Academic Google Scholar Steve Neale Steve Neale Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 26, Issue 1, Jan-Feb 1985, Pages 3–9, https://doi.org/10.1093/screen/26.1.3 Published: 01 January 1985
A Celebration of Cinema
Space, Place, Spectacle
Journal Article Space, Place, Spectacle Get access Andrew Higson Andrew Higson Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 25, Issue 4-5, July-October 1984, Pages 2–21, https://doi.org/10.1093/screen/25.4-5.2 Published: 01 July 1984
Sound Cinema
Journal Article Sound Cinema Get access Andrew Higson Andrew Higson Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 25, Issue 1, Jan-Feb 1984, Pages 74–80, https://doi.org/10.1093/screen/25.1.74 Published: 01 January 1984
Critical Theory and ‘British Cinema’
Journal Article Critical Theory and ‘British Cinema’ Get access Andrew Higson Andrew Higson Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 24, Issue 4-5, July-October 1983, Pages 80–95, https://doi.org/10.1093/screen/24.4-5.80 Published: 01 July 1983
The Concept of National Cinema
Journal Article The Concept of National Cinema Get access Andrew Higson Andrew Higson Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 30, Issue 4, Autumn 1989, Pages 36–47, https://doi.org/10.1093/screen/30.4.36 Published: 01 October 1989
Space, Place, Spectacle
Journal Article Space, Place, Spectacle Get access Andrew Higson Andrew Higson Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 25, Issue 4-5, July-October 1984, Pages 2–21, https://doi.org/10.1093/screen/25.4-5.2 Published: 01 July 1984
Nostalgia is not what it used to be
Nostalgia is not a singular phenomenon; it is multi-layered, diversely experienced and variously exploited, as I demonstrate by briefly outlining the history of nostalgia, especially the recent shift from modern to post-modern versions of the experience. The modern, temporal version of nostalgia is founded on the unattainable distance between the past and the present; the post-modern, atemporal version erases this sense of distance. Central to th…
Introduction
Journal Article Introduction: Components of the National Film Culture Get access Andrew Higson, Andrew Higson Search for other works by this author on: Oxford Academic Google Scholar Steve Neale Steve Neale Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 26, Issue 1, Jan-Feb 1985, Pages 3–9, https://doi.org/10.1093/screen/26.1.3 Published: 01 January 1985
Using mixed-methods, a data model and a computational ontology in film audience research
This paper discusses a methodology that seeks to address one of the challenges in working with a range of data in mixed-methods audience research, which is how to sort, order and categorise different data so that they can be systematically combined and interrogated. The methodology was developed as part of the “Beyond the Multiplex: audiences for specialised films in English regions” (BtM) project. This project required a mixed methods approach u…
The landscapes of television
Sound Cinema
Journal Article Sound Cinema Get access Andrew Higson Andrew Higson Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 25, Issue 1, Jan-Feb 1984, Pages 74–80, https://doi.org/10.1093/screen/25.1.74 Published: 01 January 1984
Critical Theory and ‘British Cinema’
Journal Article Critical Theory and ‘British Cinema’ Get access Andrew Higson Andrew Higson Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 24, Issue 4-5, July-October 1983, Pages 80–95, https://doi.org/10.1093/screen/24.4-5.80 Published: 01 July 1983
A Celebration of Cinema
Space, Place, Spectacle
Journal Article Space, Place, Spectacle Get access Andrew Higson Andrew Higson Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 25, Issue 4-5, July-October 1984, Pages 2–21, https://doi.org/10.1093/screen/25.4-5.2 Published: 01 July 1984
Sound Cinema
Journal Article Sound Cinema Get access Andrew Higson Andrew Higson Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 25, Issue 1, Jan-Feb 1984, Pages 74–80, https://doi.org/10.1093/screen/25.1.74 Published: 01 January 1984
Acting Taped
Journal Article Acting Taped Get access Andrew Higson Andrew Higson Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 26, Issue 5, September-October 1985, Pages 2–26, https://doi.org/10.1093/screen/26.5.2 Published: 01 September 1985
Introduction
