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Lucy R Lippard

Biographic Data

ID189003
NAMELucy R Lippard
GIVEN NAMESLucy R
FAMILY NAMELippard
SIGNATURELIPPARD L R
AFFILIATIONSUniversidade Federal do Rio de Janeiro
VERIFIEDNo
TOTAL WORKS15
TOTAL CITATIONS6
AUTHOR COUNT15
EDITOR COUNT0
FIRST PUBLICATION YEAR1972
LATEST PUBLICATION YEAR2026
H-INDEX2
  • World War 3 Illustrated

    Lucy R Lippard•ARTICLE•Radical History Review•2026

    Founded in 1979, World War 3 Illustrated has played a central role in radical comic art with its annual, artist-driven productions

  • Quebrando círculos

    Open Access•Lucy R Lippard, Alejandro Leal•ARTICLE•arte e ensaios•2023•Cited by: 1•References: 3

    O texto aborda a produção de Robert Smithson e as relações políticas, históricas, geológicas e artísticas que ela estabelece. Apresenta as principais earthworks do artista e as articula com questões mais amplas ligadas ao mundo da arte

  • Farther Afield

    Lucy R Lippard•CHAPTER•Between Art and Anthropology•2021

    The quest for meaningful context, and for meaning itself, has led these artists towards anthropology, which, even when it’s trapped in its own self-fulfilling prophecies, does offer significant contextual models. Within the mainstream, art that approaches social anthropology or sociology too closely is usually dismissed as aesthetically unambitious, unless it’s pretty enough to make it back over to the art side of the fence. No group in the US ha…

  • Frank Day

    Open Access•Lucy R Lippard•ARTICLE•Museum Anthropology•2000

  • The Pink Glass Swan

    Linda S Aleci, Lucy R Lippard et al.•ARTICLE•Woman s Art Journal•1998

    In the 1970s, Lucy R. Lippard, author of the highly original and popular Mixed Blessings, merged her art-world concerns with those of the then-fledgling women's movement. In a career that spans sixteen books and scores of articles, catalogs, and essays on art, political activism, feminism, and multiculturalism, her engaging and provocative writings have heralded a new way of thinking about art and its role in the feminist movement. This new colle…

  • Six years

    Lucy R Lippard•BOOK•Six years•1997

  • Frames of Mind

    Lucy R Lippard•ARTICLE•Afterimage•1997

    Essay| April 01 1997 Frames of Mind Lucy R. Lippard Lucy R. Lippard Lucy Lippard is a writer and activist who lives in Galisteo, NM. She has published 18 books on contemporary art including Partial Recall: Photographs of Native North Americans, (1992) and The Lure o f the Local, (1997). Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1997) 24 (5): 8–12. https://doi.org/10.1525/aft.1997.24.5.8 Views Icon Views…

  • Turning the Mirrors around-The Pre-Face

    Lucy R Lippard•ARTICLE•American Art•1991

  • Doubletake

    Lucy R Lippard•ARTICLE•Third Text•1991•Cited by: 2

  • Lacy Some of Her Own Medicine

    Lucy R Lippard•ARTICLE•TDR/The Drama Review•1988

    I have long admired the generous and almost evangelical expansiveness of Suzanne Lacy's work. She is one of the few performance artists who has been able to get off the stage and into the streets without sacrificing her experimental integrity and striking imagery. Combined with her commitment to feminist issues, this has resulted some of the most imaginative and powerful political art the last decade.1 It is also unique the way Lacy maintains str…

  • Women of Sweetgrass, Cedar and Sage

    Nancy Luomala, Erin Younger et al.•ARTICLE•Woman s Art Journal•1988•Cited by: 1

  • Overlay

    Sibyl James, Lucy R Lippard•ARTICLE•Woman s Art Journal•1984

  • Working Women/Working Artists/Working Together

    Lucy R Lippard, Candace Hill-Montgomery•ARTICLE•Woman s Art Journal•1982

    Originally published in 1982, the text Working Women/Working Artists/Working Together, written by Candace Hill-Montgomery and Lucy Lippard, was prompted by an eponymous exhibition initiated by the authors at Gallery 1199 in New York. Part of both the union-organized Bread and Roses cultural program and the multi-part exhibition project Views by Women Artists, the exhibition and text presented issues of race, gender, and class as inextricably conn…

  • May Stevens’ big daddies

    Lucy R Lippard•ARTICLE•Women s Studies•1975

  • Catalysis

    Open Access•Lucy R Lippard, Lucy Lippard•ARTICLE•The Drama Review TDR•1972•Cited by: 2

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Doubletake

    Lucy R Lippard•ARTICLE•Third Text•1991•Cited by: 2

  • Catalysis

    Open Access•Lucy R Lippard, Lucy Lippard•ARTICLE•The Drama Review TDR•1972•Cited by: 2

