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David G Berger

Biographic Data

ID185295
NAMEDavid G Berger
GIVEN NAMESDavid G
FAMILY NAMEBerger
SIGNATUREBERGER D G
AFFILIATIONSTemple University
VERIFIEDNo
TOTAL WORKS14
TOTAL CITATIONS261
AUTHOR COUNT14
EDITOR COUNT0
FIRST PUBLICATION YEAR1971
LATEST PUBLICATION YEAR1996
H-INDEX4
  • Measuring Industry Concentration, Diversity, and Innovation in Popular Music

    R A Peterson, David G Berger•ARTICLE•American Sociological Review•1996•Cited by: 27•References: 3

  • Bass Line: The Stories and Photographs of Milt Hinton

    Eileen Southern, Milt Hinton et al.•ARTICLE•The Black Perspective in Music•1988

  • Sound recording popularity charts: A useful tool for music research II. Some recommendations for change∗

    Peter Hesbacher, Robert Downing et al.•ARTICLE•Popular Music & Society•1978•Cited by: 2•References: 11

  • Radio programming: Relating ratings to revenues in a major market∗

    Peter Hesbacher, Robert Rosenow et al.•ARTICLE•Popular Music & Society•1978•References: 4

  • Substream” recordings: Some shifts in stature and alterations in song

    Peter Hesbacher, Eric Simon et al.•ARTICLE•Popular Music & Society•1978•Cited by: 3•References: 6

    “Substream” recordings (performances at variance with current commercial “mainstream” song types) disseminate essentially regional material to a mass audience. This paper details the fluctuations in popularity of substream musics relative to mainstream (traditional pop and rock) musics and examines artist type and lyric content for number one records to indicate that substream material is usually performed by solo male vocalists and includes prim…

  • Solo female vocalists: Some shifts in stature and alterations in song

    Peter Hesbacher, Nancy Clasby et al.•ARTICLE•Popular Music & Society•1977•Cited by: 3•References: 9

    Although solo female vocalists do not have “hit” recordings with the same frequency that male vocalists do, they have, especially during certain periods, achieved considerable public acceptance. This paper presents the fluctations in popularity of solo female vocalists relative to other artist types and examines sound and lyric content of number one records to show that female vocalists “hit” with the same kind of material that other artist types…

  • Radio Format Strategies

    Open Access•Peter Hesbacher, Nancy Clasby et al.•ARTICLE•Journal of Communication•1976

  • Record Roulette: What Makes It Spin

    Open Access•Peter Hesbacher, Robert Downing et al.•ARTICLE•Journal of Communication•1975

    Peter Hesbacher, Robert Downing, David G. Berger; Record Roulette: What Makes It Spin?, Journal of Communication, Volume 25, Issue 3, 1 September 1975, Pag

  • Radio programming: Relating ratings to revenues in a major market∗

    Peter Hesbacher, Robert Rosenow et al.•ARTICLE•Popular Music & Society•1975•References: 7

    (1975). Radio programming: Relating ratings to revenues in a major market. Popular Music and Society: Vol. 4, No. 4, pp. 208-225

  • Sound recording popularity charts: A useful tool for music research

    Peter Hesbacher, Robert Downing et al.•ARTICLE•Popular Music & Society•1975•Cited by: 11•References: 8

    (1975). Sound recording popularity charts: A useful tool for music research. Popular Music and Society: Vol. 4, No. 2, pp. 86-99

  • Sound recording popularity charts: A useful tool for music research

    Peter Hesbacher, Robert Downing et al.•ARTICLE•Popular Music & Society•1975•Cited by: 6•References: 5

  • Cycles in Symbol Production: The Case of Popular Music

    R A Peterson, David G Berger•ARTICLE•American Sociological Review•1975•Cited by: 205•References: 12

    This study questions the common assertion that culture forms go through cycles. Data on the structure of the music industry and the sorts of music produced over 26 years are examined. Periods of market concentration are found to correspond to periods of homogeneity, periods of competition to periods of diversity. A relatively long period of gradually increasing concentration is followed by a short burst of competition and diversity, with changes …

  • The Ideology of Virginity

    David G Berger, Morton G Wenger•ARTICLE•Journal of Marriage and the Family•1973•Cited by: 4

    Virginity is most often treated as a commonly agreed-upon given in the literature on sexuality. Here the concept is seen to be a variable one, assigned different meanings in different social contexts. The concept of virginity is also placed in a larger, macrosocial framework incorporating elements of a broad sexual ideology. Data supporting these positions are presented as well as evidence pertaining to the lack of differential adherence to relev…

