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Pietro Baraldi

Biographic Data

ID1887965
NAMEPietro Baraldi
GIVEN NAMESPietro
FAMILY NAMEBaraldi
SIGNATUREBARALDI P
AFFILIATIONSUniversity of Modena and Reggio Emilia
ORCID0000-0001-9948-1219
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS16
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2006
LATEST PUBLICATION YEAR2020
H-INDEX2
  • Notes on Vestorius’ Blue – New findings and investigations

    Open Access•Raffaella Fontana, Pietro Baraldi et al.•ARTICLE•Journal of Cultural Heritage•2020•Cited by: 2•References: 20

  • Images and colors from the tombs of Paestum

    Open Access•Giorgia Ferrari, Giovanna Bosi et al.•ARTICLE•Journal of Archaeological Science…•2018•Cited by: 1•References: 3

  • Micro‐Raman And Micro‐Stratigraphic Analysis Of The Painting Materials In The Rock‐Hewn Church Of The Forty Martyrs In Şahinefendi, Cappadocia (Turkey)

    Open Access•Claudia Pelosi, Giorgia Agresti et al.•ARTICLE•Archaeometry•2016•Cited by: 2•References: 10

    This paper presents the results of analyses carried out on the paintings on the rock‐hewn walls of the Forty Martyrs church at Şahinefendi in Cappadocia (a UNESCO World Heritage Site), a central region of Turkey, performed during conservation work from 2007 to 2012. The micro‐samples were investigated by spectroscopic, micro‐stratigraphic and scanning electron microscopy analysis in order to study the painting technique, the materials and the deg…

  • Pigment characterization of drawings and painted layers under 5th-7th centuries wall mosaics from Ravenna (Italy)

    Open Access•Pietro Baraldi, Bracci et al.•ARTICLE•Journal of Cultural Heritage•2016•Cited by: 1•References: 9

  • Study of the Technique and of the Materials of a 19th‐Century Polychrome Wood Mask from P apua N ew G uinea

    Open Access•Pietro Baraldi, Angela Lo Monaco et al.•ARTICLE•Archaeometry•2014

    This paper presents the results of the analysis carried out on a polychrome wood mask from P apua N ew G uinea during conservation work at Pigorini Museum's restoration laboratory. The significance of this study is that no prior work has characterized the painting materials of P apua N ew G uinea masks both with spectroscopic and internal microstratigraphic analysis. In fact, these objects were studied especially from an anthropological or conser…

  • Analytical Characterization of Roman Plasters of the ‘ Domus Farini ’ in Modena

    Open Access•Pietro Baraldi, A BONAZZI et al.•ARTICLE•Archaeometry•2006•Cited by: 10•References: 4

    The paper refers to the analytical characterization of Roman painted plasters dating back to the second century ad . The following techniques were used: optical microscopy (OM), scanning electron microscopy (SEM–EDS), micro‐Raman and Fourier transform infrared spectroscopies (μ‐Raman and FT–IR), X‐ray diffraction (XRPD), colorimetry and thermal analyses (TG/DTA). The investigation analysed the chemical composition and structure of the plasters, t…

  • Analytical Characterization of Roman Plasters of the ‘ Domus Farini ’ in Modena

    Open Access•Pietro Baraldi, A BONAZZI et al.•ARTICLE•Archaeometry•2006•Cited by: 10•References: 4

    The paper refers to the analytical characterization of Roman painted plasters dating back to the second century ad . The following techniques were used: optical microscopy (OM), scanning electron microscopy (SEM–EDS), micro‐Raman and Fourier transform infrared spectroscopies (μ‐Raman and FT–IR), X‐ray diffraction (XRPD), colorimetry and thermal analyses (TG/DTA). The investigation analysed the chemical composition and structure of the plasters, t…

  • Notes on Vestorius’ Blue – New findings and investigations

    Open Access•Raffaella Fontana, Pietro Baraldi et al.•ARTICLE•Journal of Cultural Heritage•2020•Cited by: 2•References: 20

  • Micro‐Raman And Micro‐Stratigraphic Analysis Of The Painting Materials In The Rock‐Hewn Church Of The Forty Martyrs In Şahinefendi, Cappadocia (Turkey)

