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Nili Belkind

Biographic Data

ID186791
NAMENili Belkind
GIVEN NAMESNili
FAMILY NAMEBelkind
SIGNATUREBELKIND N
AFFILIATIONSHebrew University
ORCID0009-0008-8326-5472
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS1
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Arab music and the changing political imaginaries of cultural citizenship in Israel

    Nili Belkind, Loab Hammoud et al.•ARTICLE•International Journal of Cultural…•2025•References: 16

  • Affective Authenticity

    Ofer Gazit, Nili Belkind•ARTICLE•Journal of Popular Music Studies•2024

    This article develops the concept of “affective authenticity” to explore the experiences and reception of US-based African migrant musicians in the 1960s and 1970s. Based on interviews, archival sources and musical analysis, we trace the migration stories of South African singer Letta Mbulu and the ways in which she negotiated conflicting demands for “authenticity” in her musical performances on the American stage. Affective authenticity represen…

  • Cultural Intimacy at the Conflicted Borderlines of Nation, Ethnicity, and Class in Israel

    Nili Belkind•ARTICLE•Ethnomusicology•2021•References: 25

    In "To Be an Arab," his first Hebrew video clip, Jowan Safadi, a Palestinian citizen of Israel, addresses the populist politics and hate discourses circulating in the public sphere during and after Israel's 2014 war with Gaza. A close reading of the video and its reception aims to (1) unpack how cultural intimacy and ethnonational violence are intertwined in Israel-Palestine; (2) underscore the creative, emotive, interventive, and potentially sub…

  • Israel’s J14 Social Protest Movement and Its Imaginings of ‘Home’

    Nili Belkind•ARTICLE•Middle East Journal of Culture…•2013•Cited by: 1•References: 8

    The J14 social protest movement in Israel (2011) began as a protest against the high cost of living, and most prominently, the inflated cost of housing. However, it quickly became the site of an emerging public discourse regarding the relationship between power and one’s home, whether material dwelling or the universe of meanings associated with home, hom eland, citizenship, nationality and ethnicity. This article explores the ways in which expre…

  • Israel’s J14 Social Protest Movement and Its Imaginings of ‘Home’

    Nili Belkind•ARTICLE•Middle East Journal of Culture…•2013•Cited by: 1•References: 8

    The J14 social protest movement in Israel (2011) began as a protest against the high cost of living, and most prominently, the inflated cost of housing. However, it quickly became the site of an emerging public discourse regarding the relationship between power and one’s home, whether material dwelling or the universe of meanings associated with home, hom eland, citizenship, nationality and ethnicity. This article explores the ways in which expre…

  • Israel’s J14 Social Protest Movement and Its Imaginings of ‘Home’

    Nili Belkind•ARTICLE•Middle East Journal of Culture…•2013•Cited by: 1•References: 8

    The J14 social protest movement in Israel (2011) began as a protest against the high cost of living, and most prominently, the inflated cost of housing. However, it quickly became the site of an emerging public discourse regarding the relationship between power and one’s home, whether material dwelling or the universe of meanings associated with home, hom eland, citizenship, nationality and ethnicity. This article explores the ways in which expre…

  • Cultural Intimacy at the Conflicted Borderlines of Nation, Ethnicity, and Class in Israel

    Nili Belkind•ARTICLE•Ethnomusicology•2021•References: 25

    In "To Be an Arab," his first Hebrew video clip, Jowan Safadi, a Palestinian citizen of Israel, addresses the populist politics and hate discourses circulating in the public sphere during and after Israel's 2014 war with Gaza. A close reading of the video and its reception aims to (1) unpack how cultural intimacy and ethnonational violence are intertwined in Israel-Palestine; (2) underscore the creative, emotive, interventive, and potentially sub…

  • Affective Authenticity

    Ofer Gazit, Nili Belkind•ARTICLE•Journal of Popular Music Studies•2024

    This article develops the concept of “affective authenticity” to explore the experiences and reception of US-based African migrant musicians in the 1960s and 1970s. Based on interviews, archival sources and musical analysis, we trace the migration stories of South African singer Letta Mbulu and the ways in which she negotiated conflicting demands for “authenticity” in her musical performances on the American stage. Affective authenticity represen…

  • Arab music and the changing political imaginaries of cultural citizenship in Israel

    Nili Belkind, Loab Hammoud et al.•ARTICLE•International Journal of Cultural…•2025•References: 16

Gender Studies (3 works) · Jewish and Middle Eastern Studies (3 works) · Sociology (3 works) · Anthropology (2 works) · Citizenship (2 works) · Ethnic group (2 works) · Gender Studies (2 works) · Law (2 works) · Law (2 works) · Music History and Culture (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae