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Björn Merker

Biographic Data

ID185747
NAMEBjörn Merker
GIVEN NAMESBjörn
FAMILY NAMEMerker
SIGNATUREMERKER B
AFFILIATIONSUppsala University
ORCID0000-0003-2941-6133
VERIFIEDYes
TOTAL WORKS11
TOTAL CITATIONS10
AUTHOR COUNT10
EDITOR COUNT1
FIRST PUBLICATION YEAR1984
LATEST PUBLICATION YEAR2017
H-INDEX2
  • Metrically Structured Time and Entrainment

    Guy Madison, Fredrik Ullén et al.•CHAPTER•Routledge Companion to Embodied…•2017

    This chapter focuses on the perceptual mechanisms that enable and facilitate entrainment to the temporally regular sounds of music. It discusses possible unifying principles underlying functions of entrainment in the action range for human movement, where entrainment occurs most readily and with greatest precision. The chapter reviews timing constraints imposed by our biology and describes the metrical organization of time that is employed by mus…

  • Consciousness without a cerebral cortex

    Open Access•Björn Merker•ARTICLE•Behavioral and Brain Sciences•2007

    A broad range of evidence regarding the functional organization of the vertebrate brain – spanning from comparative neurology to experimental psychology and neurophysiology to clinical data – is reviewed for its bearing on conceptions of the neural organization of consciousness. A novel principle relating target selection, action selection, and motivation to one another, as a means to optimize integration for action in real time, is introduced. W…

  • Hostile Presenting in Captive Gibbons

    Open Access•Alan R Mootnick, Elaine Baker et al.•ARTICLE•International Journal of…•2006•Cited by: 1•References: 22

  • The liabilities of mobility

    Open Access•Björn Merker•ARTICLE•Consciousness and Cognition•2005

  • Music

    Open Access•Björn Merker•ARTICLE•Musicae Scientiae•2002

    William Abler identified a common principle of pattern generation underlying the open-ended diversity of forms exhibited by chemistry, genetics and human language. He named this generative principle “the particulate principle of self-diversifying systems”. In passing Abler mentioned music as an instance of the principle, but did not develop the idea. Most extant music does not use the sound content of the continua of frequency (pitch) and time di…

  • Music Origins – From a Forum Discussion

    Randi Rolvsjord, Bjørn Grinde et al.•ARTICLE•Nordisk Tidsskrift for Musikkterapi•2001•References: 2

    2001). Music Origins – From a Forum Discussion. Nordic Journal of Music Therapy: Vol. 10, No. 1, pp. 100-104

  • Music and the Rett Disorder

    Björn Merker, Märith Bergström-Isacsson et al.•ARTICLE•Nordisk Tidsskrift for Musikkterapi•2001•Cited by: 4•References: 8

    Observations in the course of music therapy as well as informal reports by relatives and other caregivers indicate that music constitutes a significant category of experience for people with Rett syndrome, despite the severe cognitive, communicative and social disability produced by this neurological developmental disorder. Since there is a lack of systematic information about the role of music in the lives of persons with Rett syndrome, we have …

  • A New Theory of Music Origins

    Björn Merker•ARTICLE•Nordisk Tidsskrift for Musikkterapi•2000•Cited by: 3

    (2000). A New Theory of Music Origins: the Language Auxiliary Hypothesis. Nordisk Tidsskrift for Musikkterapi: Vol. 9, No. 2, pp. 28-31

  • The Origins of Music

    Nils L Wallin, Björn Merker et al.•BOOK•Origins of Music•1999

    The book can be viewed as representing the birth of evolutionary biomusicology. What biological and cognitive forces have shaped humankind's musical behavior and the rich global repertoire of musical structures? What is music for, and why does every human culture have it? What are the universal features of music and musical behavior across cultures? In this groundbreaking book, musicologists, biologists, anthropologists, archaeologists, psycholog…

  • Synchronous chorusing and the origins of music

    Open Access•Björn Merker•ARTICLE•Musicae Scientiae•1999

    The surprising fit between the basic pattern of hominid sociality (inferred from shared features of human and chimpanzee sociality) and one of the models developed to explain the evolution of synchronous chorusing in insects suggests that synchronous chorusing played a role in the late Miocene separation of the hominid ancestors of humans from our common ancestor with the chimpanzee. A detailed evolutionary scenario for this process is presented …

  • A Note on Hunting and Hominid Origins

    Open Access•Björn Merker•ARTICLE•American Anthropologist•1984•Cited by: 2•References: 14

  • Music and the Rett Disorder

    Björn Merker, Märith Bergström-Isacsson et al.•ARTICLE•Nordisk Tidsskrift for Musikkterapi•2001•Cited by: 4•References: 8

    Observations in the course of music therapy as well as informal reports by relatives and other caregivers indicate that music constitutes a significant category of experience for people with Rett syndrome, despite the severe cognitive, communicative and social disability produced by this neurological developmental disorder. Since there is a lack of systematic information about the role of music in the lives of persons with Rett syndrome, we have …