  • Status Attribution and Self-Perception Among Musical Specialities

    Open Access•David G Berger•ARTICLE•Sociological Quarterly•1971•References: 4

    Kelman, H. C. and J. Barclay 1963 The F Scale as a measure of breadth of perspective. Journal of Abnormal and Social Psychology 67 (December): 608-615. Kirscht, J. P. and R. C. Dillehay 1967 Dimensions of Authoritarianism. Lexington: University of Kentucky Press. Kleinmuntz, B. 1961 Screening: identification or prediction? Journal of Counseling Psychology 8 (Summer): 100-107. Peabody, D. 1966 Authoritarianism scales and response bias. Psychologic…

  • Cycles in Symbol Production: The Case of Popular Music

    R A Peterson, David G Berger•ARTICLE•American Sociological Review•1975•Cited by: 205•References: 12

    This study questions the common assertion that culture forms go through cycles. Data on the structure of the music industry and the sorts of music produced over 26 years are examined. Periods of market concentration are found to correspond to periods of homogeneity, periods of competition to periods of diversity. A relatively long period of gradually increasing concentration is followed by a short burst of competition and diversity, with changes …

  • Measuring Industry Concentration, Diversity, and Innovation in Popular Music

    R A Peterson, David G Berger•ARTICLE•American Sociological Review•1996•Cited by: 27•References: 3

  • Sound recording popularity charts: A useful tool for music research

    Peter Hesbacher, Robert Downing et al.•ARTICLE•Popular Music & Society•1975•Cited by: 11•References: 8

    (1975). Sound recording popularity charts: A useful tool for music research. Popular Music and Society: Vol. 4, No. 2, pp. 86-99

  • Sound recording popularity charts: A useful tool for music research

    Peter Hesbacher, Robert Downing et al.•ARTICLE•Popular Music & Society•1975•Cited by: 6•References: 5

  • The Ideology of Virginity

    David G Berger, Morton G Wenger•ARTICLE•Journal of Marriage and the Family•1973•Cited by: 4

    Virginity is most often treated as a commonly agreed-upon given in the literature on sexuality. Here the concept is seen to be a variable one, assigned different meanings in different social contexts. The concept of virginity is also placed in a larger, macrosocial framework incorporating elements of a broad sexual ideology. Data supporting these positions are presented as well as evidence pertaining to the lack of differential adherence to relev…

  • Substream” recordings: Some shifts in stature and alterations in song

    Peter Hesbacher, Eric Simon et al.•ARTICLE•Popular Music & Society•1978•Cited by: 3•References: 6

    “Substream” recordings (performances at variance with current commercial “mainstream” song types) disseminate essentially regional material to a mass audience. This paper details the fluctuations in popularity of substream musics relative to mainstream (traditional pop and rock) musics and examines artist type and lyric content for number one records to indicate that substream material is usually performed by solo male vocalists and includes prim…

  • Solo female vocalists: Some shifts in stature and alterations in song

    Peter Hesbacher, Nancy Clasby et al.•ARTICLE•Popular Music & Society•1977•Cited by: 3•References: 9

    Although solo female vocalists do not have “hit” recordings with the same frequency that male vocalists do, they have, especially during certain periods, achieved considerable public acceptance. This paper presents the fluctations in popularity of solo female vocalists relative to other artist types and examines sound and lyric content of number one records to show that female vocalists “hit” with the same kind of material that other artist types…

  • Sound recording popularity charts: A useful tool for music research II. Some recommendations for change∗

    Peter Hesbacher, Robert Downing et al.•ARTICLE•Popular Music & Society•1978•Cited by: 2•References: 11

  • Status Attribution and Self-Perception Among Musical Specialities

    Open Access•David G Berger•ARTICLE•Sociological Quarterly•1971•References: 4

    Kelman, H. C. and J. Barclay 1963 The F Scale as a measure of breadth of perspective. Journal of Abnormal and Social Psychology 67 (December): 608-615. Kirscht, J. P. and R. C. Dillehay 1967 Dimensions of Authoritarianism. Lexington: University of Kentucky Press. Kleinmuntz, B. 1961 Screening: identification or prediction? Journal of Counseling Psychology 8 (Summer): 100-107. Peabody, D. 1966 Authoritarianism scales and response bias. Psychologic…