Journal Article Introduction: Components of the National Film Culture Get access Andrew Higson, Andrew Higson Search for other works by this author on: Oxford Academic Google Scholar Steve Neale Steve Neale Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 26, Issue 1, Jan-Feb 1985, Pages 3–9, https://doi.org/10.1093/screen/26.1.3 Published: 01 January 1985
The Discourses of British Film Year
Journal Article The Discourses of British Film Year Get access Andrew Higson Andrew Higson Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 27, Issue 1, January/February 1986, Pages 86–110, https://doi.org/10.1093/screen/27.1.86 Published: 01 January 1986
Film Acting and Independent Cinema
Journal Article Film Acting and Independent Cinema Get access Andrew Higson Andrew Higson Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 27, Issue 3-4, May-August 1986, Pages 110–133, https://doi.org/10.1093/screen/27.3-4.110 Published: 01 May 1986
The landscapes of television
The Concept of National Cinema
Journal Article The Concept of National Cinema Get access Andrew Higson Andrew Higson Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 30, Issue 4, Autumn 1989, Pages 36–47, https://doi.org/10.1093/screen/30.4.36 Published: 01 October 1989
A Wee Trendy Channel
Journal Article ‘A Wee Trendy Channel’ Get access Andrew Higson Andrew Higson Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 30, Issue 1-2, Winter-Spring 1989, Pages 80–91, https://doi.org/10.1093/screen/30.1-2.80 Published: 01 January 1989
Ian Aitken, Film and Reform
Journal Article Ian Aitken, Film and Reform: John Grierson and the Documentary Film Movement; Paul Swann, The British Documentary Film Movement, 1926–1946 (Cambridge Studies in Film) Get access Ian Aitken, Film and Reform: John Grierson and the Documentary Film Movement (Cinema and Society Series). London: Routledge, 1990, 246pp. Paul Swann, The British Documentary Film Movement, 1926–1946 (Cambridge Studies in Film). Cambridge: Cambridge Univers…
Film England
In a film business increasingly transnational in its production arrangements and global in its scope, what space is there for culturally English filmmaking? In this groundbreaking book, Andrew Higson demonstrates how a variety of Englishnesses have appeared on screen since 1990, and surveys the genres and production modes that have captured those representations. He looks at the industrial circumstances of the film business in the UK, government …
Nostalgia is not what it used to be
Nostalgia is not a singular phenomenon; it is multi-layered, diversely experienced and variously exploited, as I demonstrate by briefly outlining the history of nostalgia, especially the recent shift from modern to post-modern versions of the experience. The modern, temporal version of nostalgia is founded on the unattainable distance between the past and the present; the post-modern, atemporal version erases this sense of distance. Central to th…
European Cinema and Television
This book offers comparative studies of the production, content, distribution and reception of film and television drama in Europe. The collection brings together scholars from the humanities and soci
Using mixed-methods, a data model and a computational ontology in film audience research
This paper discusses a methodology that seeks to address one of the challenges in working with a range of data in mixed-methods audience research, which is how to sort, order and categorise different data so that they can be systematically combined and interrogated. The methodology was developed as part of the “Beyond the Multiplex: audiences for specialised films in English regions” (BtM) project. This project required a mixed methods approach u…
No Time to Die , the Bond Franchise and Global Hollywood
No Time to Die ( NTTD), the 25th entry in the Bond franchise, became central to the plight of theatrical film exhibition during the Covid-19 pandemic. Produced as one of MGM’s and the wider industry’s biggest commodities, a tent-pole film, it was due to be released in April 2020. One of the first big film casualties of the global lockdowns, NTTD endured several delays before finally reaching cinemas in September 2021. The Bond franchise and the d…
Art (15 works) · Sociology (14 works) · Art history (13 works) · Cinema and Media Studies (13 works) · Media studies (12 works) · Movie theater (9 works) · Computer Science (6 works) · History (5 works) · History (4 works) · Physics (4 works)