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Marianne Riphagen

Biographic Data

ID188083
NAMEMarianne Riphagen
GIVEN NAMESMarianne
FAMILY NAMERiphagen
SIGNATURERIPHAGEN M
AFFILIATIONSRadboud University Nijmegen
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS1
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2007
LATEST PUBLICATION YEAR2016
H-INDEX1
  • The Functioning of Indigenous Cultural Protocols in Australia's Contemporary Art World

    Open Access•Marianne Riphagen, Gretchen Stolte et al.•ARTICLE•International Journal of Cultural…•2016•References: 18

    In recent decades, cultural protocols have emerged as a non-judicial alternative to the inadequate legal protection of Indigenous cultural heritage. They are meant to protect Indigenous peoples from the misappropriation of their heritage by outsiders and enhance Indigenous peoples' control over their own domain. This article examines the functioning of Indigenous cultural protocols within Australia's contemporary art world. As we will demonstrate…

  • Ten Canoes

    Marianne Riphagen, Eric Venbrux•ARTICLE•Visual Anthropology•2008•Cited by: 1•References: 2

    n Contains fulltext :\n 73502.pdf (Publisher’s version ) (Open Access)\n

  • Re-framing Indigenous Australian Photography

    Marianne Riphagen•ARTICLE•Canberra Anthropology•2007•References: 7

    This article extends visual anthropological concerns into a new subject area that of contemporary Indigenous Australian photography. It presents what could be described as an ethnography of one artistic photograph created by artist Christian Thompson, taking into account both the work's intended meanings and its materiality. ‘Unpacking’ the ways in which an Aboriginal artist constructs potentially new cultural forms through the visual, I argue th…

  • Ten Canoes

    Marianne Riphagen, Eric Venbrux•ARTICLE•Visual Anthropology•2008•Cited by: 1•References: 2

    n Contains fulltext :\n 73502.pdf (Publisher’s version ) (Open Access)\n

  • Re-framing Indigenous Australian Photography

    Marianne Riphagen•ARTICLE•Canberra Anthropology•2007•References: 7

    This article extends visual anthropological concerns into a new subject area that of contemporary Indigenous Australian photography. It presents what could be described as an ethnography of one artistic photograph created by artist Christian Thompson, taking into account both the work's intended meanings and its materiality. ‘Unpacking’ the ways in which an Aboriginal artist constructs potentially new cultural forms through the visual, I argue th…

  • Ten Canoes

    Marianne Riphagen, Eric Venbrux•ARTICLE•Visual Anthropology•2008•Cited by: 1•References: 2

    n Contains fulltext :\n 73502.pdf (Publisher’s version ) (Open Access)\n

  • The Functioning of Indigenous Cultural Protocols in Australia's Contemporary Art World

    Open Access•Marianne Riphagen, Gretchen Stolte et al.•ARTICLE•International Journal of Cultural…•2016•References: 18

    In recent decades, cultural protocols have emerged as a non-judicial alternative to the inadequate legal protection of Indigenous cultural heritage. They are meant to protect Indigenous peoples from the misappropriation of their heritage by outsiders and enhance Indigenous peoples' control over their own domain. This article examines the functioning of Indigenous cultural protocols within Australia's contemporary art world. As we will demonstrate…

Sociology (3 works) · Cultural Heritage Management and Preservation (2 works) · Indigenous (2 works) · Aesthetics (1 work) · Anthropology (1 work) · Archaeology (1 work) · Art (1 work) · Cultural heritage (1 work) · Ecology (1 work) · Environmental ethics (1 work)

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