    Open Access•Claudia Pelosi, Giorgia Agresti et al.•ARTICLE•Archaeometry•2016•Cited by: 2•References: 10

    This paper presents the results of analyses carried out on the paintings on the rock‐hewn walls of the Forty Martyrs church at Şahinefendi in Cappadocia (a UNESCO World Heritage Site), a central region of Turkey, performed during conservation work from 2007 to 2012. The micro‐samples were investigated by spectroscopic, micro‐stratigraphic and scanning electron microscopy analysis in order to study the painting technique, the materials and the deg…

  • Images and colors from the tombs of Paestum

    Open Access•Giorgia Ferrari, Giovanna Bosi et al.•ARTICLE•Journal of Archaeological Science…•2018•Cited by: 1•References: 3

  • Pigment characterization of drawings and painted layers under 5th-7th centuries wall mosaics from Ravenna (Italy)

    Open Access•Pietro Baraldi, Bracci et al.•ARTICLE•Journal of Cultural Heritage•2016•Cited by: 1•References: 9

  • Analytical Characterization of Roman Plasters of the ‘ Domus Farini ’ in Modena

    Open Access•Pietro Baraldi, A BONAZZI et al.•ARTICLE•Archaeometry•2006•Cited by: 10•References: 4

    The paper refers to the analytical characterization of Roman painted plasters dating back to the second century ad . The following techniques were used: optical microscopy (OM), scanning electron microscopy (SEM–EDS), micro‐Raman and Fourier transform infrared spectroscopies (μ‐Raman and FT–IR), X‐ray diffraction (XRPD), colorimetry and thermal analyses (TG/DTA). The investigation analysed the chemical composition and structure of the plasters, t…

  • Study of the Technique and of the Materials of a 19th‐Century Polychrome Wood Mask from P apua N ew G uinea

    Open Access•Pietro Baraldi, Angela Lo Monaco et al.•ARTICLE•Archaeometry•2014

    This paper presents the results of the analysis carried out on a polychrome wood mask from P apua N ew G uinea during conservation work at Pigorini Museum's restoration laboratory. The significance of this study is that no prior work has characterized the painting materials of P apua N ew G uinea masks both with spectroscopic and internal microstratigraphic analysis. In fact, these objects were studied especially from an anthropological or conser…

  • Micro‐Raman And Micro‐Stratigraphic Analysis Of The Painting Materials In The Rock‐Hewn Church Of The Forty Martyrs In Şahinefendi, Cappadocia (Turkey)

    Open Access•Claudia Pelosi, Giorgia Agresti et al.•ARTICLE•Archaeometry•2016•Cited by: 2•References: 10

    This paper presents the results of analyses carried out on the paintings on the rock‐hewn walls of the Forty Martyrs church at Şahinefendi in Cappadocia (a UNESCO World Heritage Site), a central region of Turkey, performed during conservation work from 2007 to 2012. The micro‐samples were investigated by spectroscopic, micro‐stratigraphic and scanning electron microscopy analysis in order to study the painting technique, the materials and the deg…

  • Pigment characterization of drawings and painted layers under 5th-7th centuries wall mosaics from Ravenna (Italy)

    Open Access•Pietro Baraldi, Bracci et al.•ARTICLE•Journal of Cultural Heritage•2016•Cited by: 1•References: 9

  • Images and colors from the tombs of Paestum

    Open Access•Giorgia Ferrari, Giovanna Bosi et al.•ARTICLE•Journal of Archaeological Science…•2018•Cited by: 1•References: 3

  • Notes on Vestorius’ Blue – New findings and investigations

    Open Access•Raffaella Fontana, Pietro Baraldi et al.•ARTICLE•Journal of Cultural Heritage•2020•Cited by: 2•References: 20

Cultural Heritage Materials Analysis (6 works) · Building materials and conservation (5 works) · Archaeology (4 works) · Art (4 works) · Chemistry (4 works) · Conservation Techniques and Studies (4 works) · Materials Science (4 works) · Mineralogy (4 works) · Visual arts (4 works) · Composite material (3 works)

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