  • A New Theory of Music Origins

    Björn Merker•ARTICLE•Nordisk Tidsskrift for Musikkterapi•2000•Cited by: 3

    (2000). A New Theory of Music Origins: the Language Auxiliary Hypothesis. Nordisk Tidsskrift for Musikkterapi: Vol. 9, No. 2, pp. 28-31

  • A Note on Hunting and Hominid Origins

    Open Access•Björn Merker•ARTICLE•American Anthropologist•1984•Cited by: 2•References: 14

  • Hostile Presenting in Captive Gibbons

    Open Access•Alan R Mootnick, Elaine Baker et al.•ARTICLE•International Journal of…•2006•Cited by: 1•References: 22

  • A Note on Hunting and Hominid Origins

    Open Access•Björn Merker•ARTICLE•American Anthropologist•1984•Cited by: 2•References: 14

  • The Origins of Music

    Nils L Wallin, Björn Merker et al.•BOOK•Origins of Music•1999

    The book can be viewed as representing the birth of evolutionary biomusicology. What biological and cognitive forces have shaped humankind's musical behavior and the rich global repertoire of musical structures? What is music for, and why does every human culture have it? What are the universal features of music and musical behavior across cultures? In this groundbreaking book, musicologists, biologists, anthropologists, archaeologists, psycholog…

  • Synchronous chorusing and the origins of music

    Open Access•Björn Merker•ARTICLE•Musicae Scientiae•1999

    The surprising fit between the basic pattern of hominid sociality (inferred from shared features of human and chimpanzee sociality) and one of the models developed to explain the evolution of synchronous chorusing in insects suggests that synchronous chorusing played a role in the late Miocene separation of the hominid ancestors of humans from our common ancestor with the chimpanzee. A detailed evolutionary scenario for this process is presented …

  • A New Theory of Music Origins

    Björn Merker•ARTICLE•Nordisk Tidsskrift for Musikkterapi•2000•Cited by: 3

    (2000). A New Theory of Music Origins: the Language Auxiliary Hypothesis. Nordisk Tidsskrift for Musikkterapi: Vol. 9, No. 2, pp. 28-31

  • Music Origins – From a Forum Discussion

    Randi Rolvsjord, Bjørn Grinde et al.•ARTICLE•Nordisk Tidsskrift for Musikkterapi•2001•References: 2

    2001). Music Origins – From a Forum Discussion. Nordic Journal of Music Therapy: Vol. 10, No. 1, pp. 100-104

  • Music and the Rett Disorder

    Björn Merker, Märith Bergström-Isacsson et al.•ARTICLE•Nordisk Tidsskrift for Musikkterapi•2001•Cited by: 4•References: 8

    Observations in the course of music therapy as well as informal reports by relatives and other caregivers indicate that music constitutes a significant category of experience for people with Rett syndrome, despite the severe cognitive, communicative and social disability produced by this neurological developmental disorder. Since there is a lack of systematic information about the role of music in the lives of persons with Rett syndrome, we have …

  • Music

    Open Access•Björn Merker•ARTICLE•Musicae Scientiae•2002

    William Abler identified a common principle of pattern generation underlying the open-ended diversity of forms exhibited by chemistry, genetics and human language. He named this generative principle “the particulate principle of self-diversifying systems”. In passing Abler mentioned music as an instance of the principle, but did not develop the idea. Most extant music does not use the sound content of the continua of frequency (pitch) and time di…

  • The liabilities of mobility

    Open Access•Björn Merker•ARTICLE•Consciousness and Cognition•2005

  • Hostile Presenting in Captive Gibbons

    Open Access•Alan R Mootnick, Elaine Baker et al.•ARTICLE•International Journal of…•2006•Cited by: 1•References: 22

  • Consciousness without a cerebral cortex

    Open Access•Björn Merker•ARTICLE•Behavioral and Brain Sciences•2007

    A broad range of evidence regarding the functional organization of the vertebrate brain – spanning from comparative neurology to experimental psychology and neurophysiology to clinical data – is reviewed for its bearing on conceptions of the neural organization of consciousness. A novel principle relating target selection, action selection, and motivation to one another, as a means to optimize integration for action in real time, is introduced. W…

  • Metrically Structured Time and Entrainment

    Guy Madison, Fredrik Ullén et al.•CHAPTER•Routledge Companion to Embodied…•2017

    This chapter focuses on the perceptual mechanisms that enable and facilitate entrainment to the temporally regular sounds of music. It discusses possible unifying principles underlying functions of entrainment in the action range for human movement, where entrainment occurs most readily and with greatest precision. The chapter reviews timing constraints imposed by our biology and describes the metrical organization of time that is employed by mus…

Psychology (9 works) · Art (6 works) · Cognitive science (6 works) · Biology (5 works) · Communication (4 works) · Computer Science (4 works) · Language and cultural evolution (4 works) · Animal Vocal Communication and Behavior (3 works) · Evolutionary biology (3 works) · Literature (3 works)

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