  • The Ideology of Virginity

    David G Berger, Morton G Wenger•ARTICLE•Journal of Marriage and the Family•1973•Cited by: 4

    Virginity is most often treated as a commonly agreed-upon given in the literature on sexuality. Here the concept is seen to be a variable one, assigned different meanings in different social contexts. The concept of virginity is also placed in a larger, macrosocial framework incorporating elements of a broad sexual ideology. Data supporting these positions are presented as well as evidence pertaining to the lack of differential adherence to relev…

  • Record Roulette: What Makes It Spin

    Open Access•Peter Hesbacher, Robert Downing et al.•ARTICLE•Journal of Communication•1975

    Peter Hesbacher, Robert Downing, David G. Berger; Record Roulette: What Makes It Spin?, Journal of Communication, Volume 25, Issue 3, 1 September 1975, Pag

  • Radio programming: Relating ratings to revenues in a major market∗

    Peter Hesbacher, Robert Rosenow et al.•ARTICLE•Popular Music & Society•1975•References: 7

    (1975). Radio programming: Relating ratings to revenues in a major market. Popular Music and Society: Vol. 4, No. 4, pp. 208-225

  • Sound recording popularity charts: A useful tool for music research

    Peter Hesbacher, Robert Downing et al.•ARTICLE•Popular Music & Society•1975•Cited by: 11•References: 8

    (1975). Sound recording popularity charts: A useful tool for music research. Popular Music and Society: Vol. 4, No. 2, pp. 86-99

  • Sound recording popularity charts: A useful tool for music research

    Peter Hesbacher, Robert Downing et al.•ARTICLE•Popular Music & Society•1975•Cited by: 6•References: 5

  • Cycles in Symbol Production: The Case of Popular Music

    R A Peterson, David G Berger•ARTICLE•American Sociological Review•1975•Cited by: 205•References: 12

    This study questions the common assertion that culture forms go through cycles. Data on the structure of the music industry and the sorts of music produced over 26 years are examined. Periods of market concentration are found to correspond to periods of homogeneity, periods of competition to periods of diversity. A relatively long period of gradually increasing concentration is followed by a short burst of competition and diversity, with changes …

  • Radio Format Strategies

    Open Access•Peter Hesbacher, Nancy Clasby et al.•ARTICLE•Journal of Communication•1976

  • Solo female vocalists: Some shifts in stature and alterations in song

    Peter Hesbacher, Nancy Clasby et al.•ARTICLE•Popular Music & Society•1977•Cited by: 3•References: 9

    Although solo female vocalists do not have “hit” recordings with the same frequency that male vocalists do, they have, especially during certain periods, achieved considerable public acceptance. This paper presents the fluctations in popularity of solo female vocalists relative to other artist types and examines sound and lyric content of number one records to show that female vocalists “hit” with the same kind of material that other artist types…

  • Sound recording popularity charts: A useful tool for music research II. Some recommendations for change∗

    Peter Hesbacher, Robert Downing et al.•ARTICLE•Popular Music & Society•1978•Cited by: 2•References: 11

  • Radio programming: Relating ratings to revenues in a major market∗

    Peter Hesbacher, Robert Rosenow et al.•ARTICLE•Popular Music & Society•1978•References: 4

  • Substream” recordings: Some shifts in stature and alterations in song

    Peter Hesbacher, Eric Simon et al.•ARTICLE•Popular Music & Society•1978•Cited by: 3•References: 6

    “Substream” recordings (performances at variance with current commercial “mainstream” song types) disseminate essentially regional material to a mass audience. This paper details the fluctuations in popularity of substream musics relative to mainstream (traditional pop and rock) musics and examines artist type and lyric content for number one records to indicate that substream material is usually performed by solo male vocalists and includes prim…

  • Bass Line: The Stories and Photographs of Milt Hinton

    Eileen Southern, Milt Hinton et al.•ARTICLE•The Black Perspective in Music•1988

  • Measuring Industry Concentration, Diversity, and Innovation in Popular Music

    R A Peterson, David G Berger•ARTICLE•American Sociological Review•1996•Cited by: 27•References: 3

Psychology (9 works) · Computer Science (8 works) · Art (7 works) · Visual arts (6 works) · Music History and Culture (5 works) · Popularity (5 works) · Sociology (5 works) · Acoustics (4 works) · Business (4 works) · Cultural Industries and Urban Development (4 works)

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