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Quebrando círculos

    Open Access•Lucy R Lippard, Alejandro Leal•ARTICLE•arte e ensaios•2023•Cited by: 1•References: 3

    O texto aborda a produção de Robert Smithson e as relações políticas, históricas, geológicas e artísticas que ela estabelece. Apresenta as principais earthworks do artista e as articula com questões mais amplas ligadas ao mundo da arte

  • Women of Sweetgrass, Cedar and Sage

    Nancy Luomala, Erin Younger et al.•ARTICLE•Woman s Art Journal•1988•Cited by: 1

  • Catalysis

    Open Access•Lucy R Lippard, Lucy Lippard•ARTICLE•The Drama Review TDR•1972•Cited by: 2

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • May Stevens’ big daddies

    Lucy R Lippard•ARTICLE•Women s Studies•1975

  • Working Women/Working Artists/Working Together

    Lucy R Lippard, Candace Hill-Montgomery•ARTICLE•Woman s Art Journal•1982

    Originally published in 1982, the text Working Women/Working Artists/Working Together, written by Candace Hill-Montgomery and Lucy Lippard, was prompted by an eponymous exhibition initiated by the authors at Gallery 1199 in New York. Part of both the union-organized Bread and Roses cultural program and the multi-part exhibition project Views by Women Artists, the exhibition and text presented issues of race, gender, and class as inextricably conn…

  • Overlay

    Sibyl James, Lucy R Lippard•ARTICLE•Woman s Art Journal•1984

  • Lacy Some of Her Own Medicine

    Lucy R Lippard•ARTICLE•TDR/The Drama Review•1988

    I have long admired the generous and almost evangelical expansiveness of Suzanne Lacy's work. She is one of the few performance artists who has been able to get off the stage and into the streets without sacrificing her experimental integrity and striking imagery. Combined with her commitment to feminist issues, this has resulted some of the most imaginative and powerful political art the last decade.1 It is also unique the way Lacy maintains str…

  • Women of Sweetgrass, Cedar and Sage

    Nancy Luomala, Erin Younger et al.•ARTICLE•Woman s Art Journal•1988•Cited by: 1

  • Turning the Mirrors around-The Pre-Face

    Lucy R Lippard•ARTICLE•American Art•1991

  • Doubletake

    Lucy R Lippard•ARTICLE•Third Text•1991•Cited by: 2

  • Six years

    Lucy R Lippard•BOOK•Six years•1997

  • Frames of Mind

    Lucy R Lippard•ARTICLE•Afterimage•1997

    Essay| April 01 1997 Frames of Mind Lucy R. Lippard Lucy R. Lippard Lucy Lippard is a writer and activist who lives in Galisteo, NM. She has published 18 books on contemporary art including Partial Recall: Photographs of Native North Americans, (1992) and The Lure o f the Local, (1997). Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1997) 24 (5): 8–12. https://doi.org/10.1525/aft.1997.24.5.8 Views Icon Views…

  • The Pink Glass Swan

    Linda S Aleci, Lucy R Lippard et al.•ARTICLE•Woman s Art Journal•1998

    In the 1970s, Lucy R. Lippard, author of the highly original and popular Mixed Blessings, merged her art-world concerns with those of the then-fledgling women's movement. In a career that spans sixteen books and scores of articles, catalogs, and essays on art, political activism, feminism, and multiculturalism, her engaging and provocative writings have heralded a new way of thinking about art and its role in the feminist movement. This new colle…

  • Frank Day

    Open Access•Lucy R Lippard•ARTICLE•Museum Anthropology•2000

  • Farther Afield

    Lucy R Lippard•CHAPTER•Between Art and Anthropology•2021

    The quest for meaningful context, and for meaning itself, has led these artists towards anthropology, which, even when it’s trapped in its own self-fulfilling prophecies, does offer significant contextual models. Within the mainstream, art that approaches social anthropology or sociology too closely is usually dismissed as aesthetically unambitious, unless it’s pretty enough to make it back over to the art side of the fence. No group in the US ha…

  • Quebrando círculos

    Open Access•Lucy R Lippard, Alejandro Leal•ARTICLE•arte e ensaios•2023•Cited by: 1•References: 3

    O texto aborda a produção de Robert Smithson e as relações políticas, históricas, geológicas e artísticas que ela estabelece. Apresenta as principais earthworks do artista e as articula com questões mais amplas ligadas ao mundo da arte

  • World War 3 Illustrated

    Lucy R Lippard•ARTICLE•Radical History Review•2026

    Founded in 1979, World War 3 Illustrated has played a central role in radical comic art with its annual, artist-driven productions

Art (9 works) · Visual arts (6 works) · Art history (5 works) · Computer Science (4 works) · Visual Culture and Art Theory (4 works) · Aesthetics (3 works) · Art, Politics, and Modernism (2 works) · Humanities (2 works) · Law (2 works) · Museums and Cultural Heritage (2 works)

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