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Sophia Lahlil

Biographic Data

ID1883697
NAMESophia Lahlil
GIVEN NAMESSophia
FAMILY NAMELahlil
SIGNATURELAHLIL S
AFFILIATIONSChinese Academy of Sciences
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS36
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2009
LATEST PUBLICATION YEAR2015
H-INDEX3
  • Solutrean and Magdalenian ferruginous rocks heat-treatment

    Open Access•Hélène Salomon, Colette Vignaud et al.•ARTICLE•Journal of Archaeological Science•2015•Cited by: 16•References: 17

  • Influence of manufacturing parameters on the crackling process of ancient Chinese glazed ceramics

    Open Access•Sophia Lahlil, Jiming Xu et al.•ARTICLE•Journal of Cultural Heritage•2015•Cited by: 2•References: 6

  • Non-Destructive Portable Analytical Techniques for Carbon In Situ Screening Before Sampling for Dating Prehistoric Rock Paintings

    Open Access•Lucile Beck, Dominique Genty et al.•ARTICLE•Radiocarbon•2013•Cited by: 4•References: 15

    Direct dating of prehistoric paintings is playing a major role in Paleolithic art studies. Very few figures can be directly dated since the necessary condition is that they contain organic carbon-based material. Thus, it is very important to check the presence of organic carbon-based material in situ before sampling in order to protect the visual integrity of the paintings or drawings. We have tested and compared 3 different portable analytical s…

  • Analyse in situ des dessins préhistoriques de la grotte de Rouffignac par fluorescence X et diffraction X portable

    Open Access•L Beck, Hélène Rousselière et al.•ARTICLE•ArchéoSciences•2012•Cited by: 9

    La Grotte de Rouffignac (Dordogne, France) est un site d'art paléolithique qui renferme de nombreux dessins réalisés au trait noir (mammouths, bisons, rhinocéros laineux, chevaux, bouquetins...). Bien qu'aucune datation directe n'ait été réalisée à ce jour, les œuvres graphiques de cette caverne sont en général rattachées au Magdalénien

  • Characterisation of 18 Melkite icons dating from the 17th to the 19th c. AD

    Open Access•Sophia Lahlil, Elisabeth Martins et al.•ARTICLE•Journal of Cultural Heritage•2012•Cited by: 3•References: 5

  • Relationship Between the Coloration and the Firing Technology Used to Produce Susa Glazed Ceramics of the End of the Neolithic Period

    Open Access•Sophia Lahlil, Anne Bouquillon et al.•ARTICLE•Archaeometry•2009•Cited by: 2•References: 16

    Ancient decorated potteries from Susa (Mesopotamia) dating from 4200 to 3700 bc , were studied in order to determine the origin and the nature of the raw materials used, and to identify the technological processes applied to make the ceramic bodies and their decorations. Bulk compositions were determined by particle induced X‐ray emission (PIXE), while the microstructure and the mineralogical phases were studied using scanning electron microscopy…

  • Solutrean and Magdalenian ferruginous rocks heat-treatment

    Open Access•Hélène Salomon, Colette Vignaud et al.•ARTICLE•Journal of Archaeological Science•2015•Cited by: 16•References: 17

  • Analyse in situ des dessins préhistoriques de la grotte de Rouffignac par fluorescence X et diffraction X portable

    Open Access•L Beck, Hélène Rousselière et al.•ARTICLE•ArchéoSciences•2012•Cited by: 9

    La Grotte de Rouffignac (Dordogne, France) est un site d'art paléolithique qui renferme de nombreux dessins réalisés au trait noir (mammouths, bisons, rhinocéros laineux, chevaux, bouquetins...). Bien qu'aucune datation directe n'ait été réalisée à ce jour, les œuvres graphiques de cette caverne sont en général rattachées au Magdalénien

  • Non-Destructive Portable Analytical Techniques for Carbon In Situ Screening Before Sampling for Dating Prehistoric Rock Paintings

    Open Access•Lucile Beck, Dominique Genty et al.•ARTICLE•Radiocarbon•2013•Cited by: 4•References: 15

    Direct dating of prehistoric paintings is playing a major role in Paleolithic art studies. Very few figures can be directly dated since the necessary condition is that they contain organic carbon-based material. Thus, it is very important to check the presence of organic carbon-based material in situ before sampling in order to protect the visual integrity of the paintings or drawings. We have tested and compared 3 different portable analytical s…

