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Brenda F Berrian

Biographic Data

ID190464
NAMEBrenda F Berrian
GIVEN NAMESBrenda F
FAMILY NAMEBerrian
SIGNATUREBERRIAN B F
AFFILIATIONSUniversity of Pittsburgh
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS4
AUTHOR COUNT12
EDITOR COUNT0
FIRST PUBLICATION YEAR1981
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Remembering the Zouk Singer Patrick Saint-Éloi of Guadeloupe

    Brenda F Berrian•ARTICLE•Caribbean Quarterly•2022

  • Race, Identity, and Privilege from the US to the Congo

    Brenda F Berrian•BOOK•Race, Identity, and Privilege…•2021

  • Un peu de bonheur: Jocelyne Béroard and Her Lyrics about Love

    Brenda F Berrian•ARTICLE•Latin American Music Review•2015

    Jocelyne Béroard, member of Kassav’, is the first professional woman zouk singer from Martinique to compose and sing her own songs. For more than thirty years, she has expressed her thoughts about various notions of love that affect French Caribbean people in France and the islands of the Caribbean

  • Awakening Spaces: French Caribbean Popular Songs, Music, and Culture

    Jocelyne Guilbault, Brenda F Berrian•ARTICLE•Ethnomusicology•2003

  • Music, Race and Nation: Música Tropical in Colombia

    Open Access•Brenda F Berrian•ARTICLE•American Ethnologist•2003

    Music, Race and Nation: Música Tropical in Colombia. Peter Wade. Chicago: University of Chicago Press, 2000. vii. 323 pp., appendixes, notes, reference, index

  • Awakening Spaces: French Caribbean Popular Songs, Music, and Culture

    Shannon Dudley, Brenda F Berrian et al.•ARTICLE•Yearbook for Traditional Music•2002

  • In Memoriam: Flora Nwapa (1931-1993)

    Brenda F Berrian•ARTICLE•Signs: Journal of Women in…•1995

  • Claiming an Identity: Caribbean Women Writers in English

    Open Access•Brenda F Berrian•ARTICLE•Journal of Black Studies•1994

    Several English-speaking Caribbean women writers stress the importance of knowing one's history. The interrelationship leads to the formation of female identity. All write about mothers as vehicles of culture and history. Once this function is removed from biological mothers, the daughters become confused about their history and place in it. From the slave narrative to two contemporary novels, we see a slide from the nurturing mother to two surro…

  • In Search of a Paradise

    Brenda F Berrian, Beverly Ormerod•ARTICLE•Callaloo•1988

  • Books/Livres

    Brenda F Berrian, Derek Cohen et al.•ARTICLE•Canadian Journal of African…•1981

  • Black Writers: White Audience. A Critical Approach to African Literature

    Brenda F Berrian, Phanuel Akubueze Egejuru•ARTICLE•African Studies Review•1981•Cited by: 1

  • South African Literature

    Open Access•Brenda F Berrian, Sol T Plaatje et al.•ARTICLE•Canadian Journal of African…•1981•Cited by: 3

  • South African Literature

    Open Access•Brenda F Berrian, Sol T Plaatje et al.•ARTICLE•Canadian Journal of African…•1981•Cited by: 3

  • Black Writers: White Audience. A Critical Approach to African Literature

    Brenda F Berrian, Phanuel Akubueze Egejuru•ARTICLE•African Studies Review•1981•Cited by: 1

  • Books/Livres

    Brenda F Berrian, Derek Cohen et al.•ARTICLE•Canadian Journal of African…•1981

  • Black Writers: White Audience. A Critical Approach to African Literature

    Brenda F Berrian, Phanuel Akubueze Egejuru•ARTICLE•African Studies Review•1981•Cited by: 1

  • South African Literature

    Open Access•Brenda F Berrian, Sol T Plaatje et al.•ARTICLE•Canadian Journal of African…•1981•Cited by: 3

  • In Search of a Paradise

    Brenda F Berrian, Beverly Ormerod•ARTICLE•Callaloo•1988

  • Claiming an Identity: Caribbean Women Writers in English

    Open Access•Brenda F Berrian•ARTICLE•Journal of Black Studies•1994

    Several English-speaking Caribbean women writers stress the importance of knowing one's history. The interrelationship leads to the formation of female identity. All write about mothers as vehicles of culture and history. Once this function is removed from biological mothers, the daughters become confused about their history and place in it. From the slave narrative to two contemporary novels, we see a slide from the nurturing mother to two surro…

  • In Memoriam: Flora Nwapa (1931-1993)

    Brenda F Berrian•ARTICLE•Signs: Journal of Women in…•1995

  • Awakening Spaces: French Caribbean Popular Songs, Music, and Culture

    Shannon Dudley, Brenda F Berrian et al.•ARTICLE•Yearbook for Traditional Music•2002

  • Awakening Spaces: French Caribbean Popular Songs, Music, and Culture

    Jocelyne Guilbault, Brenda F Berrian•ARTICLE•Ethnomusicology•2003

  • Music, Race and Nation: Música Tropical in Colombia

    Open Access•Brenda F Berrian•ARTICLE•American Ethnologist•2003

    Music, Race and Nation: Música Tropical in Colombia. Peter Wade. Chicago: University of Chicago Press, 2000. vii. 323 pp., appendixes, notes, reference, index

  • Un peu de bonheur: Jocelyne Béroard and Her Lyrics about Love

    Brenda F Berrian•ARTICLE•Latin American Music Review•2015

    Jocelyne Béroard, member of Kassav’, is the first professional woman zouk singer from Martinique to compose and sing her own songs. For more than thirty years, she has expressed her thoughts about various notions of love that affect French Caribbean people in France and the islands of the Caribbean

  • Race, Identity, and Privilege from the US to the Congo

    Brenda F Berrian•BOOK•Race, Identity, and Privilege…•2021

  • Remembering the Zouk Singer Patrick Saint-Éloi of Guadeloupe

    Brenda F Berrian•ARTICLE•Caribbean Quarterly•2022

Art (6 works) · Caribbean and African Literature and Culture (4 works) · History (4 works) · Migration, Identity, and Health (4 works) · Sociology (4 works) · History (3 works) · Literature (3 works) · Political science (3 works) · Art history (2 works) · Caribbean history, culture, and politics (2 works)

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