Ian Reyes
Biographic Data
| ID | 188418 |
|---|---|
| NAME | Ian Reyes |
| GIVEN NAMES | Ian |
| FAMILY NAME | Reyes |
| SIGNATURE | REYES I |
| AFFILIATIONS | University of Rhode Island |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 11 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 2 |
Mobile phone: Marketplace Icon
The mobile phone is an essential component of early twenty-first century societies, markets, and economies. The mobile handset in particular has become the synechdocal symbol of major socio-economic transformations the world over. Through an abbreviated history of mobile handsets, touching on each of the first three generations of mobile phones, this Marketplace Icon installment traces the evolution of the look, feel, and function of mobiles from…
Hikikomori: Adolescence without end
Mobile media: From Legato to Staccato, Isochronal Consumptionscapes
Mobile devices in the form of smartphones are transforming the temporality of consumption experiences, from languid and legato forms to isochronal and staccato forms. New communication technologies accelerate as well as alter mobile consumptionscapes. Rather than attempting to capture the elusive here-and-now essence of such fast-changing scenes, this essay invokes three historical episodes of technology and mobility – the transistor radio, the W…
Blacker than Death: Recollecting the “Black Turn” in Metal Aesthetics: Blacker than Death
This essay illuminates the construction of a newer, blacker, and heavier recollection of metal’s aesthetic potential. By analyzing recordings and popular press articles, and reading these through the historical and theoretical observations of academic metal studies, I argue that the precondition of 1990s black metal was the exhaustion of death metal aesthetics coinciding with the emergence of a more international metal scene. In the 90s, death me…
To Know Beyond Listening: Monitoring Digital Music
In music production, “monitoring” refers traditionally to audile strategies intended to reveal the “true” sound of mediated audio. Here, it is expanded to include new, digital technologies intended to better know and control the record-object beyond what listening and listening technologies allow. Surveying traditional, contemporary, and emerging tools of record production and distribution, this essay addresses three types of monitoring: audio, v…
Mobile media: From Legato to Staccato, Isochronal Consumptionscapes
Mobile devices in the form of smartphones are transforming the temporality of consumption experiences, from languid and legato forms to isochronal and staccato forms. New communication technologies accelerate as well as alter mobile consumptionscapes. Rather than attempting to capture the elusive here-and-now essence of such fast-changing scenes, this essay invokes three historical episodes of technology and mobility – the transistor radio, the W…
To Know Beyond Listening: Monitoring Digital Music
In music production, “monitoring” refers traditionally to audile strategies intended to reveal the “true” sound of mediated audio. Here, it is expanded to include new, digital technologies intended to better know and control the record-object beyond what listening and listening technologies allow. Surveying traditional, contemporary, and emerging tools of record production and distribution, this essay addresses three types of monitoring: audio, v…
Mobile phone: Marketplace Icon
The mobile phone is an essential component of early twenty-first century societies, markets, and economies. The mobile handset in particular has become the synechdocal symbol of major socio-economic transformations the world over. Through an abbreviated history of mobile handsets, touching on each of the first three generations of mobile phones, this Marketplace Icon installment traces the evolution of the look, feel, and function of mobiles from…
To Know Beyond Listening: Monitoring Digital Music
In music production, “monitoring” refers traditionally to audile strategies intended to reveal the “true” sound of mediated audio. Here, it is expanded to include new, digital technologies intended to better know and control the record-object beyond what listening and listening technologies allow. Surveying traditional, contemporary, and emerging tools of record production and distribution, this essay addresses three types of monitoring: audio, v…
Blacker than Death: Recollecting the “Black Turn” in Metal Aesthetics: Blacker than Death
This essay illuminates the construction of a newer, blacker, and heavier recollection of metal’s aesthetic potential. By analyzing recordings and popular press articles, and reading these through the historical and theoretical observations of academic metal studies, I argue that the precondition of 1990s black metal was the exhaustion of death metal aesthetics coinciding with the emergence of a more international metal scene. In the 90s, death me…
Hikikomori: Adolescence without end
Mobile media: From Legato to Staccato, Isochronal Consumptionscapes
Mobile devices in the form of smartphones are transforming the temporality of consumption experiences, from languid and legato forms to isochronal and staccato forms. New communication technologies accelerate as well as alter mobile consumptionscapes. Rather than attempting to capture the elusive here-and-now essence of such fast-changing scenes, this essay invokes three historical episodes of technology and mobility – the transistor radio, the W…
Mobile phone: Marketplace Icon
The mobile phone is an essential component of early twenty-first century societies, markets, and economies. The mobile handset in particular has become the synechdocal symbol of major socio-economic transformations the world over. Through an abbreviated history of mobile handsets, touching on each of the first three generations of mobile phones, this Marketplace Icon installment traces the evolution of the look, feel, and function of mobiles from…
Computer Science (4 works) · Advertising (2 works) · Art (2 works) · Business (2 works) · Computer security (2 works) · Key (lock (2 works) · Mobile computing (2 works) · Mobile technology (2 works) · Multimedia (2 works) · Music History and Culture (2 works)