  • Characterisation of 18 Melkite icons dating from the 17th to the 19th c. AD

    Open Access•Sophia Lahlil, Elisabeth Martins et al.•ARTICLE•Journal of Cultural Heritage•2012•Cited by: 3•References: 5

  • Influence of manufacturing parameters on the crackling process of ancient Chinese glazed ceramics

    Open Access•Sophia Lahlil, Jiming Xu et al.•ARTICLE•Journal of Cultural Heritage•2015•Cited by: 2•References: 6

  • Relationship Between the Coloration and the Firing Technology Used to Produce Susa Glazed Ceramics of the End of the Neolithic Period

    Open Access•Sophia Lahlil, Anne Bouquillon et al.•ARTICLE•Archaeometry•2009•Cited by: 2•References: 16

    Ancient decorated potteries from Susa (Mesopotamia) dating from 4200 to 3700 bc , were studied in order to determine the origin and the nature of the raw materials used, and to identify the technological processes applied to make the ceramic bodies and their decorations. Bulk compositions were determined by particle induced X‐ray emission (PIXE), while the microstructure and the mineralogical phases were studied using scanning electron microscopy…

  • Relationship Between the Coloration and the Firing Technology Used to Produce Susa Glazed Ceramics of the End of the Neolithic Period

    Open Access•Sophia Lahlil, Anne Bouquillon et al.•ARTICLE•Archaeometry•2009•Cited by: 2•References: 16

    Ancient decorated potteries from Susa (Mesopotamia) dating from 4200 to 3700 bc , were studied in order to determine the origin and the nature of the raw materials used, and to identify the technological processes applied to make the ceramic bodies and their decorations. Bulk compositions were determined by particle induced X‐ray emission (PIXE), while the microstructure and the mineralogical phases were studied using scanning electron microscopy…

  • Analyse in situ des dessins préhistoriques de la grotte de Rouffignac par fluorescence X et diffraction X portable

    Open Access•L Beck, Hélène Rousselière et al.•ARTICLE•ArchéoSciences•2012•Cited by: 9

    La Grotte de Rouffignac (Dordogne, France) est un site d'art paléolithique qui renferme de nombreux dessins réalisés au trait noir (mammouths, bisons, rhinocéros laineux, chevaux, bouquetins...). Bien qu'aucune datation directe n'ait été réalisée à ce jour, les œuvres graphiques de cette caverne sont en général rattachées au Magdalénien

  • Characterisation of 18 Melkite icons dating from the 17th to the 19th c. AD

    Open Access•Sophia Lahlil, Elisabeth Martins et al.•ARTICLE•Journal of Cultural Heritage•2012•Cited by: 3•References: 5

  • Non-Destructive Portable Analytical Techniques for Carbon In Situ Screening Before Sampling for Dating Prehistoric Rock Paintings

    Open Access•Lucile Beck, Dominique Genty et al.•ARTICLE•Radiocarbon•2013•Cited by: 4•References: 15

    Direct dating of prehistoric paintings is playing a major role in Paleolithic art studies. Very few figures can be directly dated since the necessary condition is that they contain organic carbon-based material. Thus, it is very important to check the presence of organic carbon-based material in situ before sampling in order to protect the visual integrity of the paintings or drawings. We have tested and compared 3 different portable analytical s…

  • Solutrean and Magdalenian ferruginous rocks heat-treatment

    Open Access•Hélène Salomon, Colette Vignaud et al.•ARTICLE•Journal of Archaeological Science•2015•Cited by: 16•References: 17

  • Influence of manufacturing parameters on the crackling process of ancient Chinese glazed ceramics

    Open Access•Sophia Lahlil, Jiming Xu et al.•ARTICLE•Journal of Cultural Heritage•2015•Cited by: 2•References: 6

Building materials and conservation (4 works) · Cultural Heritage Materials Analysis (4 works) · Geology (4 works) · Materials Science (4 works) · Archaeology (3 works) · Art (3 works) · Geography (3 works) · Metallurgy (3 works) · Mineralogy (3 works) · Archaeology and Rock Art Studies (2 works)

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