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Linda Cocchi

Biographic Data

ID1863251
NAMELinda Cocchi
GIVEN NAMESLinda
FAMILY NAMECocchi
SIGNATURECOCCHI L
AFFILIATIONSUniversity of Florence
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS3
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2012
LATEST PUBLICATION YEAR2024
H-INDEX1
  • An Innovative Method Based on In Situ Deformometric Monitoring to Support Decisions for the Structural Restoration of a Historic Panel Painting

    Open Access•Paola Mazzanti, Bertrand Marcon et al.•ARTICLE•Heritage•2024•Cited by: 1•References: 2

    This paper describes an innovative method developed by the authors to support basic decisions concerning the structural restoration of a large historical panel painting which had been damaged by inappropriate attachment to a wall and ongoing exposure to severe changes in environmental humidity. The Lapidazione di Santo Stefano is a large panel (2.78 × 3.92 m2) painted by Giorgio Vasari in 1571 and has been housed since then in the Church of Santo…

  • Mechanical study of a support system for cupping control of panel paintings combining crossbars and springs

    Open Access•Bertrand Marcon, Paola Mazzanti et al.•ARTICLE•Journal of Cultural Heritage•2012•Cited by: 1•References: 15

  • The Deformometric Kit

    Open Access•L Uzielli, Linda Cocchi et al.•ARTICLE•Journal of Cultural Heritage•2012•Cited by: 1•References: 2

  • An Innovative Method Based on In Situ Deformometric Monitoring to Support Decisions for the Structural Restoration of a Historic Panel Painting

    Open Access•Paola Mazzanti, Bertrand Marcon et al.•ARTICLE•Heritage•2024•Cited by: 1•References: 2

    This paper describes an innovative method developed by the authors to support basic decisions concerning the structural restoration of a large historical panel painting which had been damaged by inappropriate attachment to a wall and ongoing exposure to severe changes in environmental humidity. The Lapidazione di Santo Stefano is a large panel (2.78 × 3.92 m2) painted by Giorgio Vasari in 1571 and has been housed since then in the Church of Santo…

  • Mechanical study of a support system for cupping control of panel paintings combining crossbars and springs

    Open Access•Bertrand Marcon, Paola Mazzanti et al.•ARTICLE•Journal of Cultural Heritage•2012•Cited by: 1•References: 15

  • The Deformometric Kit

    Open Access•L Uzielli, Linda Cocchi et al.•ARTICLE•Journal of Cultural Heritage•2012•Cited by: 1•References: 2

  • Mechanical study of a support system for cupping control of panel paintings combining crossbars and springs

    Open Access•Bertrand Marcon, Paola Mazzanti et al.•ARTICLE•Journal of Cultural Heritage•2012•Cited by: 1•References: 15

  • The Deformometric Kit

    Open Access•L Uzielli, Linda Cocchi et al.•ARTICLE•Journal of Cultural Heritage•2012•Cited by: 1•References: 2

  • An Innovative Method Based on In Situ Deformometric Monitoring to Support Decisions for the Structural Restoration of a Historic Panel Painting

    Open Access•Paola Mazzanti, Bertrand Marcon et al.•ARTICLE•Heritage•2024•Cited by: 1•References: 2

    This paper describes an innovative method developed by the authors to support basic decisions concerning the structural restoration of a large historical panel painting which had been damaged by inappropriate attachment to a wall and ongoing exposure to severe changes in environmental humidity. The Lapidazione di Santo Stefano is a large panel (2.78 × 3.92 m2) painted by Giorgio Vasari in 1571 and has been housed since then in the Church of Santo…

Composite material (3 works) · Conservation Techniques and Studies (3 works) · Cultural Heritage Materials Analysis (3 works) · Engineering (3 works) · Materials Science (3 works) · Structural engineering (3 works) · Building materials and conservation (2 works) · Forensic engineering (2 works) · Painting (2 works) · Visual arts (2 works)

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