Edgar Casanova-González
Biographic Data
| ID | 1880247 |
|---|---|
| NAME | Edgar Casanova-González |
| GIVEN NAMES | Edgar |
| FAMILY NAME | Casanova-González |
| SIGNATURE | CASANOVA-GONZÁLEZ E |
| AFFILIATIONS | Universidad Nacional Autonoma de Mexico |
| ORCID | 0000-0002-4574-9416 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Additional Fieldwork and Reassessments Support Human Presence since the Last Glacial Maximum at Chiquihuite Cave, Mexico
Chiquihuite Cave became known for its silica-rich limestone artifacts from stratified deposits that indicated human occupations dating between the Last Glacial Maximum (LGM) and the Younger Dryas (YD). The claims were received with skepticism by some peers. This paper presents the results of further explorations performed at the site in 2019 that confirm the presence of artifacts at other locations in the cavern. We communicate the findings of de…
One hue to rule them all: Technological uniformity of red ochre pigments in Teotihuacan mural paintings
New insights on Teotihuacan color technology: A Proposal of a Technological Style for Mural Painting
Teotihuacan, the main city of the Classic period in Central Mexico (ca. 150/200-650 CE), was among many things, a colorful city. Through its application on mural painting, ceramics, lapidary, bone, textiles, and the human body itself, coloring materials gave meaning to the Teotihuacan reality. This research presents color as a socio-technological phenomenon from the archaeology of color, the anthropology of technology, and the application of the …
Compositional variability of pigments and related materials used in stone reliefs from the Tula Archaeological Zone, Mexico: Overcoming challenges of a highly restored site
Multi-technical approach for the characterization of polychrome decorative surfaces at Spanish Mission Churches in Nueva Vizcaya (Chihuahua, Mexico)
An interdisciplinary and multi-institutional group of science and art conservation specialists has provided new insight into the painting materials used in the polychrome walls and wooden ceilings in four seventeenth century Spanish colonial churches of Nueva Vizcaya (Chihuahua, Mexico). A multi-analytical study of the decorative surfaces was performed in situ using spectroscopic approaches (XRF, FORS), False Colour Infrared Reflectography – IRFC…
New insights on Teotihuacan color technology: A Proposal of a Technological Style for Mural Painting
Teotihuacan, the main city of the Classic period in Central Mexico (ca. 150/200-650 CE), was among many things, a colorful city. Through its application on mural painting, ceramics, lapidary, bone, textiles, and the human body itself, coloring materials gave meaning to the Teotihuacan reality. This research presents color as a socio-technological phenomenon from the archaeology of color, the anthropology of technology, and the application of the …
One hue to rule them all: Technological uniformity of red ochre pigments in Teotihuacan mural paintings
Multi-technical approach for the characterization of polychrome decorative surfaces at Spanish Mission Churches in Nueva Vizcaya (Chihuahua, Mexico)
An interdisciplinary and multi-institutional group of science and art conservation specialists has provided new insight into the painting materials used in the polychrome walls and wooden ceilings in four seventeenth century Spanish colonial churches of Nueva Vizcaya (Chihuahua, Mexico). A multi-analytical study of the decorative surfaces was performed in situ using spectroscopic approaches (XRF, FORS), False Colour Infrared Reflectography – IRFC…
Compositional variability of pigments and related materials used in stone reliefs from the Tula Archaeological Zone, Mexico: Overcoming challenges of a highly restored site
New insights on Teotihuacan color technology: A Proposal of a Technological Style for Mural Painting
Teotihuacan, the main city of the Classic period in Central Mexico (ca. 150/200-650 CE), was among many things, a colorful city. Through its application on mural painting, ceramics, lapidary, bone, textiles, and the human body itself, coloring materials gave meaning to the Teotihuacan reality. This research presents color as a socio-technological phenomenon from the archaeology of color, the anthropology of technology, and the application of the …
One hue to rule them all: Technological uniformity of red ochre pigments in Teotihuacan mural paintings
Additional Fieldwork and Reassessments Support Human Presence since the Last Glacial Maximum at Chiquihuite Cave, Mexico
Chiquihuite Cave became known for its silica-rich limestone artifacts from stratified deposits that indicated human occupations dating between the Last Glacial Maximum (LGM) and the Younger Dryas (YD). The claims were received with skepticism by some peers. This paper presents the results of further explorations performed at the site in 2019 that confirm the presence of artifacts at other locations in the cavern. We communicate the findings of de…
Archaeology (3 works) · Art (3 works) · Building materials and conservation (3 works) · Conservation Techniques and Studies (3 works) · Cultural Heritage Materials Analysis (3 works) · Geography (3 works) · Visual arts (3 works) · Chemistry (2 works) · Mineralogy (2 works) · Painting (2 works)